Released in 1992, this album transformed Vince from star to superstar, with four of the five singles hitting #1 on Billboard, and excellent sales figures and a string of awards for the album itself. It showcases Vince Gill at his very best, with lovely soaring vocals, supported by tasteful and subtle production overseen by Tony Brown. Vince wrote or co-wrote every song, and the quality is exceptionally high. Backing singers include Alison Krauss and Dawn Sears.
The title track was Vince’s very first #1 hit. It won Vince and co-writer John Barlow Jarvis Song of the Year awards from both the ACM and CMA. Reportedly written for Vince’s then-wife Janis about their sometimes troubled relationship, the message is one of the power of true love to surmount such difficulties, and even though the couple were eventually to divorce, the song’s message stands up in its own right.
The mid-tempo follow-up, ‘Don’t Let Our Love Start Slippin’ Away’ is an appeal to a wife in a marriage which is beginning to fray at the seams, which Vince wrote with his keyboard player Pete Wasner. It is pleasant enough and quietly catchy, but pales in comparison to most of the other material. The fact that it still made it to #1 is an indication that Vince’s career was in overdrive.
Surprisingly, although it was still a big hit, the next single did not do quite as well, although I think it is abetter song. The gently mournful ballad ‘No Future In The Past’, co-written with Carl Jackson, forms a sequel of sorts to ‘When I Call Your Name’, where the protagonist accepts there is no point dwelling on his memories of the good times. Peaking at a still-respectable #3 it was the album’s poorest chart performer, possibly due to competition for airplay from ‘The Heart Won’t Lie’, his duet with Reba.
It was a change of pace and back to the top of the charts with the next single, the lively and amusing ‘One More Last Chance’, written with Gary Nicholson. Vince begs his woman for mercy after one too many nights out with the boys. Delbert McClinton guests on harmonica, and the video (but not the song) featured a cameo from George Jones, whose own life probably inspired the lines:
Well, she might’ve took my car keys
But she forgot about my old John Deere
There was enough juice left in the album for a fifth single, and yet another #1 with the lyrically bleak but beautiful sounding ‘Trying To Get Over You’ (written with Gary Nicholson), where he confesses that “it’ll take dying” to help him get over the woman who has broken his heart.
My favorite track is another gorgeous ballad, the absolutely beautiful ‘Love Never Broke Anyone’s Heart’, written with Jim Weatherly. This finds Vince offering wise words of consolation to a woman who has suffered a broken heart:
It’s not love that causes the pain
Whenever a heart has been shattered
It’s the losing of love that’s to blame
Love never broke anyone’s heart
It never left anyone scarred
It’s not really love
If it tears you apart
Love never broke anyone’s heart
Andrea Zonn’s solemn fiddle and John Hughey’s sympathetic steel add to the mood set by the perfectly judged vocal and lovely melody.
‘Under These Conditions’ is an agonized almost-cheating song, with two potential lovers held back from a good relationship from the fact that both are already married with children. It is another excellent song and performance, written by Vince with Max D Barnes. ‘Say Hello’ (another co-write with Pete Wasner) is a traditional shuffle on another heartbreak theme, with prominent harmonies.
Romantic ballad ‘Nothing Like A Woman’, written with Reed Nielsen, has a mellow, more AC feel than the bulk of the material and I don’t care for it as much, but it is very well done. I preferred the uptempo appeal to a woman being led astray by a persuasive liar’s ‘Pretty Words’, written with Don Schlitz.
The best selling album of Vince’s career, it has been certified quintuple platinum and was deservedly the CMA Album of the Year in 1993, and also helped him with his run of CMA Male Vocalist titles (1991-1995) and his wins as Entertainer of the Year in 1993 and 1994. It is excellent from start to finish, and warmly recommended. Used copies are available incredibly cheaply, making this a bargain not to be turned down.