My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Micah Nelson

Razor X’s Top Albums of 2017

Another year has come and gone, and once again we lament the deplorable state of mainstream country music, while pointing out a few glimmers of hope that will never be heard on the radio. Among this year’s highlights are:

10. Dailey & Vincent – ‘Patriots and Poets’

Jamie Dailey and Darrin Vincent had quite a year, which included being inducted as members of the Grand Ole Opry in March, followed by the release of one of the best bluegrass albums of the year. This generous sample of bluegrass and spiritual tunes is the perfect showcase for the duo’s trademark harmonies.

9. Rhonda Vincent & Daryle Singletary – ‘American Grandstand’

Not to be outdone, Darrin’s big sister Rhonda also turned in a stellar collection, teaming up this time with her former label mate Daryle Singletary. Although heavily reliant on cover material, there are some new songs here as well. This is a real treat for those who are starved for some real country music.

8. Charley Pride – ‘Music In My Heart’

The legendary Charley Pride returned after a six-year recording hiatus, with one of the strongest offerings of his post-major label career. Sirius XM subscribers who listen to Willie’s Roadhouse will no doubt be familiar with “You’re Still In These Crazy Arms of Mine”, which was my favorite song on the album. Like the Vincent/Singletary album, this one has its share of remakes but there’s not a weak one to be found.

7. Reba McEntire – ‘Sing It Now: Songs of Faith and Hope’

Reba McEntire is my favorite female singer, but I’ve been disappointed with her offerings over the last decade more times than I care to remember. This double album which is divided evenly between traditional hymns and more contemporary inspirational songs shows that when commercial considerations are cast aside, Reba is still in a class all by herself. I’m cautiously optimistic that this album is a sign that she’s finally stopped chasing chart success and ready to release some worthwhile material again.

6. Sunny Sweeney – ‘Trophy’

While it’s regrettable that Sunny Sweeney never enjoyed the mainstream success she deserved, getting out of her major label deal was the best thing that ever happened to her from a creative standpoint. While Concrete was a bit too eclectic for my liking, Trophy gets it just right and is her best offering since Heartbreaker’s Hall of Fame. “Bottle By My Bed”, which she co-wrote with Lori McKenna, would be a monster hit in a sane world.

5. Alison Krauss – ‘Windy City’

Alison Krauss is another artist with whom I’d become a bit disillusioned, but she redeemed herself nicely with this collection of cover songs, which aren’t quite classics for the most part, but deserved to be introduced to a new audience. This is the best album she’s done in years — arguably the best of her career.

4. Zephaniah OHora with the 18 Wheelers – ‘This Highway’

This collection of original material which recreates the Bakersfield and countrypolitan sounds of the 60s was a pleasant surprise. Although it could have benefited from a little more variety in tempo, this a wonderful album and I hope that it is the first of many from this native of Brooklyn.

3. & 2. Chris Stapleton: ‘From A Room: Volumes 1 & 2’

These widely anticipated follow-ups to 2015’s Traveller were presumably intended to be a double album, but Mercury Records seems to have gotten cold feet about the sales potential of a double set, so they split it into two separate releases. Both discs feature very sparse production and gorgeous harmonies from Chris’ wife Morgane Hayes-Stapleton. With a heavy blues influence, theses albums are not traditional country, but there are a perfect antidote to the overproduced pop masquerading as country music on the radio today. I liked the second volume slightly better than the first.

1. Willie Nelson and The Boys: ‘Willie’s Stash, Volume 2’

This collection finds the Red-Headed Stranger teaming up with his two sons Lukas and Micah and digging deeply into the catalog of Hank Williams. Despite their youth, the younger Nelsons show obvious enthusiasm for the material, proving that Willie raised those boys right. This was a pleasure from start to finish. My favorite track was the Hank Cochran-penned “Can I Sleep In Your Arms”, which was hit for Cochran’s then-wife Jeannie Seely in 1973 and later recorded by Willie for his Red-Headed Stranger album.

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Razor X’s Top Albums of 2012

Finding good new country music is not as easy as it once was, and due to a number of other things that were going on in my life, I’m afraid I didn’t put much effort into seeking out new music this year but I was able to find a few gems:


10. Heroes — Willie Nelson

Willie’s return to the major labels was an eclectic collection that found him covering Coldplay and Pearl Jam, but also reunited him with Merle Haggard and Ray Price, as well as sharing the spotlight a bit with his sons Lukas and Micah.

dierks9. Home — Dierks Bentley

2010’s Up On The Ridge was successful critically but not commercially, so it’s not surprising that Dierks chose to follow it up with a much more radio-friendly collection. The strategy worked, as Home produced three # 1 singles.

8. Nashville, Volume 1: Tear The Woodpile Down — Marty Stuart

Not quite the masterpiece that 2010’s Ghost Train was, this collection was still one of my favorite listens of the year. I would have rated it higher if it hadn’t contained some recycled material (“Sundown In Nashville”, “Truck Driver’s Blues”).

kelliepickler7. 100 Proof — Kellie Pickler

I never thought that Kellie Picker’s name would ever appear on any of my best of lists, but she really blossomed with this collection of more traditional-sounding tunes. Unfortunately, just as she was finally making music that allowed her to be taken seriously as an artist, she was dropped by her record label. What the future holds for her remains to be seen. There was a time when I would have said that she wouldn’t be missed very much, but now I’m curious to see what direction she goes in next.

6. Calling Me Home — Kathy Mattea

I wasn’t a huge fan of 2008’s Coal, but I like Kathy’s second visit to her Appalachian roots much better. This is a less bleak look at her heritage.

zbb5. Uncaged — Zac Brown Band

Creepy cover art aside, this collection allowed the Zac Brown Band to further expand on their increasing eclectic but always interesting catalog.

4. Thirty Miles West — Alan Jackson

There weren’t any real surprises or stretches in Alan’s EMI Nashville debut; it’s very much in the same vein as most of the other albums he’s released over the past twenty-odd years — which is exactly what country music needs right now.

terriclark3. Classic — Terri Clark

Terri Clark and I were born just a few weeks apart, so we grew up listening to much of the same music. This collection, in which she covers tunes by Linda Ronstadt, Loretta Lynn, Merle Haggard, Reba McEntire and Tanya Tucker, provided a wonderful trip down memory lane and is the best album of her career.

2. Restless — Sweethearts of the Rodeo

This long overdue new release was well worth the wait. It’s a shame that it won’t be as widely heard as it deserves.

jameyjohnson1. Living For A Song – A Tribute to Hank Cochran — Jamey Johnson

By the time I was three tracks into listening to this album for the first time, I knew it was my favorite of the year. It’s a beautifully crafted masterpiece with an impressive guest roster that pays homage to one of the greatest country songwriters of all time. I can’t say enough good things about this album.

Album Review: Willie Nelson – ‘Heroes’

Nearly two decades after he departed Columbia Records, Willie Nelson has rejoined the Sony Music family with Heroes, which was produced by Buddy Cannon and released last week on the Legacy Recordings imprint. He is joined by a number of guest artists, including Merle Haggard, Ray Price, Kris Kristofferson, Jamey Johnson, Sheryl Crow, Billy Joe Shaver, and Snoop Dogg. Also participating are Nelson’s sons Micah and Lukas. Sounding very much like a younger version of his 79-year-old father, Lukas performs on most of the album’s tracks and does the heavy lifting much of the time.

As is usually the case with a Willie Nelson album, the selection of songs is eclectic. A cover of Coldplay’s “The Scientist” was released as a single late last year. Three more singles were released almost simultaneously last month. “Roll Me Up And Smoke Me When I Die”, a lighthearted number that makes pokes fun at Willie’s well-known marijuana habit, was released on April 20th, or “420 Day”, which apparently is significant in the cannabis subculture. “Just Breathe”, a Pearl Jam cover and “Come On Back Jesus” were released the following day in celebration of Record Store Day. I particularly like the latter, which calls for the second coming of Christ and asks him to “pick up John Wayne on the way.” I’m cool with that. Rounding out the track list are some covers of some western swing classics: Bob Wills’ “My Window Faces The South” and Fred Rose’s “Home In San Antone”, as well as the Ray Price classic “This Cold War With You”, on which Price makes a guest appearance. Also included are some original tunes written by Willie, Lukas, and Buddy Cannon.

Some of the guest appearances are my favorite moments on the album. While I wasn’t too excited to see Snoop Dogg’s name on the guest roster, his contribution to “Roll Me Up and Smoke Me While I Die” wasn’t bad. Sheryl Crow, the lone female guest artist, chimes in on “Come On Up To The House”. But the album’s true highlights are “A Horse Called Music”, which reunites Willie with Merle Haggard and “Cold War With You” featuring Ray Price. Although the presence of Lukas Nelson on most the album’s tracks is clearly to compensate for the elder Nelson’s fading vocal prowess, both Willie and Merle Haggard are in surprisingly good vocal form. Ray Price’s voice, on the other hand, is showing signs of wear and tear, and Kris Kristofferson was never much of a vocalist anyway.

Although I’m biased towards some of the album’s older songs, the contemporary fare is almost as good. I quite enjoyed “That’s All There Is To This Song” and “The Sound Of Your Memory”, which was written by Lukas Nelson with Elizabeth Rainey. Despite the inclusion of the Coldplay and Pearl Jam numbers, this is very much a country album, and one that does not pander to current commercial trends. There is much here for the country fan to enjoy, and Heroes is almost certain to end up on many this year’s best albums lists.

Grade: A