My Kind of Country

Country music from a fan's point of view since 2008

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Album Review: Loretta Lynn – ‘Sings’

loretta lynn singsLoretta Lynn Sings was Loretta Lynn’s debut album on Decca Records. Released in December 1963, the album followed on the heels of an uncharted single 1961 (“I Walked Away From The Wreck”), two 1962 singles including her first chart single “Success”, and another uncharted single (“World of Forgotten People”), and in 1963 another charted single, “The Other Woman”. There would be another single released in 1963, the #4 “Before I’m Over You” (not found on this album) before this album was released.

The album opens up with “Success” written by Johnny Mullins, who was a high school custodian. “Success” was a lament about how a husband’s career success was undermining their marriage. The song went to #6 as would “Blue Kentucky Girl”, another Johnny Mullins-penned song a few years later.

Since Loretta was a new artist that Decca was trying to break into the country markets, this album, more so than most country albums of the time, is full of covers rather than a few covers and some filler.

For many years Jimmy Gateley was the front man for Bill Anderson’s band. He was also an adept song-writer, as “The Minute You’re Gone” proves. Sonny James would have a top ten country hit with the song in 1963, and British rocker Cliff Richard would take the song to #1 on the UK pop charts (and top ten in seven other countries). Needless to say, Loretta sounds nothing like Cliff Richard but her presentation is strong and clear.

Betty Sue Perry would provide Loretta with quite a few songs during the 1960s. “The Other Woman”, not to be mistaken for the Ray Price song of the same title, tells the love triangle story from the perspective of the mistress.

According to Billboard, “Alone With You” was Faron Young’s biggest hit, spending a whopping ten weeks at #1. While I don’t think it was Faron’s biggest seller, it was a great song and Loretta acquits herself well on the song.

“Why I’m Walking” was writing by Stonewall Jackson and Melvin Endsley. A big hit for Stonewall Jackson, it resurfaced decades later as a hit for Ricky Skaggs. Again Loretta acquits herself admirably.

The first of Loretta’s own compositions “The Girl That I Am Now” is next. Although not released as a single, I think it would have made a good single and it demonstrates how proficient Loretta already was as a songwriter. This song is bout a wife who cheated on her husband and is racked by guilt and the hope that he never finds out about what she did.

He loves the girl I used to be
But could he love the girl I am now

I don’t think I need to say anything about the lineage of “Act Naturally’. Loretta tackles the song with aplomb. The instrumental arrangement remains up-tempo but the acoustic guitars have a very hootenanny era feel.

Another Loretta Lynn composition follows, “World of Forgotten People”. I don’t remember it being a hit single for anyone but everybody and his cousin recorded the song including the Osborne Brothers, George Jones, Conway Twitty, Vernon Oxford, The Wilburn Brothers, Ernest Tubb and countless others:

I live in the world world of forgotten people
Who’ve loved and lost their hearts so many times
I’m here in the world of forgotten people
Where every heart is aching just like mine

“The Color of The Blues” was written by George Jones and Lawton Williams and was a hit for George Jones. Lawton Williams, of course, wrote “Fraulein” and “Farewell Party”. Loretta handles the song effectively.

“Hundred Proof Heartache” is another of Loretta’s compositions. This works as an album cut but would not have made a good single for Loretta.

I’ve got a hundred proof heartache and a case of the blues
My baby’s gone and left me I’ve lost all I can lose
I’ve got a hundred proof heartache my world keeps turnin’ round
This hundred proof heartache’s got me down
You waded through my tears and said goodbye
You didn’t seem to care how much I’d cry
You made your home the tavern down the street
And this old heart cries out with every beat

Cindy Walker was a great songwriter, being a favorite writer for Bob Wills, Jack Greene and countless other country stars. “I Walked Away from the Wreck” equates a failed love affair with an automobile accident. Although released as a single, the song did not chart.

Justin Tubb’s “Lonesome 7-7203″ proved to be the only #1 record for Hawkshaw Hawkins, and a posthumous one at that for “The Hawk”, who died in the same plane crash that killed Cowboy Copas and Patsy Cline. The song would also be a hit for Tony Booth about a decade later. Whoever arranged the song took it at a far too slow tempo. Taken at a faster tempo I think Loretta could have really nailed the song.

There was a distinctive “Decca Records” sound during the 1960s that tends to permeate all of the label’s recordings. Since the same studio musicians and same arranger (Owen Bradley) were used on most of the major artists recordings, this is understandable. There was a little bit of an attempt to vary Loretta’s sound through occasional use of banjo or acoustic guitar on Loretta’s recordings but it was still basically a formulaic background production. Set apart Loretta’s recordings was her voice which could never be anything but country, no matter the pop trappings applied to the final product.

Loretta Lynn Sings would reach #2 on Billboard’s country albums chart. This album is a solid B+ but better albums would follow.

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Favorite country songs of the 1970s: Part 5

For part five of this series, as always, just some songs I liked, one song per artist, not necessarily the biggest hit, (although I feel free to comment on other songs by the artist).

Let’s All Go Down To The River” – Jody Miller & Johnny Paycheck (1972)

A nice country cover of an old gospel song – how could you go wrong with this duo? Jody Miller would have a number of hits during the 1970s, although her single biggest record was in 1965 when “Queen of The House” (an answer song to Roger Miller’s “King of The Road”) went #12 pop / #5 country. I don’t know that Jody viewed herself as a country singer, but she had a sassy & sexy voice and was quite easy on the eyes.

Tom Green County Fair” – Roger Miller (1970)

Roger Miller’s career had largely run out of steam by this time, but the imagery in this song makes it one of my favorites. Alas, this song only reached #38. Roger would experience a significant renaissance in the mid-1980s writing the music for the Broadway play Big River.

Music Box Dancer” – Frank Mills (1979)

I have no idea why this song charted country as Frank Mills was an orchestra leader and this instrumental song was no more country than Lady Gaga. It was a huge pop hit reaching #3 and selling millions in the process.

Pure Love” – Ronnie Milsap (1974)

Written by Eddie Rabbitt, this was Ronnie’s first #1. How can you not like a song that contains a line like “Milk and honey and Captain Krunch and you in the morning?”

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