My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: The Supremes

Album Review: The Forester Sisters – ‘Perfume, Ribbon & Pearls’

The girls’ second album was released in 1986, recorded at Muscle Shoals with Terry Skinner and J L Wallace producing. It was not quite as successful as their debut, with only one hit single, but it is a strong effort overall.

The sole single, ‘Lonely Alone’, is a nice regretful ballad written by J D Martin and John Jarrard with a pretty melody, featuring Kim Forester on lead vocals and her sisters relegated to the chorus. The production now sounds a bit dated with synthesizer and strings, but it did well at the time, peaking at #2.

Kim also took the lead on three other songs, including ‘Heartache Headed My Way’, the mid-paced song which provides the album’s title. Written by Bob and Barbara Morrison, this should have been a single as it has an intriguing mix of youthful confidence and the willingness to take a few risks rather than mom’s good advice:

Mama get out those shiny black shoes and the dress you cut too low
Get out the perfume and ribbons and pearls and tell this girl what she should know
I’ m tired of wasting my youth and my time
On men going nowhere fast
The ones with neatly combed hair and striped ties
Their future’s as dull as their past

Yes, I’m looking for a hard time of romance and fun
And I’m hoping to find it tonight with someone
I’m looking for trouble and blues on the run
And a heartache’s headed my way
I’ll say
A heartache’s headed my way

I know I’ve got years yet to settle for less
For a home and a dog and a white picket fence
Roast in the oven and clothes on the line
And a life that’s full of good common sense
Forget everything you advised me to do
I need some excitement not a lesson or two
After it’s over I’ll listen to you
Mama please listen to me

‘Somebody’s Breakin’ A Heart’, written by the album’s producers, is well sung by Kim and has an interesting lyric about overhearing a couple breaking up, but the heavy beat of the arrangement makes it sound like filler. The up-tempo ‘Drawn To The Fire’ was written by a pre-fame Pam Tillis and Stan Webb; Pam actually released the song herself as the B-side of several of her Warner Bros singles in 1986-7.

June and Christy got one lead vocal each. June sings ‘Heartless Night’, a fine song by Craig Bickhardt and Michael Brook which was later covered by Baillie & The Boys. Christy takes on the Supremes’ Motown classic ‘Back In My Arms Again’; it is pleasant enough filler although with little country about it.

The sisters’ strongest vocalist, Kathy, took lead on the remaining four tracks, including the best track. ‘That’s Easy For You To Say’ is a beautiful measured ballad written by Bob McDill and Paul Harrison, a gentle reproach to the man breaking her heart:

You say “sit down” and you reach for my hand
You’re trying your best to be kind
You say “it’s goodbye but it’s all for the best
These things just happen sometimes”
You tell me that life will go on
And we’ll both forget before long

Well that’s easy for you to say
With the lonely nights that I’m gonna face
It’s so hard to see it that way
You tell me that we’ll both be okay
That’s easy for you to say

‘Blame It On The Moon’ is quite nice and opener ‘100 % Chance Of Blue’ is okay. The Randy Albright song ‘You Were The One’ is pretty sounding with a pointed message to an ex.

The album as a whole makes for very pleasant listening.

Grade: B+

Album Review: Lorrie Morgan – ‘Classics’

classicsJust like her current tourmate and last month’s Spotlight Artist, Pam Tillis, Lorrie Morgan had recorded a number of sides for Hickory Records before her rise to fame, and saw those early recordings cynically re-released in an attempt to capitalize. Licenced to Curb and packaged as the optimistically titled Classics in 1991, the music shows Lorrie could definitely sing beautifully (perhaps a little too sugar-sweet at times on the ballads), but shows little artistic individuality, with the music typical of the pop-country of the latest 70s and early 80s.

‘The First Few Days Of Love’ is a mellow ballad written by Sanger D Shafer and Eddy Raven and smothered in strings. It’s a little sleepy, and now sounds very dated, but Lorrie sings it well. Along similar lines is ‘In For Rain’, although that one works a little better than the rather boring ‘Let It Be Yesterday’.

The best tracks are all up-tempo. ‘Say The Part About I Love You’ is a beaty up-tempo number with a cynical lyric about a one night stand with a sexy but obviously shady man. The production does sound dated, as is often the case with material with a pop-country influence, but Lorrie’s committed, energetic vocal makes it quite enjoyable.

I also liked the assertive demand to a spouse, ‘Who Do You Know In California’, which like ‘Say The Part About I Love You’, was written by Eddy Raven. The catchy ‘Ain’t Got Time To Rock No Baby’, a withering putdown of a needy and juvenile lover is another winner:

I only meant to love you, not to raise you
I thought you were already grown

Liz Anderson’s ‘Tell Me I’m Only Dreaming’ is not bad, although the dated production hampers it a bit, It charted in the lower reaches of the country charts in 1979.

Only the first seven tracks are on the iTunes version (no doubt a copyright issue). The CD version adds another three fairly forgettable cuts, which I think come from 1984. ‘Don’t Go Changing’ is a bland ballad with strings and choir-style backing vocals which was a flop single; ‘Easy Love’ is equally bland mid-tempo pop-country song; and ‘Someday We’ll Be Together’ is a boring cover of a pop hit for R&B group the Supremes (which Lorrie may have known from the Bill Anderson/Jan Howard country hit version). None is worth tracking down separately.

At this point in her career, Lorrie was showing few signs of star quality, and this compilation is of historical interest only.

Grade: C-