My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Tracy Lawrence

Christmas Rewind: Tracy Lawrence – ‘Cold Beer’

Album Review: Clay Walker – ‘Live, Laugh, Love’

live laugh loveAs the 90s drew to an end, Clay stopped working with former producer James Stroud. His blandly titled 1999 album was co-produced by the artist with Doug Johnson, and saw the artist moving in a more R&B direction.

Lead single ‘She’s Always Right’ (written by Lonestar’s Richie McDonald with Ed Hill and Phil Barnhart) is a rather bland contemporary ballad about a happy marriage. Clay sings it soulfully, but the song isn’t at all memorable. It reached #16 on the Billboard country chart. The theme is repeated later on the album with the very similar ‘Woman Thing’, written by Larry Boone, Tracy Lawrence and Paul Nelson.

The beachy title track was a little more successful, peaking just outside the top 10. Written by Gary Nicholson and Allen Shamblin, it has Caribbean instrumentation and a syncopated vocal which haven’t worn well.

The album’s biggest hit at #3, ‘The Chain Of Love’, written by Rory Lee Feek and Jonnie Barnett, marked returned to more conventional country territory. The warm hearted story song offers a sweet tale of kindness from strangers.

The self penned big ballad ‘Once In A Lifetime Love’ wasn’t really a country song, and although Clay sings it well, at the turn of the millennium that was still enough to deny it any chart action when it was the album’s last single. Clay and his co-writer Jason Greene also contributed the pleasant but dull ‘Lose Some Sleep Tonight’ and the disastrously ill-judged ‘Cold Hearted’, a feeble attempt at an R&B song which falls completely flat.

‘This Time Love’ is a soul-drenched ballad which is okay on its own terms, but has nothing to do with country music.

‘If A Man Ain’t Thinking (‘Bout His Woman)’, written by Buddy Brock, Debi Cochran and Jerry Kilgore, on the other hand, is a country song, and very good. The mid-paced ‘It Ain’t Called Heartland (For Nothin’)’ is also quite enjoyable.

The best song is a cover of Earl Thomas Conley’s ‘Holding Her And Loving You’. Clay doesn’t bring anything new, but he sings it with emotion.

Clay sings with great commitment and enthusiasm on this album, but not much of it can really be classified as country. Listeners with more eclectic tastes may like this better than I did.

Grade: C-

Week ending 7/9/16: #1 singles this week in country music history

1956 (Sales): Heartbreak Hotel — Elvis Presley (RCA)

18012-10-21956 (Jukebox): Heartbreak Hotel/I Was The One — Elvis Presley (RCA)

1956 (Disc Jockeys): Crazy Arms — Ray Price (Columbia)

1966: Think of Me — Buck Owens (Capitol)

1976: All These Things — Joe Stampley (Dot)

1986: Everything That Glitters (Is Not Gold) — Dan Seals (EMI America)

1996: Time Marches On — Tracy Lawrence (Atlantic)

2006: Summertime — Kenny Chesney (BNA)

2016: H.O.L.Y. — Florida Georgia Line (Republic Nashville)

2016 (Airplay): Wasted Time — Keith Urban (Capitol)

Week ending 7/2/16: #1 singles this week in country music history

628x4711956 (Sales): Heartbreak Hotel/I Was The One — Elvis Presley (RCA)

1956 (Jukebox): Heartbreak Hotel/I Was The One — Elvis Presley (RCA)

1956 (Disc Jockeys): Crazy Arms — Ray Price (Columbia)

1966: Think of Me — Buck Owens (Capitol)

1976: El Paso City — Marty Robbins (Columbia)

1986: Living in the Promiseland — Willie Nelson (Columbia)

1996: Time Marches On — Tracy Lawrence (Atlantic)

2006: Summertime — Kenny Chesney (BNA)

2016: H.O.L.Y. — Florida Georgia Line (Republic Nashville)

2016 (Airplay): Huntin’, Fishin’ and Lovin’ Every Day — Luke Bryan (Capitol)

Week ending 6/25/16: #1 singles this week in country music history

Ray_Price_publicity_portrait_cropped1956 (Sales): Heartbreak Hotel/I Was The One — Elvis Presley (RCA)

1956 (Jukebox): Heartbreak Hotel/I Was The One — Elvis Presley (RCA)

1956 (Disc Jockeys): Crazy Arms — Ray Price (Columbia)

1966: Take Good Care of Her — Sonny James (Capitol)

1976: El Paso City — Marty Robbins (Columbia)

1986: Mama’s Never Seen Those Eyes — The Forester Sisters (Warner Bros.)

1996: Time Marches On — Tracy Lawrence (Atlantic)

2006: Summertime — Kenny Chesney (BNA)

2016: H.O.L.Y. — Florida Georgia Line (Republic Nashville)

2016 (Airplay): Humble and Kind — Tim McGraw (Big Machine)

Album Review: Craig Morgan – ‘This Ole Boy’

91fn7FvtfDL._SX522_Craig Morgan took a four-year hiatus from recording after leaving BNA Records. He re-emerged in 2012 via Black River Entertainment with This Ole Boy. In theory, signing with an indie label would give him more independence to record the kind of music he wanted. In practice, however, there is nothing to really distinguish the album from what the major labels were putting out.

As with his last few releases, Morgan shared production duties with Phil O’Donnell. Morgan co-wrote half of the album’s songs. This Ole Boy spawned three singles, the most successful of which was the title track which peaked at # 13. “Corn Star” reached #50, which is far more than it deserved, and “More Trucks Than Cars” topped out at #38. The album itself reached #5 on the albums chart.

In a nutshell, with one or two exceptions, This Ole Boy is a collection of songs that range from bad to mediocre. There is only two tracks that I truly enjoyed: the Monty Criswell/Tim Mensy composition “Country Boys Like Me” and the closing number “Summer Moon”, a Morgan co-write with Chris Wallin. The rest of the album falls into the trap of trying to offer something for everyone, a type of approach that usually leaves all unsatisfied. “This Ole Boy” is a not bad, faced paced number that had previously been recorded by Joe Nichols. “More Trucks Than Cars” is a cliche-ridden laundry list of buzzwords that are typically associated with southern living — lazy songwriting at it worst. I can’t decide which of the two bro-country numbers is worse: “Corn Star” or “Show Me Your Tattoo”, but currently I am leaning towards the former. Morgan is a decent vocalist whose talent is wasted on garbage songs like those, and it’s particularly difficult to forgive these kinds of transgressions from more mature artists who surely ought to know better.

“The Whole World Needs a Kitchen” is not a bad song, but it lacks originality. The theme reminds me of Tracy Lawrence’s “If the World Had a Front Porch”, which was a much better song. “I Didn’t Drink” is an interesting number and one of the few moments of originality on the album: a man walks into a bar to drown his sorrows following a bad break-up but doesn’t know what to order because he is a teetotaler. It’s an interesting concept, but it doesn’t quite work — mainly because it’s performed as a pop-tinged power ballad. This kind of theme needs a more traditional treatment.

With only two really good songs, I can’t really recommend this album. It’s available for streaming on Amazon Music, and presumably other streaming services as well for those who want to give it a listen before buying.

Grade: C

Week ending 6/27/15: #1 singles this week in country music history

2247383-21955 (Sales): In The Jailhouse Now — Webb Pierce (Decca)

1955 (Jukebox): In The Jailhouse Now — Webb Pierce (Decca)

1955 (Disc Jockeys): Live Fast, Love Hard, Die Young — Faron Young (Capitol)

1965: Before You Go — Buck Owens (Capitol)

1975: You’re My Best Friend — Don Williams (ABC/Dot)

1985: Little Things — The Oak Ridge Boys (MCA)

1995: Texas Tornado — Tracy Lawrence (Atlantic)

2005: Making Memories Of Us — Keith Urban (Capitol)

2015: Girl Crush — Little Big Town (Capitol)

2015 (Airplay): Wild Child — Kenny Chesney with Grace Potter (Blue Chair/Columbia)

Predictions for the 50th annual ACM Awards

To celebrate their 50th anniversary, The Academy of Country Music Awards is being held at AT&T Stadium in Dallas, TX  this Sunday on CBS. Blake Shelton is returning for his fifth year as host while Luke Bryan will co-host for the third consecutive time. Notable performers include George Strait, Reba McEntire, Garth Brooks, and Dierks Bentley along with the usual mainstream country suspects. Nick Jonas and Christina Aguilera will also take the stage as part of unique duets.

Along with the regular awards, the ACM will also be handing out specially designed 50th anniversary Milestone Awards to Taylor Swift, Kenny Chesney, Miranda Lambert, Brooks & Dunn, Reba McEntire, Garth Brooks and George Strait. (Swift is expected to accept in person despite distancing herself from the genre).

Check out the nominations, here.

UnknownEntertainer of the Year

Garth Brooks, who has six previous wins, is nominated for the first time since 2001 in a year that saw him break ticket sale records, but underwhelm with his Man Against Machine album. The absence of Taylor Swift, George Strait and Tim McGraw left the category open for some fresh blood, resulting in Florida Georgia Line’s first nomination.

Should Win: Garth Brooks – he continues to show how it’s done, twenty-five years after his debut.

Will Win: Luke Bryan – he’ll ride his CMA momentum all the way to the finish line, scoring his second win in three nominations.

4e35192a48a8e1409d2f92873a0dbab7Male Vocalist of the Year

Despite eight previous nominations with five wins, it’s not shocking to see Brad Paisley included here. But after such an underwhelming year, it’s still surprising to see him included in a six-way tie. Dierks Bentley scores his second nomination in ten years, while half of the remaining four consist of previous winners. Jason Aldean has taken home this award for the past two years.

Should Win: Dierks Bentley – His only previous nomination came in 2005, while he was still in the promotional cycle for his sophomore album. His stature has only risen in the years since, with critical acclaim and consistent support from country radio, making him long overdue for his turn in the spotlight.   

Will Win: Luke Bryan – He’s arguably the biggest male artist in country music right now, eclipsing Aldean, Eric Church, and Blake Shelton with his stadium show, fast rising singles, and immense popularity. There’s little chance he’ll walk away empty handed, taking home his first win on his third consecutive nomination.

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Classic Rewind: Tracy Lawrence – ‘I Know That Hurt By Heart’

Classic Rewind: Tracy Lawrence – ‘Time Marches On’

Classic Rewind: Tracy Lawrence – ‘Paint Me A Birmingham’

Classic Rewind: Tracy Lawrence – ‘Renegades, Rebels And Rogues’

Classic Rewind: Tracy Lawrence – ‘Sticks And Stones’

Week ending 4/26/14: #1 singles this week in country music history

JohnnyLane1954 (Sales): Slowly — Webb Pierce (Decca)

1954 (Jukebox): Slowly — Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly — Webb Pierce (Decca)

1964: Understand Your Man — Johnny Cash (Columbia)

1974: A Very Special Love Song — Charlie Rich (Epic)

1984: The Yellow Rose — Johnny Lee with Lane Brody (Warner Bros.)

1994: If The Good Die Young — Tracy Lawrence (Atlantic)

2004: When The Sun Goes Down — Kenny Chesney with Uncle Kracker (BNA)

2014: Play It Again — Luke Bryan (Capitol)

2014 (Airplay): Drink To that All Night — Jerrod Niemann (Sea Gayle/Arista)

Week ending 4/19/14: #1 singles this week in country music history

kendalls41954 (Sales): Slowly — Webb Pierce (Decca)

1954 (Jukebox): Slowly — Webb Pierce (Decca)

1954 (Disc Jockeys): Slowly — Webb Pierce (Decca)

1964: Understand Your Man — Johnny Cash (Columbia)

1974: A Very Special Love Song — Charlie Rich (Epic)

1984: Thank God For The Radio — The Kendalls (Mercury)

1994: If The Good Die Young — Tracy Lawrence (Atlantic)

2004: When The Sun Goes Down — Kenny Chesney with Uncle Kracker (BNA)

2014: This Is How We Roll — Florida Georgia Line ft. Luke Bryan (Republic Nashville)

2014 (Airplay): Doin’ What She Likes — Blake Shelton (Warner Bros.)

Week ending 12/14/13: #1 singles this week in country music history

Mitchell+Torok+111141953 (Sales): There Stands The Glass — Webb Pierce (Decca)

1953 (Jukebox): Caribbean — Mitchell Torok (Abbott)

1953 (Disc Jockeys): I Forgot More Than You’ll Ever Know — Davis Sisters (RCA)

1963: Love’s Gonna Live Here — Buck Owens (Capitol)

1973: The Most Beautiful Girl — Charlie Rich (Epic)

1983: Tell Me A Lie — Janie Fricke (Columbia)

1993: My Second Home — Tracy Lawrence (Atlantic)

2003: I Love This Bar — Toby Keith (DreamWorks Nashville)

2013: Stay — Florida Georgia Line (Republic Nashville)

2013 (Airplay): Sunny and 75Joe Nichols (Red Bow)

Classic Rewind: Tracy Lawrence – ‘Find Out Who Your Friends Are’

Album Review – Tracy Lawrence – ‘The Singer’

tracylawrence_singerFive years after scoring a comeback #1 in “Find Out Who Your Friends Are” and two years after a detour into Christian music, Tracy Lawrence returned with an album of all new material, The Singer. His third release for Independent label Rocky Comfort; it was Lawrence’s first album not to produce any hits.

The album was preceded by the title track, a semi-autobiographical fiddle heavy tune about the hardships in Lawrence’s life:

There’s a few things they might say

At the mention of my name

The saint, the sinner, the hopeless dreamer

Lord I just hope they don’t forget

The singer

The second and final single was the somewhat dumb “Pills,” that had a solid production by inane lyrics about different uses for the titular substance. Neither single charted.

I fully expected to hear Lawrence pander to radio trends on The Singer but surprisingly he kept the proceedings clean and country. Mid-tempo shuffle “Roswell and Monroe” tells the story of a woman’s alluring beauty, and it’s quite good. “Saving Savannah,” an “Independence Day” like number about a brother and sister is perfectly sinister and has an appropriately dark production to match.

Mandolin ballad “Tender Enough” is an example of how Lawrence’s sound has evolved. The track borrows heavily from Rascal Flatts tunes like “I Melt” and “My Wish,” and while Lawrence’s twang is a bit grating, the song works well. “Hard Times” is Lawrence’s attempt at being timely, and he fails because the subject matter sounds a bit dated even two years later. A Merle Haggard protest song this is not.

“Whole Lotta Me” opens like a hybrid of “Is That A Tear” and Rick Trevino’s excellent “Learning As You Go,” and it’s a good song, but nothing truly great. He rebounds on “Jealousy,” a neo-traditional ballad that proves he’s still got it twenty years after his debut. The album closes with new versions of “Paint Me A Birmingham” and “Find Out Who Your Friends Are” that are solid, but bring nothing new to either track.

Overall The Singer is a much better album than I expected it to be. The nasally aspects of Lawrence’s voice are still an issue for me and at times he seems like he’s trying too hard to be a country singer. But the material is solid although a tad underwhelming. If you’re a die-hard Tracy Lawrence fan than this album will appeal, for the rest of us it isn’t essential listening, but worth seeking out.

Grade: B+

Classic Rewind: Tracy Lawrence – ‘If I Don’t Make It Back’

Classic Rewind – Tracy Lawrence – ‘Paint Me A Birmingham’

RIP Buck Moore, one of the writers of this song, who died recently.