Country music from a fan's point of view since 2008
It was the recruitment of Natalie Maines as the Chicks’ new lead singer which transformed their fortunes. The band signed to Monument Records, a subsidiary of Sony. Their debut major label album, released in January 1998, was produced by Blake Chancey and Paul Worley, who were able to meld the group’s organic roots with a commercial sound, showcasing both Natalie’s strikingly distinctive voice and the other women’s accomplished musicianship. With the help of five top 10 singles, it would prove an enormous crossover success, eventually selling 12 million copies.
The first single, the infectious ‘I Can Love You Better’, was written by one of the top Nashville songwriters of the era, Kostas, with Pamela Brown Hayes. A plea to a love interest who is hung up on an ex, it is utterly charming with Natalie’s vocals exuding a mixture of confidence and wistfulness as she offers herself as a better romantic partner than her rival. It was very radio-friendly, and reached #7 on the Billboard country charts.
Follow-up ‘There’s Your Trouble’, written by Mark Selby and Tia Sillers, Is based on a similar theme. The single became their first chart-topper, and also won the girls a Grammy.
The title track made it back-to-back #1s. It was written by Texan singer-songwriter Susan Gibson, who had recorded the song with her alt-country band The Groobees on an album produced by Natalie Maines’ father Lloyd, who then pitched the song to his daughter. An airy melody and bluegrassy instrumentation with sweet harmonies back an optimistic lyric about a young woman leaving home and making her start as an independent adult. It was named the CMA Single of The Year.
The pace slowed for the next single, yet another #1. ‘You Were Mine’ is an exquisitely sad lost love ballad which showed Natalie Maines was capable of subtlety as well as attack. It was the only song on the album to be written by any of the band members, namely Martie and Emily Erwin, and was inspired by the disintegration of their parents’ marriage when they were children:
Sometimes I wake up cryin’ at night
And sometimes I scream out your name
What right does she have to take your heart away
When for so long you were mineI can give you two good reasons
To show you love’s not blind
He’s two and she’s four and you know they adore you
So how can I tell them you changed your mind?
A rare fifth single, ‘Tonight The Heartache’s on me, is a super honky tonker which had previously been cut by Joy Lynn White in a very similar arrangement. It was not quite as successful as its predecessors, peaking at #6.
Another recent cover was Radney Foster’s ‘Never Say Die’, a nice love song. ‘Let ‘Er Rip’ is a rocker which allows Natalie to let loose vocally. ‘Once You’ve Loved Somebody’ is a wistful ballad about struggling to movie on after a breakup.
One of my favorite tracks is a cover of ‘Loving Arms’, penned by 70s folkie Tom Jans and previously recorded by Kris Kristofferson and Rita Coolidge, Elvis Presley, and others. Natalie’s compelling vocal, imbued with intense regret, makes this the best version ever of the song in my opinion.
J D Souther’s ‘I’ll Take Care Of You’ is tender and has another fine vocal. Maria McKee’s ‘Am I The Only One (Who’s Ever Felt This Way)’ is a rock ballad, again very well sung, while Bonnie Raitt’s ‘Give It Up Or Let Me Go’ is a raucous blues number.
The album’s eclectic mix of material is all very well sung and played, and although its massive success has been somewhat overshadowed by later events (both greater success and more fractious times) it still stands up very well.
Grade: A
When She Rides Wild Horses was released in 1999, his first release on Dreamcatcher, it had been a decade since Kenny had a top ten country album or a top ten country song, and fifteen years since a Kenny Rogers song had hit the top forty of the Billboard Hot 100 singles chart, so it is hard to believe that expectations were that high for this album, especially since Kenny had turned 61 years old, an antique as far as the increasingly youth oriented music world was concerned.
Dreamcatcher was Kenny’s own label and perhaps his proprietary interest in the label sparked renewed life in his recording career. While not a great album, the album did feature some very interesting songs that led to a mild resurgence in Kenny’s career, reaching #6 on the Country albums chart, and selling platinum, the last Kenny Rogers album to do so (and the first one in fifteen years).
The album opens with “Slow Dance More”, a nice mid-tempo homily to the virtues of appreciating one’s family. The song was the second single released from the album, reaching #67 on the country chart. This is the most country sounding song on the album with Russ Pahl on steel guitar, Jonathan Yudkin on fiddle and Richard Bailey on banjo (the only appearance for any of them on these instruments – Bruce Bouton would do the rest of the steel guitar on the album.
Grady Johnson was a common man
Four children and some bottom land
Early to bed, he said, “well that ain’t me
I gotta spend some time with my family
Left to its own device, May becomes June
But children grow up way too soon[Chorus]
So love your neighbor as yourself
Don’t use money to measure wealth
Trust in God but lock your door
Buy low, sell high and slow dance more”
This is followed by “Buy Me A Rose”, the third single and a surprise #1 country hit that also cracked the top forty on the Hot 100 chart. This was Kenny’s first #1 on any chart since 1987. “Buy Me a Rose” is a ballad, the story of a husband who attempts to please his wife with material objects, such as a “three-car garage and her own credit cards“, before realizing that it is the little things and gestures that truly matter.
The song features Billy Dean and Alison Krauss singing background.
He works hard to give her all he thinks she wants
A three car garage, her own credit cards
He pulls in late to wake her up with a kiss good night
If he could only read her mind, she’d say:“Buy me a rose, call me from work
Open a door for me, what would it hurt
Show me you love me by the look in your eyes
These are the little things I need the most in my life”Now the days have grown to years of feeling all alone
And she can’t help but wonder what she’s doing wrong
Cause lately she’d try anything to turn his head
Would it make a difference if she said:“Buy me a rose, call me from work
Open a door for me, what would it hurt
Show me you love me by the look in your eyes
These are the little things I need the most in my life”
Next up is “I Will Remember You” written by Irish balladeer and musician Seamus Egan. This song is a very slow ballad that Kenny sings well.
Eric Kaz and Linda Thompson-Jenner penned “Love Don’t Live Here Anymore”, a slow ballad of breakup and heartache.
The title track “She Rides Wild Horses” written by Bob Corbin and Ted Hewitt, was not released as a single. Although laden with keyboards and strings, I think that the song would have made a good single if pushed toward Adult Contemporary market.
It’s just her and the band and the clean up man
She’s countin’ up her tips, she did alright
She says goodnight
She drives home to a three room flat
Checks her machine and she feeds the cat
She’s almost asleep
Before she turns out the lightIn her dreams, she rides wild horses
And they carry her away on the wind
And they never make a sound
As they fly above the ground
Tonight she rides wild horses again
“The Kind of Fool That Love Makes” was written by Brenda Lee (yes, that Brenda Lee), Michael McDonald and Dave Powelson
Anyone can read the signs
Or the writing on the wall
It’s all right there to see
Except someone like me
Who can’t see the truth at all.It takes a special kind of fool
To stand out in the rain
Somewhere in between
Nothing left to lose
And nothing to be gained.What kind of fool does it take?
To go on loving alone
Like there’s some answer in the ruins
Some silver lining to be found.An even bigger fool might think
You would care if my arm breaks
Before the time that I admit
I’m just the kind of fool love makes.
Tom Jans’ “Loving Arms” was already an oldie, having been recorded many times since released by Kris Kristofferson and Rita Coolidge in 1973. Dobie Gray had the biggest pop hit with the song in 1974 and Elvis hit the county top ten with his posthumous 1981 release. Kenny’s version is okay, but the slow tempo is too similar to the rest of the album.
If you could see me now
The one who said that he’d rather roam
The one who said he’d rather be alone
If you could only see me nowIf I could hold you now
Just for a moment if I could really make you mine
Just for a while turn back the hands of time
If I could only hold you nowI’ve been too long in the wind, too long in the rain
Taking any comfort that I can
Looking back and longing for the freedom of my chains
And lying in your loving arms again
“I Can’t Make You Love Me,” was co-written by Allen Shamblin and Mike Reid and was a hit for Bonnie Raitt in 1981. The song is yet another slow ballad and is given a bland cocktail lounge arrangement that strips the song of any character.
Kenny recorded “Let It Be Me” with Dottie West for their album Classics. Tammy Fry sings the female harmony on this stringy ballad. This version does not compare well with his earlier rendition, and it is just another slow ballad.
The album closes with the fabulous Don Schlitz composition “The Greatest”. Although the song only reached #26 on the country singles chart, I suspect that the song reverberated with many male listeners and led them to seek out the album when it was released. I know that many times I was that little boy in the song, and I purchased the CD on the strength of this song alone without really caring about what was on the rest of the album.
Little boy, in a baseball hat
Stands in the field with his ball and bat
Says “I am the greatest player of them all”
Puts his bat on his shoulder and he tosses up his ballAnd the ball goes up and the ball comes down
Swings his bat all the way around
The world’s so still you can hear the sound
The baseball falls to the groundNow the little boy doesn’t say a word
Picks up his ball, he is undeterred
Says “I am the greatest there has ever been”
And he grits his teeth and he tries it againAnd the ball goes up and the ball comes down
Swings his bat all the way around
The world’s so still you can hear the sound
The baseball falls to the groundHe makes no excuses, he shows no fears
He just closes his eyes and listens to the cheers
After a series of mediocre disappointing recordings, It was nice to see Kenny release a decent album. This isn’t a great album, and it isn’t very country, but it is good. Kenny is in good voice throughout, and several of the songs, especially the three released singles and the title track are outstanding. The album could stand some more variation in tempos, but as is, the album is worth a B
My Kind of Country 