My Kind of Country

Country music from a fan's point of view since 2008

Classic Rewind: Tim McGraw and Mark Collie – ‘Sing Me Back Home’

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Classic Rewind: Rodney Crowell – ‘Leaving Louisiana In The Broad Daylight’

Classic Rewind: Adam Harvey – ‘God Made Beer’

Album Review: Adam Harvey – ‘I’m Doing Alright’

In 2007 Adam signed to Sony Australia, and released an excellent debut for the label. The style was a little more contemporary country than his most recent albums, but very well performed and produced.

He wrote the majority of the tracks, mostly with Rod McCormack, including my favorite, ‘Someone Else’s Dream’. This is an excellent ballad, set to a strong melody ideally suited to Adam’s deep voice, with a tasteful string arrangement, and an inspiring lyric about fulfilling your own path in life:

I’ve known hurt and pain
Seen things I hope we never see again
I’ve been bought and sold
I’ve learned not to believe most of what I’m told
We’re all busy making plans
But there’s just a few who can
Have a vision and the will to see it through

Truth knows when things aren’t what they seem
And words fall flat if you d- on’t feel what they mean
You can’t move forward
Till you know where you’ve been
The ones who stand alone see
It’s no life
Living someone else’s dream

‘Walls’ is an excellent song, referring to the Aboriginal population of Australia, the Berlin Wall and other artificial barriers:

When different people find a common ground
There’s no way to stop
Walls from tumbling down

Walls
We all build ‘em
When we need something to hide behind
But if we learn from those that came before us
We let ‘em fall
Walls

Every day we make ‘em like we need ‘em to survive
But what’s the use of feelings if they’re locked up inside?

The solemn ‘A Bigger Plan’ relates grandparental advice to a child, while the sultry jazzy ballad of ‘Will You Be Mine’ is the album’s sole love song. ‘Saturday Night’ is another likeable song about childhood memories of good times at family parties every week:

There ain’t nothing like a party at the Harveys on a Saturday night

The soundtrack include smashing bottles and police sirens.

The title track is a mid paced song with a contemporary feel about satisfaction with one’s life despite lacking material goods. Not bad. ‘Way Too Fast’ is a nice song advising taking time out from a busy life, warmly sung.

‘You’d Do The Same For Me’ is a thoughtful ballad about friendship with an attractive melody and some nice fiddle:

We all need a shoulder when life lets you down
One thing you can count on
I’ll always be around
Nothing’s too much trouble for a friend in need
You’d do the same for me

Most of his usual co-writers refused to work on him with ‘Genie In The Bottle’, which they thought was a stupid idea for a song, but while admittedly a bit silly it’s rather fun, about a lovelorn man who takes to the bottle:

The genie in the bottom of the Jim Bean bottle made me do what I didn’t wanna do
I made a wish with the genie but the genie was a meanie and he didn’t make my wish come true
I was hoping he would make your memory go away but I’m still thinkin’ of you

Of the outside material, ‘The Older I Get’ is a pleasant mid-paced tune about learning how to live well. It was written by Danny Gree, Rob Crosby and Liz Hengber.

‘Flowers’ was a very minor hit for its writer Billy Yates, with its perfectly constructed and emotionally devastating lyric about a man who (spoiler alert!) causes the death of his partner by drunk driving. It has also been cut by Chris Young. Adam’s version is decent but not my favorite, lacking a bit of the combined delicacy and intensity needed to carry it off. I don’t quite *believe* this version.

The best known cover is the Guy Clark song ‘Heartbroke’. Adam’s version is highly enjoyable but not as exciting as Ricky Skaggs’ bluegrass infused hit. Adam also takes on bluesman Keb Mo’’s ‘A Better Man’; the original actually has a jug band feel which might have worked better but Adam’s version is a bit dull.

There are “bonus” acoustic re-recordings of several of the songs on this album, and a few older songs, on my version of the album.

The album won an Australian CMA award, and is well worth finding.

Grade: A-

Classic Rewind: Kitty Wells – ‘I Heard The Jukebox Playing’

Classic Rewind: Jamey Johnson and Chris Janson – ‘Footlights’

Classic Rewind: Alan Jackson – ‘How Great Thou Art’

Classic Rewind: Adam Harvey – ‘Family Life’

Classic Rewind: Jamey Johnson and Alison Krauss – ‘Tulsa Time’

Classic Rewind: Adam Harvey ft Beccy Cole – ‘I Love To Have A Beer’

Classic Rewind: Waylon Jennings – ‘I’ve Always Been Crazy’

Album Review: Adam Harvey – ‘Workin’ Overtime’

After some time finding his feet, Adam’s first Australian gold selling album was 2001’s Workin’ Overtime. It also won him a Golden Guitar award for Best Album. It thoroughly deserved both, as this is an excellent album.

He wrote or cowrote the lion’s share of the tracks himself for the first time. The title track, ‘Workin’ Overtime (On A Good Time)’ was co-written with fellow Australian Rod McCormack and American country artist David Lee Murphey. This starts out slow and then ramps it up as Adam quits his job in favour of party time.

McCormack and Jerry Salley teamed up with Adam for ‘The Shake Of A Hand’, a sweet song set to a pretty lilting melody with a wistful nostalgia for a more innocent past. The same team produced the charmingly retro western swing ‘Two Steppin’ Fool’, in which Adam offers himself as a replacement for a cheater.

Adam and Rod McCormack were joined by Sonny Tillis to write ‘What It Used To Be’, a lovely sad ballad about the aftermath of a failed relationship. Matt King co-wrote the mid-paced ‘I’ll Drink To That’, a swaggering response to a wife’s ultimatum to stop drinking to excess in which the booze looks like winning:

Hangovers hurt me in the morning
But living with a crazy woman
Sure to give a man a heart attack
So I’ll drink to that
I’ll raise my glass and
Here’s to all the good times that you said we never had
This beer ain’t half as bitter as
This trouble you’ve been causing
With these threats that you’ll be walking
If I touch another drop
I’ll drink to that

Rick Price cowrote two songs with Adam and Rod, both love songs. ‘One Of A Kind’ is a sweet ballad, earnestly delivered by Adam, while ‘Little Bitty Thing Called’ is slighter lyrically but a fun little ditty.

A few covers or outside songs were thrown in. ‘The House That Jack Built’ is a rapid paced Billy Yates/Jerry Salley story song about a young married couple whose ideal picket fence life is broken up when a richer man comes along, with a fiddle dominated arrangement. Steel guitar leads into the superlative ballad ‘One And One And One’, also recorded by Gene Watson. Adam does it full justice as he portrays a man who retires hurt but dignified when he finds his lover two timing him:

The first time I laid eyes on you it was love for me
It never crossed my mind what all I couldn’t see
Now suddenly there’s more than me you’re livin’ for
I go to you and find a stranger at your door

1 + 1 + 1 is one too many
I can’t understand your reasons why
1 + 1 + 1 is one too many
So let me be the one to say goodbye

You say God blessed you with two good men
And you can’t choose
‘Cause in different ways we both mean the world to you
And you’re wonderin’ now if somehow
I could live with that
But God above wouldn’t call this love so I want out

‘She’s Gone, Gone, Gone’ is a Harlan Howard song first recorded by the legendary Lefty Frizzell and then a top 10 country hit for Glen Campbell. It is upbeat musically, belying a sad lyric, and highly enjoyable with a delightful acoustic arrangement. There is a tasteful cover of the Guy Clark classic ‘Boats To Build’.

‘Beauty’s In The Eye (Of The Beerholder)’ is a comic drinking song which is good fun.

The album closes with a very fine version of Chris Wall’s modern classic ‘I Feel Like Hank Williams Tonight’, most recently recorded by Sunny Sweeney.

Adam is in great voice on this record, and the material is all high quality. I recommend this wholeheartedly.

Grade: A

Classic Rewind: Slim Dusty – ‘Three Rivers Hotel’

The grandfather of Australian country music:

Classic Rewind: Adam Harvey – ‘Alcoholiday’

Classic Rewind: Carl Jackson – ‘The Little Mountain Church’

Classic Rewind: Gene Watson – ‘When A Man Can’t Get A Woman Off His Mind’

Classic Rewind: Adam Harvey – ‘The House That Jack Built’

Classic Rewind: Radney Foster – ‘A Fine Line’

Album Review: Loretta Lynn – ‘Wouldn’t It Be Great’

Loretta Lynn is enjoying a creative renaissance in her 80s. Her latest album was originally expected more than a year ago, but its release was delayed due to health issues and Loretta wanting to able to promote it. Produced by Loretta’s daughter Patsy Lynn Russell and John Carter Cash, the long-awaited album has proved to be well worth waiting for. While Loretta’s voice is obviously not what it was in her 1960s/70s heyday, it is surprisingly strong for someone of her years, and actually better than in the 1980s.

Her songwriting skills are also still strong, and she wrote or co-wrote all but one of the 13 tracks. Admittedly, half are older songs, including enjoyable retreads of two of her signature songs – ‘Coal Miner’s Daughter’ and ‘Don’t Come Home A Drinking’. There are also two obscure songs originally written and recorded at the dawn of Loretta’s career in 1960. ‘My Angel Mother’ is a pretty, gentle, folky song, and ‘Darkest Day’ is a classic country shuffle about a husband leaving – very nice.

The title song and lead single was originally recorded in the 1980s, and has a nice arrangement and a subdued but emotional vocal as Loretta bemoans an alcoholic husband. The simple faith of ‘God Makes No Mistakes’ made its first appearance on Loretta’s Van Lear Rose album in 2004, and is better here with a more sympathetic arrangement.

The one outside song is an even older one – traditional murder ballad ‘Lulie Vars’ which is very effective with a stripped down acoustic arrangement. (The song, originating from Kentucky where I presume Loretta heard the song as a child, and based on a real murder in 1917, is marginally better known as ‘Lula Viers’.) (Incidentally the real Lula was related to the famous Hatfield family.)

My favorite of the new songs is the delightful ‘Ruby’s Stool’, an amusing tale of misbehaviour and rivalry among an older generation of “honky tonk girls” who have not retired into a less combative way of life. Loretta wrote this with Shawn Camp, who also co-wrote ‘I’m Dying For Someone To Live For’, a lovely song about the loneliness of widowhood, with some very pretty mandolin; and also the charming gospel ‘The Big Man’, which I love.

Veteran songwriter Lola Jean Dillon teamed up with Loretta to write ‘Another Bridge To Burn’. This is a great song about moving on from a bad relationship to a better life:

I don’t suppose I’ll ever love him
Quite the way that I love you
When he sleeps into my dreams
I don’t wake up feeling blue
What we don’t have in common
We make up for in concern…

Through the years I’ve cried a river
One teardrop at a time
I kept that old bridge standing strong
Just in case you changed your mind
I can’t live on dreams for ever
At least reality returns
With his hand in mine we’ll light the aflame
You’re another bridge it’s time to burn

Daughter Patsy co-wrote two songs. ‘Ain’t No Time To Go’, a delicate appeal to a loved one to live, is rather charming with some delightful folky fiddle. ‘These Ole Blues’ has a lovely Hank Williams style vibe about it.

I didn’t necessarily have high hopes for this record beforehand, but it has been a positive revelation. Loretta Lynn really is a living legend of country music, and this is a very fine album.

Grade: A+

Classic Rewind: Vern Gosdin – ‘Set ‘Em Up Joe’