My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Tony Hazzard

The History Behind ‘Fox On The Run’

While typically most country and bluegrass songs originate within the genre, occasionally a song arrives from other sources. Willie Nelson had a segment of his career in which he introduced a bunch of pop standards to country audiences.

Probably the most unusual song to enter the genre was “Fox On The Run”, written by an Englishman, Tony Hazzard and originally made a pop hit in England by an early version of the rock group Manfred Mann back in 1968. On at least one of the four British charts (three pop magazines, plus the BBC), the song reached #1 (it was at least top five on the other three pop charts) plus the song did well throughout much of the English speaking world reaching #1 in New Zealand, #7 in Australia and also went top ten in Germany, Netherlands, Norway and Sweden. It also reached #15 in Austria. In the US and Canada, the song barely cracked the top 100.

As recorded by Manfred Mann, the song sounds nothing like bluegrass, but as I listened to the song while living in England in 1969, I thought that the lyrics sounded like a country song, and was surprised to find that the songwriter was not an American. In fact, Tony Hazzard sang vocal harmonies on the Manfred Mann recording and had written several other songs that were hits for Manfred Mann.

Apparently, others heard the song as I did for by the time I arrived back in the US in the fall of 1971, the bluegrass duo of Bill Emerson & Cliff Waldron had already recorded their version, followed shortly thereafter by the County Gentlemen bluegrass group. Neither of these records received much airplay on country radio but the song was played on stations that played folk and/or bluegrass.

The song finally became familiar to country audiences when Tom T Hall released it as the single from Magnificent Music Machine, the album in which Tom ‘came out of the closet’ and revealed his undying love for bluegrass.”Fox On The Run” received much country airplay and reached #9 on Billboard’s country chart.

Below I’ve printed the lyrics as sung by Tony Hazzard, a fine singer in his own right. The lyrics that are underlined are sung by Tony but do not appear on any of the other recorded versions (as far as I know).

She walked through the corn leading down to the river,
Her hair shone like gold in the hot morning sun.
She took all the love that a poor man could give her
And left him to die like a fox on the run.

Now everybody knows the reason for The Fall,
When woman tempted man in Paradise’s hall.
This woman, she tempted me and she took me for a ride,
And, like the weary fox, I need a place to hide.

It was many years ago, but it feels like yesterday,
When she led me through the corn on that fateful summer day.
I saw the sunlight in her hair; I saw the promise in her eyes;
And I didn’t even care that her words of love were lies.

Come raise your glass of wine and fortify your soul;
We’ll talk about the world and the friends we used to know.
I’ll illustrate a girl who wandered through my past.
She didn’t care to stay; the picture cannot last.

Just read these lyrics and tell me that this is NOT a country or bluegrass song!

Advertisements

Album Review: Tom T. Hall – ‘The Magnificent Music Machine’

magnificent music machineAfter a string of successful albums and singles between 1971 and 1976 in which seven of his nine albums reached the Billboard Country Top Ten, and twelve of his singles reached the Billboard Top Ten Country Singles chart (six reached number one on Billboard), Tom T Hall decided that it was time to give proper airing to his bluegrass roots. The end result, The Magnificent Music Machine would prove to be both an artistic success and a chart success, with the album reaching number eleven and the only single released, “Fox On The Run” reaching number nine.

For this project, Tom called on a number of his bluegrass friends plus some other leading lights of the genre: Kenny Baker, Johnny Gimble and Buddy Spicher on fiddle; Gene Bush on slide dobro; Bobby Thompson and J.D. Crowe on banjo; Donna Stoneman (of the legendary Stoneman Family) and Jodi Drumright on mandolin; and Trish Williams, J.T. Gray, Art Malin, and Jimmy Martin (!) on harmony vocals To try to give the album some commercial appear, Nashville session stalwarts Buddy Harmon (drums), Henry Strezelecki and Bob Moore (bass) were added to the mix.

Up to this point in his career, Hall’s albums had been almost exclusively his own compositions. While Tom T would write five of the eleven songs on this album, six of the songs came from outside sources.

The album opens up with “Fox On The Run”, a song which was added to the bluegrass repertoire by the Bill Emerson of the Country Gentlemen, but which started life as a rock song for British group Manfred Mann. The song was written by Tony Hazzard, an English songwriter who wrote hits for The Hollies, Herman’s Hermits, The Yardbirds, The Tremeloes and Lulu. The song reached #5 on the UK pop charts in late 1968 (at least one of the UK charts had it reaching #1). Tom T’s version was a hard driving affair and after the wide radio exposure and sales of the album, the song would be forevermore bluegrass

S

he walks through the corn leading down to the river
Her hair shone like gold in the hot morning sun
She took all the love that a poor boy could give her
And left him to die like a fox on the run

John Prine’s “Paradise” (sometimes titled “Muhlenburg County”) follows, a nostalgic yet bitter mid-tempo song that decries the damage that the coal industry has done to the environment

Then the coal company came with the world’s largest shovel
And they tortured the timber and stripped all the land
Well, they dug for their coal till the land was forsaken
Then they wrote it all down as the progress of man

And daddy won’t you take me back to Muhlenberg county
Down by the green river where paradise lay
Well, I’m sorry my son, but you’re too late in asking
Mister Peabody’s coal train has hauled it away

“Mama’s Got The Catfish Blues” is a Tom T Hall composition, written, he says, in the spirit of something Carter Stanley would have written. I’m not sure I’m hearing Carter Stanley in this particular song, but it’s a good song, one that also might have made a good single

There’s a turtle on the stump and the toadfrog jump
And I guess, I could gig me a few
In settlin’ fog I caught a big water dog
Mama’s got the catfish blues

I don’t like to see her unhappy
She treats me like a water tree
I hate to see mama with the catfish blues
And the catfish are layin’ in the river asleep

“Bluegrass Break-up” is a Charlie Williams composition, about the sadness of a bluegrass band that is disbanding:

Well, we’re finally breakin’ up our bluegrass band
And the thought of it is more than I can stand
But if parting is our one chance to survive
You’ll take the dobro and I’ll take the five.

Once our music tore the world apart
When we used to pick and sing it from the heart
But then dissension came into our lives
So you’ll take the dobro and I’ll take the five.

Once our world was harmony and fun
Wildwood Flower and ten-one mighty run
We can’t patch it up, we made too many tries
So you’ll take the dobro and I’ll take the five.

“I Don’t Want My Golden Slippers” is a religious song with the sound and feel of a church choir and a mostly acoustic guitar accompaniment. Although Tom T wrote this song, it truly sounds as if it could have been written a century before.

“Molly and Tenbrooks” is derived from an old folk tale about a horserace and was made famous and fashioned into a viable song by the ‘Father of Bluegrass’ Mr. Bill Monroe. On this recording Bill Monroe guests playing the mandolin to Tom’s vocals. Interestingly, Tom T reports that Monroe had to refresh himself on the mandolin part in order to play the song – he normally played guitar or just sang when performing this song!

“The Fastest Rabbit Dog In Carter County Today” is another Tom T Hall composition, this one an up-tempo romp about a rabbit hunt.

“I’ll Never Do Better Than You” also comes from T’s pen. One of the slower songs on the album, it expresses a depth of feeling that sometimes gets overlooked among the pyrotechnics of the genre

Tom’s late brother Hillman Hall, was an accomplished songwriter, although not in Tom T’s class, of course. “The Magnificent Music Machine” is Hillman’s contribution to this album, a terrific song that I would have released as a single. For that matter, it would have made a great Jimmy Martin single.

He’s got nothing but talent and time on his hands
He loves his music, hangs out with his band
He’s got big-hit ambitions and number one dreams
He’s a high-rollin’, a magnificent music machine

He hit town with nothing but his old guitar
With visions of grandeur and being a star
He writes them and sings them like you’ve never seen
He’s a high-rollin’, a magnificent music machine

“Rank Stranger”, of course is a classic Stanley Brothers song, perhaps my favorite song from the entire Stanley canon, from which there are many classics. This song still gives me chills and Tom sings it well.

I wandered again to my home in the mountains
Where in youth’s early dawn I was happy and free
I looked for my friends but I never could find them
I found they were all rank strangers to me

Everybody I met seemed to be a rank stranger
No mother or dad, not a friend could I see
They knew not my name and I knew not their faces
I found they were all rank strangers to me.

The album closes, fittingly enough, with another Tom T Hall composition “Bluegrass Festival In The Sky”.

In the sweet by and by at that Bluegrass Festival in the sky.

There’ll be Monroe Flatt Scruggs and the Stanleys
The Lonesome Pine Fiddlers and the whole McGranner’s Family
Molly and the Stonemans and Martin and Crow
Dillard and Thompson and Smiley and Reno.

(And we will sing)
In the sweet by and by at that Bluegrass Festival in the sky.

There’ll be old Tige and Baker and Clements and Warren
Richmond and Harold Carl Story and Dorrin
Acker McMagaha Wiseman and Gray
The Osbornes Bill Clifton Sprung and Uncle Dave.

(And we will sing)
In the sweet by and by at that Bluegrass Festival in the sky…

It would be many years before Tom T Hall would return to his bluegrass roots when recording a solo album, but return he would. It just didn’t happen as soon as I would have liked.