My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Stoney Edwards

Album Review: Moe Bandy – ‘She’s Not Really Cheatin’ (She’s Just Getting Even)’

1982 saw the release of She’s Not Really Cheatin’ (She’s Just Getting Even). Moe’s biggest hit in three years, the mid-paced title track is a pointed narrative about a wife who gets her revenge on a cheating husband by copying him. Written by Ron Shaffer, it peaked at #4. The album’s second single, ‘Only If There Is Another You’, which reached #12, is an earnestly sweet declaration of eternal fidelity.

The same writer (D Miller) contributed another pair of songs. ‘Our Love Could Burn Atlanta Down Again’ is a nice mid-tempo love song. ‘The All American Dream’, a co-write with the young Kent Blazy, is a sunny patriotic tune:

I drink Kentucky whiskey
I love California wine
My old car’s from Detroit
And suits my taste just fine
My boots were made in Texas
This song’s from Tennessee
I’m proud of my country
And what it’s done for me

You’re lookin’ at a believer in the all American dream
From a small farm in Texas to singin’ on TV
There ain’t a thing we can’t do
Nothing we can’t be
As long as we’re believers in the all American dream

Every single thing I own says made in USA
I don’t buy those products with names that I can’t say
We may be having hard times
But brother we’re still free
I’m glad I’m living in the land of opportunity

‘He’s Taking My Place At Your Place’ is a wistful lament for lost love, now that the ex he thought he could go back to isn’t interested any more. ‘Your Memory Is Showing All Over Me’ is a steel laced ballad about the shadow of the past preventing the protagonist from moving on.

The more contemporary ‘An Angel Like You’ is a mid tempo attempt to pick up a girl, slightly marred by intrusive backing vocals from the Jordanaires. The perky ‘Can I Pick You Up’ is a bit more effective.

My favorite track is the wonderful tribute to Moe’s traditional country roots, ‘Hank And Lefty Raised My Country Soul’, written by Dallas Frazier and Doodle Owens. This was a cover of a minor hit for Stoney Edwards in the early 70s. (Incidentally the song was later rewritten to pay tribute to George Jones and Merle Haggard; a pre-fame Alan Jackson recorded it.)

I also like the pacy ‘Jesus In A Nashville Jail’, in which a failed country singer finds God after “the bottle got the best and the blues got the rest of me”.

This is a very good album, but not one of Moe’s very best. It was released on a 2-4-1 CD with the excellent It’s A Cheating Situation, and the combination is well worth tracking down.

Grade: B+

Favorite country songs of the 1970s: Part 2

The 1970s were not my favorite decade for country music but it was the decade in which I did my largest amount of listening to country radio, having the good fortune to have such country giants as WSUN AM- 620 in St. Petersburg, FL, WHOO AM-1090 in Orlando and WCMS AM-1050 in Norfolk, VA for my listening pleasure, plus I could tune in WSM AM – 650 in Nashville at night. I did a lot of shift-work during this decade so my radio was on constantly.

    

This list is meant neither to be a comprehensive list of great country songs from the 1970s, nor any sort of ranking of records. It’s just a list of some songs that I liked and remember. See if you recall any of these records:

Everybody’s Reaching Out For Someone” – Pat Daisy (1972)

Beautiful and blessed with a great voice, she never did break through as a major star since she was buried at RCA behind Connie Smith, Dolly Parton, Dottie West and Skeeter Davis for promotional attention. This song reached #20 on the country chart and #112 on the pop chart and was covered on albums by many country artists. Pat pulled the plug on her own career to raise a family. Read more of this post

Album Review: Emmylou Harris – ‘Pieces Of The Sky’

Emmylou Harris’s debut for Reprise was an artistic masterpiece which stands up well today. Recorded in LA with Canadian producer Brian Ahern, who Emmylou was to marry a few years later, it brought in the influences of the California country-rock scene in which Emmylou had been immersed during her time with Gram Parsons, fusing them with some very traditional music. The musicians included Herb Pedersen (later a member of the Desert Rose Band) as the principal harmony singer, the Eagles’ Bernie Leadon playing a variety of instruments, soon-to-be Hot Band members James Burton and Glen D Hardin, and Fayssoux Starling, wife of John Starling of the bluegrass group The Seldom Scene as the main female harmony voice. Emmylou herself played acoustic guitar on a number of tracks.

Her first country single was the beautiful lost love ballad ‘Too Far Gone’. Written by Billy Sherrill and given a delicate string arrangement reminiscent of his work with Tammy Wynette (who had also recorded the song), it failed to make any inroads for Emmylou despite an intense yet understated performance imbued with anguish. It was re-released in 1978 to promote the compilation Profile, and then reached #13.

Gram Parsons had introduced Emmylou to the music and perfect harmonies of the Louvin Brothers, and a sparkling reading of their ‘If I Could Only Win Your Love’ was her first big hit, peaking at #4 on Billboard. Pedersen plays banjo here as well as supplying perfect harmonies, making this a true classic recording which stands up to the original.

Emmylou herself wrote just one song, the exquisitely beautiful ‘Boulder To Birmingham’, reflecting on her grief for the death of Gram Parsons. With echoes of gospel in the lyrics and folk in the melody (supplied by co-writer Bill Danoff) and arrangement, Emmylou provides a worthy tribute to her mentor which exudes sorrow. Perhaps in another tribute to their work together, she also covered the Everly Brothers’ ‘Sleepless Nights’ (a Felice and Boudleaux Bryant song most recently revived by Patty Loveless), which she had previously cut with Gram for their second album together, Grievous Angel, but which had been omitted from the final version.

It was still common practice in the 1970s for artists to cover recent hits. Emmylou picked Dolly Parton’s autobiographical ‘Coat Of Many Colors’ (a hit for her in 1971), and this tenderly sung version with its mainly acoustic backing and the angelic harmonies of Fayssoux Starling, is convincing even though her own background was far from the rural poverty which inspired the song. She also sounds beautiful if mournful on the Beatles’ ‘For No One’.

It wasn’t all delicate ballads. The good-tempered mid-tempo wailed drinking song ‘Bluebird Wine’ which opens the album is actually my least favorite track vocally, but gets things off to a sparkling start instrumentally. It is notable as the first ever cut for the then-unknown Rodney Crowell, who Emmylou was soon to ask to join the Hot Band. There are committed honky tonk numbers in a spunky cover of Merle Haggard’s broken hearted ‘Bottle Let Me Down’ with Leadon and Pedersen singing backing, although this doesn’t quite match up to the original. Emmylou also sang the definitive version of Shel Silverstein’s sympathetic (even triumphant) portrait of a faded honky tonk angel he calls the ‘Queen Of The Silver Dollar’ (previously recorded by Dr Hook and a hit for Dave & Sugar in 1976). Linda Ronstadt and Herb Pedersen sang harmony on Emmylou’s version.

Another future Hot Band Member, Ricky Skaggs, guests on fiddle on ‘Queen Of the Silver Dollar’, and fiddle and viola on ‘Before Believing’, a pretty acoustic ballad with a folky feel, written by Danny Flowers. Emmylou’s boyfriend at the time, Tom Guidera, plays bass on these two tracks. The latter provides the album title:

How would you feel if the world was falling apart all around you
Pieces of the sky falling on your neighbor’s yard but not on you

The album sold well, reaching #7 on the country albums chart, and was eventually certified hold. It has been rereleased on CD, both with the original track listing and in 2004 with two additional songs, ‘Hank And Lefty (Raised My Country Soul)’, which had been a minor hit for the African-American country singer Stoney Edwards a few years earlier, and ‘California Cottonfields’ (a Haggard album cut written by Dallas Frazier and Earl Montgomery)). Both are fine songs well performed by Emmylou, and it is well worth seeking out this version for those songs (or downloading them individually if you already have the album).

Grade: A

Buy it at amazon.

Classic Rewind: Stoney Edwards – ‘Hank And Lefty Raised My Country Soul’

A minor hit from 1973: