My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Terry Bell

Album Review: Lari White – ‘Don’t Fence Me In’

dont-fence-me-inThe singles from Wishes would prove to be the peak of Lari White’s popularity. The followup album, Don’t Fence Me In, which saw her stretch her wings artistically, was less successful in the marketplace.

The first single, ‘Ready, Willing And Able’, is quite a good mid-tempo song about being open to falling in love, which Lari delivers with commitment. It was written by Jess Leary and Jody Alan Sweet, and reached the top 20.

The only other single, the vivacious up-tempo ‘Wild At Heart’, failed to make the top 40, and combined with unspectacular sales of the album led to RCA dropping Lari. Lari wrote it with Al Anderson, and it’s pretty good and well performed.

‘Ain’t Gonna Worry About Love No More’ (written by Michael Noble) is in a similar contemporary up-tempo vein.

Lari wrote three songs with her husband Chuck Cannon. The best of these, ‘Something Blue’, is a bluesy torch song about a marriage in the course of disintegrating:

Our love is something old
Her kiss is something new
And now we live on borrowed time
Cause all that’s left is something blue

The upbeat poppy ‘Do It Again’ affirms the narrator’s past choices and mistakes. ‘Next To Love’ is fairly forgettable filler.

‘Ghost Of A Chance’, written by Lari with Chuck Jones, is a low key soulful ballad about fighting the unseen rival of her partner’s ex, with some nice fiddle. This is excellent, and my favourite track.

I also like another ballad, ’The Test’ (written by Don Schlitz and Billy Livsey), although it feels a little bit contrived. A married woman reviews the strength of her relationship on paper, listing all the fights and bad times, which makes her think it must be over – but set against that she has just one positive: she loves him.

‘I’ve Been Waiting For Your Love’ is a pretty AC-leaning ballad written by Stephony Smith and Terry Burns, with some nice fiddle. ‘Woman Of The World’ is an upbeat song about women as survivors.

Rather pretentiously, two tracks have short teasers earlier in the set list. The title track is the Cole Porter-penned standard. Right at the start of the album Lari sings the first chorus fairly straight, with harmony singers Trisha Yearwood and SShelby Lynne, but with old dusty vinyl sound effects. Then almost at the end of the album she launches into a speeded up rockabilly take on the song. It doesn’t really work for me.

Similarly, ‘Soul Searchin’ Blues’ starts out randomly inserted three quarters of the way through with one verse, and then continues right at the end. This is a straight blues tune.

The record is not particularly country, and certainly not traditional, but Lari White was a very talented singer and songwriter, and if you like a slightly poppy/jazzy/AC edge to your country, this album is well worth while.

Although Lari would enjoy one more top 20 hit with ‘Stepping Stone’ on a new label, Lyric Street , and then a top 20 duet with Travis Tritt, that was the end of her mainsteam success.

Album Review: Bobby Marquez – ‘Bobby Marquez’

bobbymarquezTexan country singer Bobby Marquez’s debut album on independent label Grande Star is a good example of solid country music with a Texas feel, underpinned with generous helpings of fiddle and steel. Bobby has quite a light voice but a very listenable one, and he is a very promising songwriter, having contributed to half the tracks on this album, collaborating most often with the album producer Gerald Smith. Smith worked with other writers on a further three tracks. All the material is at least decent, with a few standouts.

It opens with one of the two wholly outside songs (the other being a cover of Jim Lauderdale’s swooping ‘Whisper’), the western swing ‘She’s Not From Texas’, a lyrically slight but cute Karen Staley/Anita Cochran song about falling for a girl the protagonist meets on a Beaumont dancefloor: the payoff being “she’s from heaven”. Karen Staley also helped Bobby to write ‘That’s Life’, which hit #1 on the regional Texas country chart. Bobby’s sincere delivery lends a warmth and authenticity to this charmingly nostalgic and ultimately touching song as it imparts some small-town fatherly philosophy (admittedly the latter is a little cliche’d, but it feels churlish to dwell on that when the feel of the song is so endearing). Staley (a fine singer in her own right) also sings harmony vocals on the album.

Smith wrote the plaintive lost love ballad ‘Just Look At Me’ with Curtis Wayne, and this is another highlight with some lovely yearning fiddle and some very retro backing vocals towards the end of the song:

I’m still your fool
One look at you
And just look at me
Still under your spell so helplessly

Steve Frame wrote the very best track with Bobby and Smith, the cautionary tale of the ‘Marlboro Man’, about a girl who hooks up with a nameless guy in a bar, set to a classic country tune:

She wrote her number on the back of his Marlboro pack
He gave her his too but so much for that
The number he gave her was as fake as his name
So she named him the Marlboro man

Naturally it doesn’t go well:

He had her heart in the palm of his hand
In the morning she awoke to the mirrors and smoke
And just the memory of the “Marlboro man”

So don’t strike a match with a cowboy
He’ll only put out your plans
And all you’ll have left are the ashes
Where there once was a Marlboro man

I love this one.

Written by Bobby, Smith and Donna DeSopo, ‘Neon Tan’ is an amusing Caribbean style song with a difference as Bobby forsakes the beach for the bar:

I won’t have to worry about those UV rays
Burning my skin and peeling for days and days
No sand in my pants
No oil on my skin
From the glow on my face you’ll know I’ve been
Working on my neon tan
If you’re wondering where I am
Holding an cold one in my hand

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