My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Tommy Spurlock

Album Review: Joy Lynn White – ‘Wild Love’

51rfk9fctwlReleased in August 1994, Joy Lynn White’s second album for Columbia basically tanked, not charting at all. Moreover, only one of the two singles released charted at all with the title track reaching #73. To this very day, I remain mystified as to why this album was not her breakthrough to commercial success.

The album opens with “Tonight The Heartache’s On Me”, a song the Dixie Chicks would take to #6 Country/ #46 Pop in 1999.  Composed by Mary Francis, Johnny MacRae and Bob Morrison, I think Joy Lynn gives the song its definitive reading.

Next up is “Bad Loser”, a Bill Lloyd – Pam Tillis tough girl composition that I don’t think Pam ever recorded. Joy Lynn definitely nails the performance. The sing was released as the second single and failed to chart. Although I like the song, I don’t think I would have picked it as a single.

You’re bringing out a side of me I never knew was there
I took pride in cut’n dried goodbyes I never wasted a tear
Living in an easy come easy go world
Look what you’ve done to this girl

I’m a bad loser when love’s worth fightin’ for
I’m a bad loser don’t wanna ever see you walkin’ out my door
This love of ours took me by surprise it wasn’t part of my plans
Hey ain’t it easy sittin’ on the fence and ain’t it hard to make a stand
You took me farther than i’ve ever been
And baby now i’m playing to win

“Too Gone to Care”, written by John Scott Sherrill, is a tender ballad that demonstrates that Joy Lynn can handle more subtle, less rambunctious lyrics as well as she can handle the tougher songs

You see that big old yellow cab is always just a call away
And you can catch a Greyhound just about anytime of day
And all along the harbor ships are slipping out of town
Way out on the runway that’s where the rubber leaves the ground
She keeps thinking that it’s too hard to fake it
When it isn’t there

He’s gonna tell her he’ll be too late to make it
But she’ll be too gone to care
They got trains down at the station you know they run all night
They got tail lights on the highway that just keep fading out of sight   

 

The next song asks the eternal question “Why Can’t I Stop Loving You”. This is another John Scott Sherrill song ballad, but this song has very traditional country instrumentation (the prior song was a little MOR), but in any event, Ms White again nails the song:

I’ve put away all the pictures
All the old love letters too
There’s nothin’ left here to remind me
Why can’t I stop loving you?
Got back into circulation
Till I found somebody new
But there was always something missing
Why can’t I stop lovin’ you

“Whiskey, Lies and Tears” is the only song on this album that Joy Lynn had a hand in writing. The song is an up-tempo honky-tonker of the kind that Highway 101 sometimes did, and which has disappeared from country radio these days. Joy Lynn strikes me as a better vocalist than either Paulette Carlson or Nikki Nelson.  I wonder if Highway 101 ever considered Joy Lynn for the role. This song would have been my pick for the second single off the album.

The last time I said next time is the last time
And the last time came stumbling in last night
So now it’s time to say goodbye forever
To the whiskey your lies and my tears
Well I’ve almost gone insane…
All the whiskey your lies and my tears

“Wild Love” has bit of a heavy backbeat – I would describe it as more rock than country but it is well sung and melodically solid.   Then again, Dennis Linde always produced solid songs.

Pat McLaughlin wrote “Burning Memories”. This song is not to be mistaken with the Ray Price classic of bygone years, but it is sung well. I would describe the song as a sad country ballad.

“On And On And On” was written by “Whispering Bill” Anderson, one of country music’s great songsmiths. Joy Lynn gives a convincing and timeless interpretation to the song:

And this loneliness goes on and on and on
All the things come to an end
Yes that means we’ll never love again
The end of our love the end of my dreams
The end of almost everything it seems
Except these heartaches these teardrops
And this loneliness goes on and on and on

I’ve heard Bill Anderson sing the song, and Connie Smith recorded the song on her 1967 album Connie Smith Sings Bill Anderson. Connie’s version has the full ‘Nashville Sound’ trappings applied to it. Although Smith is the better vocalist, most modern listeners would probably prefer Joy Lynn White’s version.

The penultimate song is Jim Rushing’s “You Were Right From Your Side”. The song has interesting lyrics and Joy Lynn does a good job with it:

Starin’ out an airport window on a morning hard as stone
Watchin’ a big Delta Bird taxi through the dawn
A lonely chill sweeps over me as that smokin’ liner climbs
You were right from your side I was left from mine
Now you’re gone you’re flying high above the clouds
And I must walk my tears through this faceless crowd
And in the goodbye atmosphere I can hear a thousand times
You were right from your side I was left from mine

The album closes with “I Am Just a Rebel” written by the redoubtable trio of Bob DiPiero, Dennis Robbins and John Scott Sherrill. The trio wrote the song while they were in the band Billy Hill in the late 1980s. Confederate Railroad recorded the song later, but I prefer Joy Lynn’s version to any of the other versions

Being a hillbilly don’t get me down
I like it like that in fact you know it makes me proud
Yeah I’m American made by my ma and pa
Southern born by the grace of God
And I’m bound to be a rebel till they put me in the ground
I am just a rebel can’t you see
Don’t go looking for trouble it just finds me
When I’m a walking down the street people stop and stare
I know they’re talking about me they say there goes that rebel there

Wild Love  enabled Joy Lynn White to show all sides of her personality from tender to tough , from rocker to honky-tonker. With a crack band featuring Paul Worley and Richard Bennett (guitars); Dennis Linde (acoustic & electric guitar, clavinet); Dan Dugmore (electric & steel guitar); Tommy Spurlock (steel guitar); Dennis Robbins (slide guitar); Mike Henderson (guitar); Hank Singer, Blaine Sprouse (fiddles); and  featuring  Harry Stinson, Pat McLaughlin, Cindy Richardson, Hal Ketchum, Nanci Griffith, Suzi Ragsdale (background vocals), Wild Love should have propelled Joy Lynn White to the top.

It didn’t propel her career, but I still love the album and would grade it as a solid A, very close to an A+

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Album Review: Lari White – ‘Lead Me Not’

lari-whiteLead Me Not was Lari White’s debut album, released in 1993 on the RCA label. This was Lari’s second stab at major label stardom as her prize for winning the television talent show Star Search in 1988 was a recording contract with Capitol Records.

Unfortunately the single released on Capitol (“Flying Above the Rain”) went nowhere and she was released by Capital . A person of many talents, including songwriting, Lari marked time by joining Ronnie Milsap’s publishing house, took acting lessons and performed in local theatre productions. In 1991 after attending an ASCAP showcase Rodney Crowell invited her to perform in his band. White signed to RCA, which brings us to this album, which Rodney Crowell produced.

Lead Me Not spotlights Lari’s vocal prowess and her talents as a songwriter as Lari wrote or co-wrote eight of the ten tracks on the album. The album only reached #36 on Billboard’s Heat Chart and missed charting on the Country Albums chart; however, all three of the singles released charted country (none cracked the top forty).

The album opens up with “Itty Bitty Single Solitary Piece of My Heart’, a co-write with John Rotch. The title sounds as if it would be a novelty number, but the song is actually a bluesy ballad warning off a would-be suitor. Jerry Douglas on dobro is featured prominently in the arrangement.

Chorus:

So you won’t get a taste of this, not even a kiss
The fact that your middle name is heartache is no coincidence
You made a livin’ out of lovin’ and leavin’ ‘em to fall apart
So now you better understand youi’ll never lay one hand on one
Itty bitty little single solitary piece o’ my heart

Next up is “Just Thinking” a romantic piece of cocktail jazz, written by Lari, and one that perhaps would have made a good single is pushed to another genre such as Lite Jazz or Adult Contemporary. Bergan White (no relation) arranged the string accompaniment as provided by the Nashville String Machine.

“Lay Around and Love On You” was written by Bobby David and David Gillon. Released as the third single, the song reached #68 on the country charts. The song isn’t remotely country having a strong New Orleans R&B vibe. It’s a great song, and if released during the mid 1970s or early 1980s, likely would have been a hit.

Time for me to go to work again
But all I want to do is
Lay around and love on you
Seven thirty, but I don’t care
What you’re doing is gonna keep me here
‘Cause all I want to do is
Lay around and love on you

Lay around and love
Lay around and love on you
You’ve got me so turned on
Honey, I can’t turn you loose
Hope nobody calls
Got the phone off the hook
We’re gonna try everything in the book
All I want to do is
Lay around and love on you

“Lead Me Not” was the second single from the album. Written by Lari, the song has a strong gospel feel to the arrangement, not surprisingly since the title is a play on a familiar religious theme. Nice saxophone work by the appropriately named Jim Horn is the highlight of the arrangement.

Well, I should have been home hours ago
I always lose track of the time
I’ll just hold up this wall while I try to recall
A thought from the back of my mind
Oh yeah I remember, it began with a wink
When you caught me looking at you

So don’t ask me if you can buy me a drink
I know what you’re trying to do
Lead me not into temptation
I already know the road all too well
Lead me not into temptation
I can find it all by myself

This is followed by another Lari White solo composition “Made To Be Broken” a lovely, well performed easy-listening ballad.

“What A Woman Wants” was the first single and biggest hit on the album reaching #44. Lari co-wrote this with soon-to-be husband Chuck Cannon (they married in 1994 and are still married, with two daughters). This song deals with the changing roles in society and the effort to try to explain to men what women today want. The song is taken at a quick tempo, and frankly I am surprised that the song wasn’t a bigger hit.

Come here darlin’, let me whisper in your ear
A precious little secret that I think you need to hear
With the way the women’s movement’s always making the news
I can see how a man might get confused
Now a woman doesn’t mind a man holding the door
But slaving in some kitchen ain’t what God made a woman for
We’ve come a long way baby, but way down deep we’re still the same
What a woman wants will never change

What a woman wants is to be treated like a queen
By a man who deserves to be treated like a king
What a woman wants, what keeps her holding on
Is a loving man who understands what a woman wants

The seventh track features a Suzi Ragsdale and Verlon Thompson composition “Anything Goes”. The song has a definite Mexican flair. Verlon’s career as a recording artist never took off, but he remains a prominent songwriter and instrumentalist.

It took until track eight to reach a song that I would regard as truly being country music, that song being “When The Lights Are Low”, a song Lari co-wrote with Chris Waters (bother of Holly Dunn). This song features classic steel guitar work by Tommy Spurlock, fiddle by Jonathan Yudkin and a great vocal by Lari. The song is a prototypical country ballad with lyrics any fans of traditional country music could enjoy and should have been released as the first single. While I don’t know whether or not this would have been a big hit at radio, at least it would have pegged Lari as a legitimate country artist. As it was, if I were a DJ dealing with Lari’s first three RCA singles, I would not known how to classify her (Con Hunley had the much same problem fifteen years earlier).

In the dark I’m just part of the crowd
It’s hard to tell who it is I’m there without
In some tall stranger’s arms
Your memory’s not so clear
I can cry all night long
‘Cause no one sees the tears
Where the lights are low

Where the jukebox plays
The saddest song it knows
Through a smoky haze
Since you’ve been gone
That’s where I go
‘Cause everything looks better
Where the lights are low

Lari collaborated with her future husband again on “Don’t Leave Me Lonely”, another easy listening/adult contemporary ballad. It’s a nice song, well sung but again not especially country. As on track two, Bergan White arranged the string accompaniment as provided by the Nashville String Machine.

The album closes as it began, with a Lari White – John Rotch collaboration in “Good Good Love”. As with the opening number with is a bluesy R&B tinged ballad, with gospel overtones in the production.

If you want a good good love
Hold on when the times are bad
‘Cause if you jump ship when trouble hits
Good for nothin’ is all you’ll have
You gotta anchor down in the winds of doubt
You can’t give in and you can’t bail out
If the water’s high hold your head above
And hang on for that good good love

When love sets sail it’s always a sunny day
And when the skies are blue it’s so easy to make love stay
But when the clouds roll in and the ship begins to strain
You gotta try a little harder
Go on, test the water
‘Cause the air is so much sweeter
After a real good rain

This album features a bewildering array of instruments: bells, bongos, cowbells, dobro, fiddle – you name it, it is probably on here somewhere.

I purchased the album on the recommendation of a friend. I really liked the album but I wasn’t sure where to place it in my collection, finally settling on filing it with my pop/rock/ R&B records. Lead Me Not is a very good album that I would not hesitate to recommend as fans of varying forms of music can find things to like about this album. On this album Lari White reveals herself as a very talented songwriter and vocalist, albeit one not easily pigeonholed. Her breakthrough would occur on her next album, and wouldn’t last long but her music is worth the search.

I would give this album an A-

She still performs and maintains a website where you can purchase most of her music.