My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Phil Harris

Paul W. Dennis’s favorite albums of 2016

real-country-musicBeing the old man of the blog, I suppose it is inevitable that my favorite albums would differ from those of Razor X and Occasional Hope. There is some overlap, however, and where overlap exists I will not comment on the album

(#) on Razor X’s list / ($) on Occasional Hope’s list

15) Tracy Byrd – All American Texan (#)

14) Mark Chesnutt – Tradition Lives (#) ($)

13) Rhonda Vincent – All The Rage, Volume One

Alison Krauss fans notwithstanding, Rhonda is the Queen of Bluegrass music and is also adept at country and western swing numbers. Rhonda has a great band and all of the members are featured. Her guitar player, Josh Williams, is on a par with any acoustic player currently going.

12) Balsam Range – Mountain Voodoo

Balsam Range has been around for about a decade, winning the 2014 IBPA “Entertainer of The Year” and Vocal Group of The Year” awards. Their newest album was nominated for several awards. This band is renowned for their vocal harmonies. Their current single “Blue Collar Dreams” is being played on Bluegrass Junction on XM Radio – it’s a goodie and indicative of their material.

11) John Prine – For Better Or Worse ($)

the-life-and-songs-of-emmylou-harris10) Various Artists – Life and Songs of Emmylou Harris
I suspect that Emmylou Harris is the most highly revered female country singer, particularly for younger country fans and pop music fans. The epitome of elegance and grace, Emmylou has also been a champion of traditional country music. This album contains nineteen tracks with a vast array of admirers who gathered at DAR Constitution Hall in Washington DC on January 10, 2015 to pay tribute. Emmy sings on a few of the tracks but mostly the guests sing songs at least loosely associated with Emmylou. Guests include Sheryl Crow, Alison Krauss, Buddy Miller, Rodney Crowell and others.

09) Karl Shiflett & Big Country Show – Sho Nuff Country

Although focusing on bluegrass, this veteran outfit has a strong propensity to record country music of the period before 1980, and they perform it well. For me the highlights are “Six Pack To Go” and “Why Baby Why”, but I really enjoyed the whole album.

08) Nitty Gritty Dirt Band (& guests) – Circling Back: Celebrating 50 Years
Knowing that this ban has been around for fifty years is making me feel old, since I purchased several of their early albums when they originally came out. This album was recorded live at the Ryman on September 14, 2015 and features the current membership (Jeff Hanna, Jimmie Fadden, Bob Carpenter and John McEuen) augmented by friends Sam Bush, Jerry Douglas and Byron House. The guest vocalists include former band members Jimmy Ibbotson and Jackson Browne with John Prine, Alison Krauss, Rodney Crowell and Jerry Jeff Walker also making appearances. Highlights include Alison Krauss singing “Catfish John” , Vince Gill singing “Tennessee Stud” and Sam Bush and Vince Gill teaming up on “Nine Pound Hammer”.

07) Willie Nelson – For The Good Times: A Tribute To Ray Price (#) ($)

06) Time Jumpers – Kid Sister (#)

05) Dallas Wayne – Songs The Jukebox Taught Me ($)

things-we-do-for-dreams04) Trinity River Band – Things I Do For Dreams
I find it odd that Callahan, Florida, a town of about 2000 people, has produced two of my favorite new bluegrass bands in Trinity River Band and Flatt Lonesome. Trinity River Band was nominated for the Emerging Artist award at the recent International Bluegrass Music Association award a few months ago. They play well, sing well and present an effective stage show.

03) Dale Watson – Under The Influence
Had he been born in the 1930s or 1940s, Dale Watson would have been a huge mainstream country star. This album finds Dale tackling a wide array of country and rockabilly classics from bygone years. My favorites from this disc include Dale’s take on the Eddie Rabbitt classic “Pure Love” and his take on the Phil Harris song from the 1940s “That’s What I Like About The South”.

02) Flatt Lonesome – Runaway Train
Flatt Lonesome won the IBMA Vocal Group of The Year award for 2016. They are just flat[t] out good. Their take on Dwight Yoakam’s “You’re The One” has to be heard to be believed, but my favorite track is their cover of the Tommy Collins tune “Mixed Up Mess of A Heart”.

01) Gene Watson – Real. Country. Music ($)
Okay, so I lied, but I cannot let the #1 album go by without the comment that I consider Gene Watson to be the best country male vocalist alive today and that I pray that 2017 sees another new release from Gene.

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Favorite country songs of the 1970s: Part 6

For part six of this series, as always, just some songs I liked, one song per artist, not necessarily the biggest hit, (although I feel free to comment on other songs by the artist).

Forgive and Forget” – Eddie Rabbitt (1975)

Prior to this, Eddie was known, if at all, as a songwriter. This record got to #12, but did better than that in some markets, and gave Rabbitt his first significant hit. The next song “I Should Have Married You” got to #11; after that the next 33 singles would crack the top 10 with 19 of them getting to #1 on either Billboard and/or Cashbox.

Ladies Love Outlaws” – Jimmy Rabbitt and Renegade (1976)

The title track of a 1972 Waylon Jennings album, for some reason RCA never issued the song as a Jennings single, although it got considerable airplay (it didn’t chart because Billboard did not track non-singles airplay at the time). Jimmy’s version was good (Waylon’s was better) and got to #80, his only chart appearance.

Ain’t She Something Else” – Eddy Raven (1975)

Eddy’s second chart single reached #46 and became a #1 record for Conway Twitty in 1982. It took Raven eight years and 16 singles to have his first top 10 hit. Can you imagine any artist being given that much slack today

“Whatcha Gonna Do With A Dog Like That” – Susan Raye (1975)

Susan Raye had the Buck Owens organization behind her, was very pretty, and sang well. Despite those advantages, she never really became a big star, probably because her heart wasn’t in it. This song got to #9, one of six solo top tens she was to enjoy. In theory “(I’ve Got A) Happy Heart” was her biggest hit, reaching #3, but she got so much pop radio action on “L.A. International Airport” that it sold a million copies.
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Country Heritage Redux: Ernest Tubb (1914-1984)

An expanded and updated version of an article previously published by The 9513:

Disclaimer: Expect no objectivity at all from me with this article. Along with Webb Pierce and Merle Haggard, Ernest Tubb is one of my all-time favorite country artists. Yes, I know he started out most songs a quarter tone flat and worked his way flatter from there, and yes, I know that 80% of The 9513s readership has technically better singing voices than Tubb had. But no one in country music (and few outside the genre, Al Jolson, Louis Armstrong, Louis Prima, Phil Harris among them) was ever able to infuse as much warmth and personality into his singing.

Ernest Tubb, known as E.T. to nearly everyone, was born in 1914 in Crisp, Texas, a town in Ellis County which is no longer even a flyspeck on the map. Tubb grew up working on farms and used his free time learning to play guitar, sing and yodel. As with many who grew up in the rural southeast and southwest, E.T. grew up listening to the music of the legendary “Singing Brakeman” Jimmie Rodgers (1897-1933), and like such contemporaries as Gene Autry, Jimmie Davis , Bill Monroe, Jimmie Skinner and Hank Snow, E.T. started his career sounding like a Jimmie Rodgers clone. In Ernest’s case, he eventually met Jimmie’s widow, Carrie Rodgers, who was sufficiently impressed with Tubb to sponsor his career and give him one of Jimmie’s guitars to play. Tubb played clubs around Texas and the southwest and, with Mrs. Rodgers’ help, secured a record deal with RCA. As there had already been one Jimmie Rodgers, Tubb’s sound-alike records sold only modestly.

Good luck can take many forms. In Tubb’s case, his good luck came in the form of illness. In 1939 E.T. suffered a throat infection that necessitated a tonsillectomy, robbing him of his ability to yodel and thereby forcing him to develop a style of his own.

Moving to Decca Records in 1940, Tubb continued to record. Nothing happened initially, but his sixth release–a self-penned number titled “Walking the Floor Over You”–turned him into a star. The song was released in 1941, before the advent of Billboard’s country music charts. It did, however, appear on the pop charts, selling over a million records in the process. The song was covered by such luminaries as Bing Crosby and became Tubb’s signature song. Over the years the song has been recorded hundreds of times with artists including Pat Boone, Hank Thompson, Patsy Cline, Asleep at the Wheel and Glen Campbell being among the more notable.
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