Terri’s second album, released in 1996, followed along broadly the same pattern as her debut, balancing high-energy radio friendly entertainment with traditional roots. She co-wrote most of the material, most often alongside the established songwriting team of Chris Waters and Tom Shapiro, and the quality is consistently high. Waters also co-produced with Terri and Keith Stegall.
The first single was, however, actually a cover of the Warren Zevon song/Linda Ronstadt 70s hit ‘Poor Poor Pitiful Me’. Terri’s vibrant version (belying the dark lyrics) peaked at #5 on Billboard and #1 in Canada. The equally lively up-tempo Emotional Girl’ (written with Rick Bowles and Chris Waters) was another Canadian #1 and US top 10 hit. The title track and third single is a gorgeous mellow love ballad with a little more of an AC feel and a subtle string arrangement, which allowed Terri to show off her vocals, but radio was less receptive to Terri’s ballads than to her up-tempo numbers, and this peaked disappointingly low at #16.
The twangy ‘Something In The Water’ was the last single, but while it has a good groove and attacking vocal, it is not particularly memorable, and only just squeaked into the top 40. Equally twangy, but more memorable, is the ironic salute to an old ‘Neon Flame’ (written by Terri and Chris Waters with Chuck Jones), and perhaps this would have been a better single choice. I really like the catchy and uncompromising ‘You Do Or You Don’t’ (one of the few outside songs, written by Bob DiPiero and Karen Staley), and this too would have made a great choice as a single. Terri’s love interest isn’t quite committed to her, and she sets out an ultimatum, telling him firmly he either loves her, or he doesn’t:
Love ain’t followed by a question mark…
We’re not talkin’ brain surgery
The other song not written by Terri is the amped-up bluegrass of ‘Hold Your Horses’, a revival of a song written by Carl Jackson and Pam Gadd for the latter’s former band Wild Rose. ‘Twang Thang’ keeps up the energy levels, but is rather noveltyish. The mid-tempo ‘Not What I Wanted To Hear’ has a rueful admission to herself that the guy isn’t going to call.
My favorite song here is Terri’s solo composition ‘Keeper Of The Flame’, with its beautiful melody, excellent vocal, and downbeat lyric about a neglected wife desperately holding on to hope that things will somehow go back to the way things were:
I am the keeper of the flame
You only helped my build the fire
And it’s getting harder every day
To make our love burn with desire
Cause if I left it up to you
Only ashes would remain
Another outstanding ballad is ‘Any Woman’, where Terri gives us a sympathetic portrait of a woman’s heartbreak, suffered in silence:
Night can be so cold when a memory’s all you hold
Yeah, I know what she’s going through tonight
Any woman who’s been hurt by a man understands
It’ll take some time for her to find a way to love again
There is another great vocal here, balancing sympathetic advice to a man interested in the heartbreak victim, and sisterly empathy with the woman.
Just The Same has been certified platinum in the US and double platinum in Canada. This is an excellent record, full of fine material delivered with commitment.
It’s still easy to find, both digitally and on CD, with used copies being extremely cheap.