Lee Greenwood’s most recent studio album was released in 2003 on Curb Records.
Three singles were issued, none of which charted. The first, ‘Rocks That You Can’t Move’, is a nice song about a Wise Old Man sharing his hard-earned wisdom with the protagonist as a child, a popular trope given a slight, and pointed, twist by making the old man a hard working African American farmer:
He’d seen the Great Depression
When a dollar’s all a hard day’s work would bring
He watched the crosses burnin’
In a time when freedom didn’t ring
He’d seen a world where minds were closed
And so many hearts were made of stone
But I never heard a bitter word
When I asked him ’bout the pain that he had known
He’d say, “life is full of fertile ground
But it takes a little rain to make things grow
And when it comes to harvest time
We’re all bound to reap just what we sow
So the best that I can tell you, boy,
Is always do the best that you can do
Move the rocks and plow your fields
And plow between the rocks that you can’t move”
Greenwood makes the story (written by Rob Crosby and Will Rambeaux) believable, and a nicely understated production works really well.
A remake of ‘God Bless The USA’ also failed to make any headway, despite being released at the time of the US invasion of Iraq. Lee’s performance is heartfelt, and he is backed by the Fisk Jubilee Singers, a storied black gospel choir who add a sense of universality without overwhelming the song. I think I prefer this arrangement to the original.
The third and last single was ‘When A Woman’s In Love’, a pleasant sounding if not very memorable ballad.
The best song is ‘Beautiful Lies’, a sweetly sung ballad written by Gary Burr about denial. Another highlight is ‘Cornfield Cadillac’, written by Terri Argot, with a pretty melody and tender recollection of teenage love. ‘Round Here’ is quite good, a pleasant song about a cozy small-town community.
The title track, ‘Love Is Stronger Than Time’, a romantic AC big ballad written by Chris Lindsey, Bill Luther and Bob Regan, is emotionally sung but a bit bland. Similar but more more effective is the Greg Barnhill-penned ‘It Almost Makes Me Glad’, in which the protagonist sees his ex happier in her new relationship.
‘Love Me Like You’ve Never Been Hurt’ is an emotional ballad written by Pat Bunch. ‘Invisibly Shaken’ is a downbeat AC ballad written by Rodney Atkins, who later had a hit with his own version.
‘One Life To Love’ and ‘I Will Not Go Quietly’ are dull ballads.
This is an album which will appeal to Greenwood’s established fanbase.