My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Melanie Horsnell

Album Review: Catherine Britt – ‘Catherine Britt’

Australian-born Catherine Britt is one of those artists whose careers never quite took off in the US, despite an abundance of talent. Her debut single ‘The Upside Of Being Down’ was only a very minor hit, and Too Far Gone, the excellent album she recorded in Nashville for RCA, was only released in Australia. A subsequent album Little Wildflower, also recorded in Nashville, was not quite as good.

Catherine has now returned to her homeland, and reunited with her former producer Bill Chambers, who has served as her mentor since she was a precociously talented eleven-year-old. He is assisted on this record by his son-in-law Shane Nicholson, and together they have made an album which is a little closer to Americana than straight country. Catherine is a fine songwriter and has written or co-written every track here.

Not everything here works for me. I didn’t really enjoy the opening track ‘I Want You Back’, written with producer Bill Chambers, which I thought was well-written lyrically but surprisingly rock sounding and lacking much of a melody. I liked even less the over-produced and processed ‘Under My Thumb’, written with fellow Australians Morgan Evans and Mark Wells. Happily these tracks proved to be in the minority.

Catherine’s solo composition ‘Holy River’ is a more effective stripped down traditional blues groove set to only Bill Chambers’ dobro, which I liked a lot. Also blues-based is the wailing ‘Lonely’, written with Chris Stapleton (late of the SteelDrivers), where she compares her emotions to those of a train.

Better still is the charming ‘Sleepy Town’, the most deeply rooted country of all the tracks here, which sounds as though it might be a traditional number, with its lilting melody and folk-style lyrics, with the protagonist talking wistfully of returning home to where her parents are buried. This and ‘Lonely’ are the only tracks to feature fiddle. The best song is a proper studio version of the lovely ‘Sweet Emmylou’, which Catherine wrote with Rory Lee Feek. She included a demo version as a bonus track on her last release, and the song has also been cut by Joey + Rory. Catherine’s wistful version here is beautiful and well worth hearing, although I marginally prefer the Joey + Rory version.

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