My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Rosemary Clooney

Country Heritage: Patti Page

People such as Gram Parsons, Linda Ronstadt, The Eagles and the Byrds all are occasionally credited as being the catalyst for breaking country music to the larger pop markets. No doubt, all were of some significance in introducing country music to a portion of the pop market, but long before any of them came along, there was “the singing rage”, Miss Patti Page.

Most of today’s listeners look no further back than 1955 when rock ‘n roll began to emerge. Consequently, aside from a specific few, such as Frank Sinatra, Dean Martin, Tony Bennett, Rosemary Clooney and Perry Como, most of the great pop singers of the immediate post-WW2 period largely have been forgotten.

Born in 1927 as Clara Ann Fowler, a product of Oklahoma, Patti Page would serve an apprenticeship as a country singer with Al Clauser’s Oklahoma Outlaws during the early 1940s. Clauser’s band appeared on KTUL in Tulsa; as a result of this exposure, Patti Became the featured vocal on a program sponsored by the Page Milk Company. It was as a result of this program that she became known as Patti Page. From here she moved to the Jimmy Joy Band, a pop swing band which toured the Midwest. While in Chicago she became friends with members of Benny Goodman’s orchestra, which in turn led to a recording contract with Mercury.

Patti’s first single, “Confess” came out during one of the Petrillo strikes in 1947, meaning that background singers were not available for recording purposes. Mercury thought that Patti’s voice was sufficiently versatile that she could do her own harmony backgrounds, and so developed the practice of Patti overdubbing her own harmony vocals on record, the first artist with which this was done. “Confess” was one of three top twenty records she would chart from 1947-1949.

1950 was Patti’s breakthrough year as “With My Eyes Wide Open, I’m Dreaming” became her first million selling single, quickly followed by another million seller “All My Love (Bolero)” and then a song that would represent a career for anyone, her cover of the Pee Wee King-Redd Stewart classic “Tennessee Waltz”. Not only did this record reach #1 on Billboard’s Pop charts, staying there for 13 weeks, but it would reach #2 on Billboard’s country chart selling over six million copies in the United States alone.

While Patti Page is primarily thought of as a pop singer, and a very successful one with over 100 million singles sold world-wide, she continued to record country songs for the pop market having hits with such titles “Detour”, “Down The Trail of Aching Heart”, “Mister and Mississippi”, “I Went To Your Wedding”, “You Belong To Me” (another Pee Wee King-Redd Stewart collaboration). So popular was she with country audiences that country comics Homer & Jethro even lampooned her pop hit “How Much Is That Doggie In The Window”. All told, Patti Page would have 16 gold singles.

Even after the onset of the rock and roll blight, Patti continued to chart on the pop charts, although after 1958 the really big hits were a thing of the past, with the exception of her 1964 hit “Hush Hush Sweet Charlotte”, from the movie of the same name. Since she always had sung and recorded country songs as part of her repertoire, Patti made the natural turn to recording straight country songs during the late 1960s, with sixteen songs charting on Billboard’s country charts between 1970-1982 including the #14 duet with Tom T. Hall “Hello We’re Lonely” in late 1972.

After the 1980’s Patti focused more on jazz in her recorded music. Since Patti is now over 83 years old, I am not sure how active she is as a live performer, but she was quite active until very recently.

I wouldn’t try to convince anyone that Patti Page was a great country artist, but she was a great recording artist and did as much as (and probably more than) any other non-country performer to help spread the popularity of country music around the world

DISCOGRAPHY


VINYL

A search of used record shops will turn up a huge number of Patti Page vinyl albums – there were at least thirty albums released on Mercury, at least another ten or so on Columbia and then for miscellaneous other labels over the years. Her best pop recordings were on Mercury – any of her Mercury albums will reveal a consummate professional at work – if you like the songs, you’ll like the albums.

CD

Patti Page is not as well represented on CD as should be the case – she does have a website which offers some titles for sale

http://www.misspattipage.com/

Collectors Choice Music currently has 19 CDs and a DVD available

SINGLES 1946-1952 gives you 84 of her Mercury hits
LIVE AT CARNEGIE HALL: THE 50th ANNIVERSARY CONCERT demonstrates that Patti still could bring it
HUSH HUSH SWEET CHARLOTTE / GENTLE ON MY MIND is a two-fer of Columbia albums, a 1965 pop album and a country flavored album from 1968. It’s an odd pairing but a good value

Other titles have been in and out of print over the years.

Album Review: Patsy Cline – ‘Sentimentally Yours’

Sentimentally Yours was the second full-length album of Patsy Cline recordings released by the Decca label, and her third overall.  After its release in August of 1962, it would hold the distinction of being her final album released in her lifetime.  Producer Owen Bradley had made no secret of his ambition to make Patsy a pop star, as well as having country hits with her.  The virtuoso did just that when he was finally able to ink Cline to a contract with Decca.  The resulting first album, Showcase, spawned two quintessential American standards with the hits ‘I Fall to Pieces’ and the sublime ‘Crazy’.  Their success on the popular music charts had made Cline a star beyond Nashville and Sentimentally Yours, a collection of mostly cover songs made famous by the pop singers of the day, aimed at continuing that success.

The only two new songs on the album were the single ‘She’s Got You’ and its B-side ‘Strange’.  The former was Patsy’s second and final #1 on the Country Singles chart, known then as How C&W Sides.  ‘She’s Got You’ also went to #14 on the U.S. Pop chart and was her first charting hit in the U.K., peaking at #43 in the nation.  Writer Hank Cochran pitched the song to Patsy at her house one night in late 1961.  Patsy loved the song and recorded it at her next session.  Bradley employed The Jordanaires as backing singers again, and a jazzy piano provided by Hargus ‘Pig’ Robbins accompanies Patsy’s own sweeping vocals.  It’s been re-recorded several times over the years, most notably by Loretta Lynn, who had a #1 hit with the song in 1977 as a single from the I Remember Patsy tribute album.

Mel Tillis and Fred Burch wrote ‘Strange.  The kiss-off number is an interesting listen in itself with its almost-calypso beat.  Patsy’s singing is more restrained on this.  I get the impression she wasn’t close enough to the microphone or wasn’t belting it out like she usually did.  From these two originals, we are treated to Patsy’s interpretation of ten standards.

Read more of this post