October 27, 2009
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Tim McGraw has never impressed me as one of the great country voices, but where he frequently has impressed me is in his choice of interesting material, the kind of songs which are worth hearing in anyone’s hands. His tenth studio album is produced by the same production team of McGraw, Byron Gallimore and Darran Smith (the lead guitarist in Tim’s band the Dancehall Doctors) as Tim’s last three, with backing from the Dancehall Doctors on all but one track, occasionally augmented by additional musicians or string sections. The sound is definitely quite rock-influenced, and a long way from traditional country, but the production is a good deal more restrained than on much of what is emerging from Nashville at the moment. Overall, there isn’t much variation in tempo or melody, but the material is mostly interesting and adult. There isn’t much to appeal to the children and emotional adolescents at whom current radio playlists seem aimed, and this is a good thing. I don’t like everything here, but it is a serious attempt at making an artistically satisfying album.
It gets off to a discouraging start. Opening track ‘Still’, written by fellow-Curb artist Lee Brice with Kyle Jacobs and Joe Leathers, is a very well-written song with a nice reflective feel and effective restrained vocals in the verses about seeking refuge from the stresses of the world in memory and imagination, and finally in church, but the chorus is musically rather pop-sounding, with strings and detectable vocal processing in places. The next track, ‘Ghost Town Train (She’s Gone)’, a heavily allusive song written by Troy Olsen and Marv Green about a woman leaving, is a bit dull and emotionally unconvincing with a lot of soulless “oh nos” despite some nice fiddle lines from Dean Brown.
Things really start to pick up with ‘Good Girls’, the first of the well-chosen story songs which dominate the song selection. The downbeat melancholy tale of a woman’s murderous response to her husband cheating with her best friend was written by the Warren Brothers with Aimee Mayo and Chris Lindsey, and is well played out although I don’t much like the tune on the chorus.
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