My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Pearl Butler

Week ending 4/6/13: #1 singles this week in country music history

lynn_anderson21953 (Sales): Kaw-Liga — Hank Williams (MGM)

1953 (Jukebox): Kaw-Liga — Hank Williams (MGM)

1953 (Disc Jockeys): Kaw-Liga — Hank Williams (MGM)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: Keep Me In Mind — Lynn Anderson (Columbia)

1983: When I’m Away From You — The Bellamy Brothers (Elektra/Curb)

1993: When My Ship Comes In — Clint Black (RCA)

2003: Have You Forgotten? — Darryl Worley (DreamWorks)

2013: Sure Be Cool If You Did — Blake Shelton (Warner Bros.)

2013 (Airplay): Sure Be Cool If You Did — Blake Shelton (Warner Bros.)

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Week ending 3/30/13: #1 singles this week in country music history

joenichols1953 (Sales): Kaw-Liga — Hank Williams (MGM)

1953 (Jukebox): Kaw-Liga — Hank Williams (MGM)

1953 (Disc Jockeys): Kaw-Liga — Hank Williams (MGM)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: The Teddy Bear Song — Barbara Fairchild (Columbia)

1983: Swingin’ — John Anderson (Warner Bros.)

1993: When My Ship Comes In — Clint Black (RCA)

2003: Brokenheartsville — Joe Nichols (Universal South)

2013: Sure Be Cool If You Did — Blake Shelton (Warner Bros.)

2013 (Airplay): Sure Be Cool If You Did — Blake Shelton (Warner Bros.)

Week ending 3/23/13: #1 singles this week in country music history

barbara fairchild1953 (Sales): Kaw-Liga — Hank Williams (MGM)

1953 (Jukebox): Kaw-Liga — Hank Williams (MGM)

1953 (Disc Jockeys): Kaw-Liga — Hank Williams (MGM)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: The Teddy Bear Song — Barbara Fairchild (Columbia)

1983: I Wouldn’t Change You If I Could — Ricky Skaggs (Epic)

1993: Heartland — George Strait (MCA)

2003: Travelin’ Soldier — Dixie Chicks (Open Wide/Columbia)

2013: Sure Be Cool If You Did — Blake Shelton (Warner Bros.)

2013 (Airplay): One Of Those Nights — Tim McGraw (Big Machine)

Week ending 3/16/13: #1 singles this week in country music history

Gary-Allan1953 (Sales): Kaw-Liga — Hank Williams (MGM)

1953 (Jukebox): Kaw-Liga — Hank Williams (MGM)

1953 (Disc Jockeys): Kaw-Liga — Hank Williams (MGM)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: ‘Til I Get It Right — Tammy Wynette (Epic)

1983: The Rose — Conway Twitty (Elektra)

1993: What Part of No — Lorrie Morgan (BNA)

2003: Man to Man — Gary Allan (MCA)

2013: Sure Be Cool If You Did — Blake Shelton (Warner Bros.)

2013 (Airplay): One Of Those Nights — Tim McGraw (Big Machine)

Week ending 3/9/13: #1 singles this week in country music history

donwilliams1953 (Sales): Kaw-Liga — Hank Williams (MGM)

1953 (Jukebox): Kaw-Liga — Hank Williams (MGM)

1953 (Disc Jockeys): Kaw-Liga — Hank Williams (MGM)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: The Lord Knows I’m Drinking — Cal Smith (Decca)

1983: If Hollywood Don’t Need You (Honey, I Still Do) — Don Williams (MCA)

1993: What Part of No — Lorrie Morgan (BNA)

2003: The Baby — Blake Shelton (Warner Bros.)

2013: Sure Be Cool If You Did — Blake Shelton (Warner Bros.)

2013 (Airplay): One Of Those Nights — Tim McGraw (Big Machine)

Week ending 3/2/13: #1 singles this week in country music history

Lorrie+Morgan1953 (Sales): Kaw-Liga — Hank Williams (MGM)

1953 (Jukebox): Kaw-Liga — Hank Williams (MGM)

1953 (Disc Jockeys): No Help Wanted — The Carlisles (Mercury)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: Rated X — Loretta Lynn (Decca)

1983: Why Baby Why — Charley Pride (RCA)

1993: What Part of No — Lorrie Morgan (BNA)

2003: The Baby — Blake Shelton (Warner Bros.)

2013: Wanted — Hunter Hayes (Atlantic)

2013 (Airplay): Better Dig Two — The Band Perry (Republic Nashville)

Week ending 2/23/13: #1 singles this week in country music history

Blake_Shelton_21953 (Sales): Kaw-Liga — Hank Williams (MGM)

1953 (Jukebox): I Let The Stars Get In My Eyes — Goldie Hill (Decca)

1953 (Disc Jockeys): No Help Wanted — The Carlisles (Mercury)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: I Wonder If They Ever Think Of Me — Merle Haggard (Capitol)

1983: Faking Love — T.G. Sheppard and Karen Brooks (Warner Bros./Curb)

1993: Can I Trust You With My Heart — Travis Tritt (Warner Bros.)

2003: The Baby — Blake Shelton (Warner Bros.)

2013: Wanted — Hunter Hayes (Atlantic)

2013 (Airplay): Better Dig Two — The Band Perry (Republic Nashville)

Week ending 2/16/13: #1 singles this week in country music history

crystal1953 (Sales): Eddy’s Song — Eddy Arnold (RCA)

1953 (Jukebox): I Let The Stars Get In My Eyes — Goldie Hill (Decca)

1953 (Disc Jockeys): No Help Wanted — The Carlisles (Mercury)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: She Needs Someone To Hold Her (When She Cries) — Conway Twitty (Decca)

1983: ‘Til I Gain Control Again — Crystal Gayle (Elektra)

1993: Can I Trust You With My Heart — Travis Tritt (Warner Bros.)

2003: 19 Somethin’ – Mark Wills (Mercury)

2013: Better Dig Two — The Band Perry (Republic Nashville)

2013 (Airplay): The Only Way I Know — Jason Aldean with Luke Bryan and Eric Church (Broken Bow)

Week ending 1/26/13: #1 singles this week in country music history

stampley_joe158011953 (Sales): I’ll Never Get Out Of This World Alive — Hank Williams (MGM)

1953 (Jukebox): Back Street Affair — Webb Pierce (Decca)

1953 (Disc Jockeys): I’ll Go On Alone — Marty Robbins (Columbia)

1963: Don’t Let Me Cross Me Over — Carl Butler & Pearl (Columbia)

1973: Soul Song — Joe Stampley (Dot)

1983: (Lost His Love) On Our Last Date — Emmylou Harris (Warner Bros.)

1993: Look Heart, No Hands — Randy Travis (Warner Bros.)

2003: 19 Somethin’ – Mark Wills (Mercury)

2013: Cruise — Florida Georgia Line (Republic Nashville)

2013 (Airplay): Goodbye In Her Eyes — Zac Brown Band (Southern Ground/Atlantic)

Country Heritage Redux: David Rogers (1936-1993)

An updated version of an article originally published by The 9513:

David Rogers (1936-1993) is proof of the adage that it’s great to be on a major label, but only if the label is truly behind you.

Born in Atlanta, Georgia, during the depths of the Great Depression, Rogers began playing guitar when he was eleven, and shortly thereafter began appearing in local bands. He successfully auditioned for Roger Miller in 1956, but was drafted before getting the opportunity to join Miller’s band.

In 1962, after Rogers’ was discharged from the service, he landed a regular gig at the Egyptian Ballroom–a gig which lasted several years. While performing there he recorded a demo tape which eventually came to the attention of Frank Jones at Columbia, and a recording contract was not far behind.

During the late 1960s and early 1970s Columbia was home to a great many country artists, including Johnny Cash, Marty Robbins, Ray Price, Carl Smith, Stonewall Jackson, Lefty Frizzell, Lester Flatt & Earl Scruggs, Carl Butler & Pearl, Lynn Anderson, Jimmy Dickens, Johnny Duncan, Barbara Fairchild and a host of other minor artists. The label also controlled significant back catalogs on artists such as Ted Daffan, Gene Autry, Bill Monroe and Bob Wills.

With that array of artists (which doesn’t even count those on sister label Epic), there simply wasn’t much promotional oomph left for the likes of an aging bar-band singer, and so the recording of Roger’s albums was left to independent producer Pete Drake.

Drake, a great steel player famous for his “talking” steel guitar, used the “Country Cocktail” production style of Billy Sherrill and Glenn Sutton on Rogers’ records. Background vocals and symphonic strings were heavy, but because of Drake’s personal instrumental specialty, steel guitar played a far more prominent role than in the typical Sherrill or Sutton production.

Rogers’ first single, “Forgiven Fruit,” was release in 1967, but failed to chart. The next single, “I’d Be Your Fool Again,” checked in at #69, and the one after that, “I’m In Love With My Wife,” (bundled with “Tessie’s Bar Mystery”) finally cracked the top 40. Progress was slow but steady. In 1969, “A World Called You” hit #23. Meanwhile, Rogers made his debut on the Grand Ole Opry and started appearing regularly on the WWVA (Wheeling, WV) Big Jamboree, where I first heard him many Saturday nights on the radio.

Rogers’ breakthrough hit was 1970′s “I Wake Up In Heaven”, which peaked at #19 on the Cashbox Country Chart (Billboard had it at #26). The song was very strong in selected regional markets, hitting #1 in places like Orlando, FL, and Norfolk VA. The follow-up single, “She Don’t Make Me Cry” (#19 Billboard / #4 Cashbox) continued the upward momentum, and “Ruby You’re Warm” held place (#21 Billboard / #13 Cashbox).

According to Billboard, the next single, 1972′s “Need You,” was Rogers’biggest hit, reaching #9 (it went to #5 on Cashbox and, again, hit #1 in many markets). (“Need You” was a remake of the 1958 Donnie Owens pop hit and is, in fact, my favorite David Rogers recording.)

After that peak, Columbia apparently lost interest in Rogers as his next two singles barely cracked the top 40 on either Billboard or Cashbox. By 1973, Rogers was off Columbia and had signed with Atlantic Records, hardly a power in the world of country music, though the label was trying to penetrate the country market as they signed Willie Nelson at this time.

Atlantic actually had more success with Rogers than with Nelson –- Rogers achieved one top ten single with the late 1973 single “Loving You Has Changed My Life,” which peaked at #9 on both Billboard and Cashbox in January 1974.

Both Nelson and Rogers were gone from Atlantic by the end of 1974. Nelson, of course, went on to bigger and better things, but Rogers would slowly fade from the public eye. After recording one album for United Artists, he moved on to a series of minor labels including Republic, Kari, Music Master and Hal Kat, where he charted singles until 1984, with only 1979′s “Darling” cracking the top twenty.

Recordings

Unfortunately, to the best of my knowledge, none of David Rogers’ albums have ever been issued on CD, so you’ll need to do vinyl hunting (there may be some digital download available).

The three Columbia albums (A World Called You, She Don’t Make Me Cry and Need You) are quite good, especially the latter two. The Atlantic albums, which were again produced by Pete Drake, are also worthwhile, though they differ from the Columbia albums in that most of the “Country Cocktail” trappings were abandoned.

My favorite album from the Atlantic years is Farewell To The Ryman, issued in 1973 to commemorate the Opry’s move to Opryland. The track-list is a cornucopia of classic country songs: “Blue Moon of Kentucky,” “Great Speckled Bird,” “I’m Movin’ On,” “I Can’t Help It,” “Walking The Floor Over You,” “Send Me The Pillow That You Dream On,” “Rollin’ In My Sweet Baby’s Arms,” “Release Me,” “Mexican Joe,” “Wondering,”, “I Walk The Line,” and “Satisfied Mind.”

Aside from the Republic records, Music Master issued one Rogers album titled The Best of David Rogers, a two record set comprised of 11 re-makes of his Columbia and Atlantic hits and nine new songs written by Harold Shields. The new songs aren’t bad; two of them–”Hold Me” and “Crown Prince of the Barroom”–charted, and the remakes are decent, finding Rogers in good voice.

In addition to the albums David Rogers charted 37 of the 45 rpm singles plus there are an untold number of uncharted singles. Used record stores may carry some of these records but the best place to look is http://www.musicstack.com

Happy hunting!