January 10, 2019
Posted by on
Two stars from the newest generation, who also happened to just get engaged, are joined by Skaggs on a Keith Whitley classic:
February 21, 2017
Posted by on
As the composer of such songs as Blake Shelton’s “The Baby”, Mark Wills’ “Loving Every Minute” and Michael Ray’s “Kiss You in the Morning”, Michael White has been more successful as a songwriter than as a performer, but he did record briefly for Reprise Records in the early 1990s. Familiar Ground, his sole album for Reprise (or anyone else as far as I can determine) was released in 1992. It produced three chart singles, one of which reached the Top 40, but failed to establish him as recording artist.
Timing is everything. If Familiar Ground were being released today, we’d all be talking about Michael White as a new standard bearer for traditional country music, much in the way that Mo Pitney and William Michael Morgan are. But 25 years ago when the music still usually sounded country and there was no shortage of talent, Michael White simply did not stand out from the pack. It’s regrettable because he has a very fine voice, that is reminiscent of Tracy Lawrence, with occasional touches of Aaron Tippin and Keith Whitley.
The lead single “Professional Fool” was the album’s biggest hit and one of the best songs on the album. It peaked at a very respectable-for-a-first-release #32. A more uptempo number may have been a better choice to introduce a new act to radio. Reprise tried that strategy with the next two singles: the title track which was penned by White and “She Likes to Dance”, which peaked at #43 and #63 respectively. “Familiar Ground” is a decent small-town homage, but it’s barely distinguishable from dozens of other similar songs. “She Likes to Dance” is a bit of lightweight fluff.
All of the songs are good, but my favorites are the ballads: “Back to Texarkana”, “If I Had a Mind To”, and “The Boy Next Door” who is overlooked by the object of his affections. I also enjoyed the tongue-in-cheek swing number “One of My Near Mrs.” I can imagine Tracy Lawrence singing this one.
I’d never heard of Michael White prior to preparing for this month’s spotlight feature. I’m very pleased and pleasantly surprised to have come across this overlooked gem. Used cheap copies are readily available.
August 23, 2015
Posted by on
1955 (Sales): I Don’t Care — Webb Pierce (Decca)
1955 (Jukebox): I Don’t Care/Your Good For Nothing Heart — Webb Pierce (Decca)
1955 (Disc Jockeys): I Don’t Care — Webb Pierce (Decca)
1965: Yes, Mr. Peters — Roy Drusky & Priscilla Mitchell (Mercury)
1975: Wasted Days and Wasted Nights — Freddy Fender (ABC/Dot)
1985: Highwayman — The Highwaymen (Columbia)
1995: You’re Gonna Miss Me When I’m Gone — Brooks & Dunn (Arista)
2005: As Good as I Once Was — Toby Keith (DreamWorks)
2015: House Party — Sam Hunt (MCA)
2015 (Airplay): Kiss You In The Morning — Michael Ray (Warner Bros./Atlantic)