Mark Wright produced Dawn Sears’ second album, Nothin’ But Good, which arrived on Decca Records in August 1994. She was the first artist signed to the label’s newly revived country music branch.
The investment proved moderately successful from the onset. The rockin’ “Runaway Train,” which was co-written by fellow spotlight artist Kim Richey, peaked at #52. Sears’ fortunes would, unfortunately, reverse, as the mid-tempo title track, co-written by songwriter-of-the-moment Kostas, failed to chart.
“Close Up The Honky Tonks” is a clean and precise cover of the Buck Owens classic. “That’s Where I Wanna Take Our Love” is a classically styled torch song, written by Dean Dean Dillon and Harlan Howard and flawlessly executed by Sears.
“No Relief In Sight” is a contemporary ballad about the inability to move on from a past relationship. “Uh Oh (Here Comes Love)” is an excellent ditty, with an infectious melody, co-written by Carlene Carter.
“Planet of Love,” easily a standout track, is a spellbinding torch song co-written by Jim Lauderdale and John Leventhal. “It was Too Late” returned Sears to the up-tempo stylings that comprise the majority of the album.
Around this time, Sears also became known for her collaborative work with her fellow contemporaries. She teamed with Tracy Byrd for the duet “Out of Control Raging Fire” (later covered by Patty Loveless and Travis Tritt) from his debut album and provided backing vocals for Vince Gill on I Still Believe in You.
The association with Gill would prove most fruitful as she would continue to guest on many of his albums, accompany him on tour, and join his Western Swing band The Time Jumpers along which her husband Kenny. Their friendship impacted this album with the brilliant traditional ballad “If I Didn’t Have You In My World,” which Gill co-wrote with Jim Weatherly.
The album’s centerpiece closed out the album. Sears would have just one writing credit on this album, “Little Orphan Annie,” which she wrote solo. She wrote the tune in tribute to her parents, who died far too soon. It’s as perfect and effective a country song as I’ve ever had the good fortune to hear:
I saw the love
In mama’s eyes
I saw the fear she tried to hide
She knew she’d never see the morning sun
She left this world so young
On a windy day
In my Sunday best
I watched them lay my dad to rest
After months of pain, I tried to help him through
But there was nothing I could do
I feel like
Little Orphan Annie
Left here all alone
Little Orphan Annie
Trying to be strong
Every night I kneel and pray
Lord help me through another day
Help me fill this empty heart
Please don’t let me fall apart
Give me the strength to be
Little Orphan Annie
I miss them more
Then I can say
It’s not supposed to be this way
All grown up I should understand
But the child in me
Can’t comprehend
There are moments of sheer brilliance on Nothin’ But Good that show why Sears was one of the best and most criminally underrated female artists to fly under the radar in the 1990s. Some of the uptempo material is aimed at commercial viability and is, therefore, filler, but the vast majority of the album is beyond excellent.
Sears would sadly exit Decca shortly after the release of this album.
Grade: A