My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Mary Stuart

Album Review: Suzy Bogguss – ‘American Folk Songbook’

americanfolksongbookFrom the earliest days of her career, Suzy Bogguss showed a penchant for folk and western songs, so it was no surprise when she decided to release an album of traditional American folk songs. These tunes, once universally taught to young children are in danger of being lost, now that many public school districts no longer have adequate funding to devote to music education. American Folk Songbook, which was released in August 2011, is Bogguss’ attempt to remedy that situation and prevent at least 17 of these treasures from fading into obscurity.

The best of these is “Shenandoah”, a 19th century tune about a wanderer who is waxing nostalgia for her Virginia home. The song was prominently featured in the 1965 James Stewart film of the same name. The tune is usually performed instrumentally; Suzy’s version is a rare opportunity to hear the lyrics. She sings it beautifully, her voice every bit as clear and strong as it was in her hit-making days.

One favorite that I remember from my own childhood is “Red River Valley”, a sad tune of farewell and unrequited love. The song is set in the central region of the North American continent, an area that crosses the 49th parallel and encompasses parts of modern day North Dakota, Minnesota, and Manitoba. Some claim that the song is Canadian in origin, and that the departing lover is returning to his home in Ontario; however a line in the final verse — “as you go to your home by the ocean” — conclusively kills this argument. Either way, it is a highly enjoyable slice of North Americana.

“Froggy Went A-Courtin'” is a children’s ditty that has existed in many forms; the earliest known of which dates back to sixteenth century Scotland when Mary Stuart was queen. `This version clearly has updated lyrics, since it makes reference to a president. It was one of my favorites when I was growing up, though I wouldn’t rank it as one of the very best numbers on this album.

There are a handful of tunes that should be familiar to most listeners of (relatively) more contemporary country music. Like most of the songs on American Folk Songbook, “Wayfaring Stranger” dates back to the 19th century. It was popularized in the 1940s by Burl Ives, but most modern country fans are probably more familiar with the version that Emmylou Harris took to #7 on the Billboard country singles chart in 1980. I like Suzy’s performance, but Emmylou’s recording remains the definitive version. “Sweet Betsy From Pike”, about the trials and tribulations of an unmarried couple traveling west during the California gold rush of 1849, is another tune that was popularized by Burl Ives, and later covered for country fans by David Allan Coe and Johnny Cash. “Wildwood Flower” dates back to the 1860s, but will be forever associated with Mother Maybelle and the Carter Family.

One of the more recent numbers in this collection is “Erie Canal”, written by Thomas S. Allen. The song is about mule-drawn barges, but travel on the canal was powered by steam engines by the time the song first appeared in 1905. “Rock Island Line”, about a train engineer who successfully avoids paying tax on the freight he is hauling, is of unknown origin, but it was first recorded in 1934 and was later popularized by the American blues musician Lead Belly. This is one of the few songs on the album with which I was not previously familiar.

When I first heard about this project, I expected it to be mostly comprised of songs written by Stephen Foster, the father of American music, but as far as I can tell only one of his compositions appears here — a quiet and whispery version of “Beautiful Dreamer”, which closes out the album.

Even though American Folk Songbook contains a generous 17 tracks, it is inevitable with a project like this that a few popular favorites will be omitted. I hope that a second volume will eventually follow; there is a treasure trove of material available, and I can’t think of anyone more suited than Suzy Bogguss to sing these songs.

Grade: A

Our Grammy predictions in review

Early last week we shared our predictions for Sunday’s Grammy ceremony. J.R. Journey was the most accurate in his selections, correctly identifying six of the winners. Razor X and I got three right each.

I predicted that Lady Antebellum’s bland but commercially successful Need You Now would beat out superior rivals to win Country Album of the Year, despite it being the weakest in the category – but that it would fail to take home the cross-genre prize. As it turned out, though, the latter was the only award for which they were nominated that the pop-country trio failed to take home. J.R. noted that their star status would help them to win Duo/Group Vocal Performance for ‘Need You Now’, and so it proved. Although it wasn’t my personal choice, this is Lady A’s finest record and is more worthy of a Grammy than their album of the same name. However, none of us expected the song to beat out Miranda Lambert’s hit ‘The House That Built Me’ for Country Song, and we didn’t even consider that it might be named the all-genre Song or Record of the Year.

There were only two serious contenders for Female Country Vocal Performance, and we all correctly identified Miranda Lambert’s ‘The House That Built Me’ as the overwhelming favorite to win, following her triumphs at the CMAs. This was the most deserving winner of the night in the straight country categories. J.R. and I pegged Grammy favorite Keith Urban to win his fourth Grammy in the Male Country Vocal Performance category, this time for his big hit ‘Til Summer Comes Around’.

J.R. and Razor X predicted that the Zac Brown Band’s charming duet with Alan Jackson would walk away with Country Collaboration with Vocals. They also got it right with Marty Stuart’s win for Country Instrumental Performance.

Bluegrass artists made quite a showing in the country nominations this year, but all were disappointed. It seems oddly fitting that a country artist’s foray into bluegrass won the Grammy for Bluegrass Album. Patty Loveless’s Mountain Soul II was, in fact, my personal favorite nominee, but only J.R. actually predicted the win.

Among the awards we didn’t look at, Crazy Heart won for Compilation Soundtrack and ‘The Weary Kind’ won for song from a film or TV. Diamond Rio managed to snag Southern, Country, or Bluegrass Gospel album for what sounded to me more like a Contemporary Christian record, The Reason. It would, incidentally, be nice to see them back in country music again with their trademark harmonies.