I always felt that Wynonna was miscast as a country singer but was otherwise a great vocal performer. This album is the proof of my latter assertion, a twelve song collection of great songs perfectly executed by a master singer.
The album opens up with a thirty’s classic “That’s How Rhythm Was Born”, a Boswell Sisters hit from the 1930s, long forgotten but well worth reviving. The Boswell Sisters pre-dated and were an inspiration for the Andrews Sister. The song sounds very Andrews-ish with Vickie Hampton and Wynonna doing harmonies to create that trio sound. There is an old-time, non-bluegrass banjo in the mix played by Ilya Toshinsky.
Next up is the greatest country song ever written, Hank Williams’ “I’m So Lonesome I Could Cry”. While there are versions I prefer to Wynonna’s, she does an excellent job with the song. The Nashville String Machine provides tasteful and effective orchestral accompaniment.
Wynonna gives the sisterhood some wise advice in the very bluesy “Women Be Wise”.
Dave Bartholomew was a noted New Orleans songwriter closely associated with the legendary Fats Domino. “I Hear You Knocking” was a big R&B hit for Smiley Lewis in 1955 (#2 R&B) and a big pop hit (#2) for actress Gale Storm. Fats Domino also recorded the song a few years later, and because of his sustained success, Fats’ version is probably the best remembered. Wynonna’s version has a more New Orleans style rock feel. It is quite good
Larry Henley and Red Lane penned “Til I Get It Right”, a major Tammy Wynette hit from 1973. The focus is on Wynonna’s vocal with spare but graceful accompaniment that includes unobtrusive strings.
Another country classic follows, Merle Haggard’s “Are The Good Times Really Over For Good”. Not one of my favorite Hag songs, but still a good song. I do like the brass instrumentation in Wynonna’s arrangement.
I was not a big Stevie Ray Vaughan fan but I could take him in small doses and Wynonna’s take on “The House is Rockin'” is just enough Stevie Ray for me. Wynonna’s take on this song rocks just enough.
The almost forgotten Bill Withers had a relatively short career as a recording artist (he is still alive) but the music he did produce was exceptional leading to his induction into the Rock and Roll Hall of Fame. “Ain’t No Sunshine” was one of those classics and Wynonna gives it the appropriately moody reading.
Jerry Lieber & Mike Stoller are arguably one of the two or three greatest pop songwriting tandems in history. “I’m a Woman” was initially released in 1962 by Christine Kittrell, but is best remembered as a classic Peggy Lee track. Wynonna’s version is as good as any of them albeit very different from Peggy Lee’s sexy rendition, Wynonna’s being a very assertive R&B track
I am not a big fan of most Burt Bacharach-Hal David compositions, other than those written for the great Gene Pitney. That said, “Anyone Who Had A Heart” had a distinguished pedigree with British songbird Cilia Black taking her George Martin-produced record to #1 in the UK for three weeks in 1964. Cilla’s version also went to #1 in Ireland, New Zealand and South Africa, but I don’t think it was released in the US. Dionne Warwick also had a notable hit (#8 pop/ #2 adult contemporary) with the song in the US but only got as high as #47 in the UK. Both versions competed in various global markets, basically to a draw in Europe. Wynonna’s version is a pretty standard, but effective presentation.
“When I Fall In Love” is a pop standard that has been recorded by many artists, most notably Jeri Southern and Doris Day. Wynonna gives it a fairly standard interpretation with the Nashville String Machine setting the mood for Wynonna’s strong vocal.
The album closes with a Rodney Crowell original “Sing”. I think that this is the weakest song on the album, but I would also give it a B+ which should tell you what I think of this album
Of all the Wynonna albums I’ve heard, this one is my favorite, both in terms of the strength of Wynonna’s vocals and the quality of the material. To me this is a definite A+.