Minnesota born but now Austin based, Brennen Leigh was once a semi-finalist on Nashville Star, but her music is a long way removed from the commercial impetus of modern country media. She has released a string of interesting, low-key albums in the past decade, most recently a set of retro cover duets with Jesse Dayton in 2007. This most recent album consists of mostly melodic mid-paced folky country material with a melancholy tinge, almost all self-penned. She has a real gift for writing attractive melodies allied to thoughtful lyrics, deeply rooted in the traditions of country music. She plays mandolin and/or acoustic guitar throughout the record, with her brother Seth Hulbert on guitar and Tommy Detamore, with whom she produced the record, contributing lovely steel guitar and occasional dobro. Her voice is plaintive and delicately emotional if not very forceful.
She opens with a pensive look at her attitude to the ‘Rolling Green Hills’ of her home, which has turned to restlessness and the need to break away. A happier domestic and pastoral image comes in the Carolina-set ‘Just To Hear My Little Bluebird Sing’.
The love song ‘Distracted’ is an almost loungy ballad with a pretty tune and the steel high in the mix. But the emotions tend more often to the sad and betrayed. ‘You Made A Fool Out Of Me’ is a traditional honky tonk country song about drinking away a heartache with a memorable (and somewhat familiar) tune which I really like, and some tasteful fiddle from Bobby Flores. Addressing the heartbreaker, she declares through the wine,
Well I hope you despise me if you cannot love
Hate is better than nothing at all…
My old childhood friend Depression
Made plans to come and visit today
And I’ll have a new darling companion
There’s no telling how long he might stay
Cause you made a fool out of me
And you can’t even tell me goodbye
You left me here crying and walking the floor
I won’t bother you anymore
My favorite track is the plaintive Louvin Brothers styled ballad ‘Are You Stringing Me Along’, with Seth providing close harmony, as Brennen questions the sincerity of the lover who may have abandoned her, and admits,
I could wait forever if you asked me to
But I’ll never let you know for fear I’d really have to
Brennen’s publishing company Footprints In The Snow takes its name from a line in this song.
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