My Kind of Country

Country music from a fan's point of view since 2008

Album Review: Jim Lauderdale — ‘Every Second Counts’

Jim Lauderdale released his third album, Every Second Counts, in 1995. His second and final album for Atlantic, it was co-produced by Lauderdale and Dusty Wakeman.

The record opens with “It’s Time When It’s Time,” a rather generic mid to fast tempo rocker. “That’s Not The Way It Works” follows in the same vein, although the melody, while uninteresting, is engaging.

“Don’t Build Your World Around It” is straight up rock, with a cluttered arraignment that somewhat drowns out the lyric. I don’t think it’s a bad song and would benefit from a more traditional accompaniment. Lauderdale co-wrote “Always On The Outside,” a horn-drenched mid-tempo rocker, with Nick Lowe. It’s the first truly interesting song to appear on the album.

I really like the ballad “Charmed” and can see a lot of potential with the track, although the production feels very dated. “Fireball,” the first song that feels like classic Lauderdale, is one of two tracks co-written with Jamie Hartford. The other, “I’m Still Learning How to Crawl,” is an excellent ballad about a man going back to the love he lost, accentuated with muscular guitars.

The overall sonic makeup of the title track really isn’t to my taste, but I do like “Echo,” which appears next. Lauderdale’s delivery on the song is sleepy, but the song is good. “Ready To Ramble” is straight up Americana in the truest sense of the style, and while it isn’t something I would normally gravitate towards, it shows why he’s a pioneer of that genre.

“If You Look Real Close” is far more my speed and a song that grabbed me from the first note. He closes the album with its strangest offering, the bluesy “Bluebell,” which is fine on its own, but it proceeded with a hidden track I couldn’t quite decipher, which sounds like a choral gospel number.

When James Chrispell of AllMusic reviewed Every Second Counts he said Lauderdale was “playing it safe.” I would have to agree and add the music also feels uninteresting and not really all that memorable, even on multiple listenings. I was really hoping to enjoy this album a lot more than I actually did.

Grade: B (for effort)

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