My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Luke Combs

Week ending 5/11/19: #1 singles this week in country music history

1959: White Lighting — George Jones (Mercury)

1969: Hungry Eyes — Merle Haggard (Capitol)

1979: Don’t Take It Away — Conway Twitty (MCA)

1989: Is It Still Over? — Randy Travis (Warner Bros)

1999: Please Remember Me — Tim McGraw (Curb)

2009: It’s America — Rodney Atkins (Curb)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Eyes On You — Chace Rice (Broken Bow)

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Week ending 5/4/19: #1 singles this week in country music history

1959: White Lighting — George Jones (Mercury)

1969: Galveston — Glen Campbell (Capitol)

1979: Backside of Thirty — John Conlee (ABC)

1989: Young Love (Strong Love) — The Judds (RCA/Curb)

1999: Wish You Were Here — Mark Wills (Mercury Nashville)

2009: It’s America — Rodney Atkins (Curb)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Make It Sweet — Old Dominion (RCA Nashville)

Week ending 4/20/19: #1 singles this week in country music history

1959: White Lighting — George Jones (Mercury)

1969: Galveston — Glen Campbell (Capitol)

1979: All I Ever Need Is You — Kenny Rogers & Dottie West (United Artists)

1989: The Church On Cumberland Road — Shenandoah (Columbia)

2009: River of Love — George Strait (MCA)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Here Tonight — Brett Young (Big Machine)

Week ending 4/13/19: #1 singles this week in country music history

1959: White Lighting — George Jones (Mercury)

1969: Woman Of The World (Leave My World Alone) — Loretta Lynn (Decca)

1979: I Just Fall in Love Again — Anne Murray (Capitol)

1989: I’m No Stranger To The Rain — Keith Whitley (RCA)

1999: How Forever Feels — Kenny Chesney (BNA)

2009: It Won’t Be Like This for Long — Darius Rucker (Capitol)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Beautiful Crazy — Luke Combs (Columbia Nashville)

Week ending 4/6/19: #1 singles this week in country music history

1959: When It’s Springtime in Alaska (It’s 40 Below) — Johnny Horton (Columbia)

1969: Who’s Gonna Mow Your Grass — Buck Owens and his Buckaroos (Capitol)

1979: I Just Fall in Love Again — Anne Murray (Capitol)

1989: I’m No Stranger To The Rain — Keith Whitley (RCA)

1999: How Forever Feels — Kenny Chesney (BNA)

2009: It Won’t Be Like This for Long — Darius Rucker (Capitol)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Beautiful Crazy — Luke Combs (Columbia Nashville)

Week ending 3/30/19: #1 singles this week in country music history

1959: Don’t Take Your Guns To Town — Johnny Cash (Columbia)

1969: Who’s Gonna Mow Your Grass — Buck Owens and his Buckaroos (Capitol)

1979: I Just Fall in Love Again — Anne Murray (Capitol)

1989: Baby’s Gotten Good At Goodbye — George Strait (MCA)

1999: How Forever Feels — Kenny Chesney (BNA)

2009: It Won’t Be Like This for Long — Darius Rucker (Capitol)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Beautiful Crazy — Luke Combs (Columbia Nashville)

Week ending 3/23/19: #1 singles this week in country music history

1959: Don’t Take Your Guns To Town — Johnny Cash (Columbia)

1969: Only The Lonely — Sonny James (Capitol)

1979: I Just Fall in Love Again — Anne Murray (Capitol)

1989: New Fool At an Old Game — Reba McEntire (MCA)

1999: You Were Mine — Dixie Chicks (Monument) 

2009: Sweet Thing — Keith Urban (Capitol Nashville)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Beautiful Crazy — Luke Combs (Columbia Nashville)

Week ending 3/16/19: #1 singles this week in country music history

1959: Don’t Take Your Guns To Town — Johnny Cash (Columbia)

1969: Only The Lonely — Sonny James (Capitol)

1979: Golden Tears — Dave & Sugar (RCA Records)

1989: From a Jack to a King — Ricky Van Shelton (Columbia Nashville)

1999: You Were Mine — Dixie Chicks (Monument) 

2009: Sweet Thing — Keith Urban (Capitol Nashville)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Beautiful Crazy — Luke Combs (Columbia Nashville)

Week ending 3/9/19: #1 singles this week in country music history

1959: Don’t Take Your Guns To Town — Johnny Cash (Columbia)

1969: Only The Lonely — Sonny James (Capitol)

1979: Golden Tears — Dave & Sugar (RCA Records)

1989: Don’t You Ever Get Tired (Of Hurting Me) — Ronnie Milsap (RCA)

1999: No Place That Far — Sara Evans (RCA Nashville)

2009: God Love Her — Toby Keith (Show Dog Nashville)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Beautiful Crazy — Luke Combs (Columbia Nashville)

 

Week ending 3/2/19: #1 singles this week in country music history

1959: Don’t Take Your Guns To Town — Johnny Cash (Columbia)

1969: To Make Love Sweeter For You — Jerry Lee Lewis (Smash)

1979: Golden Tears — Dave & Sugar (RCA Records)

1989: I Still Believe In You — The Desert Rose Band (MCA/Curb)

1999: I Don’t Want To Miss A Thing — Mark Chesnutt (Decca)

2009: Down The Road — Kenny Chesney & Mac McAnally (Blue Chair/BNA)

2019: Beautiful Crazy — Luke Combs (Columbia Nashville)

2019 (Airplay): Beautiful Crazy — Luke Combs (Columbia Nashville)

Week ending 11/17/18: #1 singles this week in country music history

1958: City Lights — Ray Price (Columbia)

1968: I Walk Alone — Marty Robbins (Columbia)

1978: Sleeping Single In A Double Bed — Barbara Mandrell (ABC)

1988: I’ll Leave This World Loving You — Ricky Van Shelton (Columbia)

1998: Wide Open Spaces — Dixie Chicks (Monument)

2008: Just A Dream — Carrie Underwood (Arista Nashville)

2018: Meant To Be — Bebe Rexha featuring Florida Georgia Line (Big Machine)

2018 (Airplay): She Got The Best of Me — Luke Combs (Columbia Nashville)

Week ending 11/10/18: #1 singles this week in country music history

1958: City Lights — Ray Price (Columbia)

1968: I Walk Alone — Marty Robbins (Columbia)

1978: Sleeping Single In A Double Bed — Barbara Mandrell (ABC)

1988: Runaway Train — Rosanne Cash (Columbia)

1998: Wide Open Spaces — Dixie Chicks (Monument)

2008: Just A Dream — Carrie Underwood (Arista Nashville)

2018: Meant To Be — Bebe Rexha featuring Florida Georgia Line (Big Machine)

2018 (Airplay): She Got The Best of Me — Luke Combs (Columbia Nashville)

 

Week ending 11/3/18: #1 singles this week in country music history

1958: City Lights — Ray Price (Columbia)

1968: Next In Line — Conway Twitty (Decca)

1978: Sleeping Single In A Double Bed — Barbara Mandrell (ABC)

1988: Darlene — T. Graham Brown (Capitol)

1998: Honey, I’m Home — Shania Twain (Mercury)

2008: She Never Cried In Front of Me — Toby Keith (Show Dog Nashville)

2018: Meant To Be — Bebe Rexha featuring Florida Georgia Line (Big Machine)

2018 (Airplay): She Got The Best of Me — Luke Combs (Columbia Nashville)

Week ending 10/27/18: #1 singles this week in country music history

1958: City Lights — Ray Price (Columbia)

1968: Then You Can Tell Me Goodbye — Eddy Arnold (RCA Victor)

1978: Let’s Take The Long Way Around The World — Ronnie Milsap (RCA)

1988: Gonna Take A Lot of River — Oak Ridge Boys (MCA)

2008: Everybody Wants to Go to Heaven — Kenny Chesney with The Wailers (Blue Chair/BNA)

2018: Meant To Be — Bebe Rexha featuring Florida Georgia Line (Big Machine)

2018 (Airplay): She Got The Best of Me — Luke Combs (Columbia Nashville)

Week ending 6/9/18: #1 singles this week in country music history

1958: All I Have To Do Is Dream / Claudette — The Everly Brothers (Cadence)

1958 (Disk Jockeys): Just Married — Marty Robbins (Columbia)

1968: Honey — Bobby Goldsboro (United Artists)

1978: Georgia On My Mind — Willie Nelson (Columbia)

1988: I Told You So — Randy Travis (Warner Bros.)

1998: I Just Want To Dance With You — George Strait (MCA Nashville)

2008: I’m Still A Guy — Brad Paisley (Arista Nashville)

2018: Meant To Be — Bebe Rexha featuring Florida Georgia Line (Big Machine)

2018: One Number Away — Luke Combs (Columbia)

Album Review: Tracy Lawrence – ‘Good Old Days’

If popular culture is to be believed, it seems the 1990s is the hottest decade right now. Most of the ‘new’ television shows are reboots of classics from the era, including Full House and Will & Grace, with the originals casts reprising their roles. In popular music, if you were a major player 20-25 years ago, then its suddenly fashionable to return with new music and slews of concert dates.

In country music, this trend extends to the return of Faith Hill and Shania Twain with their first new music in more than a decade while Garth Brooks is wrapping up his massive three-year tour this month in Nashville. Even Dixie Chicks came home to the United States with their first tour in ten years. What’s old is new again or rather the music that defined my childhood is suddenly hip again.

It would be a stretch to place Tracy Lawrence at the same level since he was never a global superstar or wheeled much influence on an international stage. But he was one of the most consistent and traditional artists in his day, with a catalog that more than stands up to anything released by the artists who may have eclipsed him in status.

To celebrate this resurgence, Lawrence has released Good Ole Days, which recognizes what he refers to as a ‘hunger for the music from my era.’ The album pairs him with modern day country artists singing his hits. The whole concept does seem like a gimmick, a cash grab for the gullible fan unaware they are likely only lining the pockets of the executive who dreamt up this project. But really it’s a chance to finally hear country’s current class sing real well-written songs for the first time in their careers. I jumped at the chance to review this album simply so I could hear how these artists sound when forced to interrupt the actual country music. I’ve always had a theory that there is talent there if these artists had the proper vehicle to show it off.

This is the proper vehicle because instead of the artists making these songs their own, with their typical non-country producers and such, they have to stick within the confines of the original arrangements, including the steel, fiddle, and twang. Without the ability to hide, every weakness would be on the table.

Luke Bryan tackles Lawrence’s 1991 debut “Sticks and Stones” and handles it well. I wasn’t impressed with Jason Aldean’s take on “Just Can’t Break It to My Heart,” his voice was a bit too dirty, but the energy was good.

I remember reading in Quotable Country, on the dearly-departed Country California, Justin Moore says if he had a say he would make an album in the vein of I See It Now. He goes back a bit further here with “Alibis” and knocks it out of the park. Moore is a great country singer and it’s a shame he has to reside in this current climate.

Dustin Lynch sounds exactly like a young Lawrence on “Texas Tornado,” which is kind of scary. His performance isn’t excellent, but it’s damn close. I was surprised Miranda Lambert, who has been known to belt this out in concert, wasn’t singing it but that could’ve been label politics.

Probably the newest artist featured here is Luke Combs, who just hit number one with “When It Rains It Pours.” There’s no mistaking he’s a country singer and he easily pulls this off. The same is true for Chris Young, but he sounds like he’s just going through the paces on “If The Good Die Young.” If he had just let go the results could’ve been incredible.

The legend of Tim McGraw is he moved to Nashville on May 9, 1989, and has always said he’s more of a storyteller while Keith Whitley is a singer. I agree wholeheartedly, but his performance of “Time Marches On” is bland. In contrast, Easton Corbin shines on “Paint Me A Birmingham.”

Kellie Pickler’s talent is wasted on “Stars Over Texas,” which finds her regulated to singing the chorus. As the sole female voice on the whole album, you would’ve thought she’d be allowed more of a presence. I didn’t care for her vocal either, which makes her sound like a little girl.

There are two new songs in the mix. Brad Arnold, the lead singer of Alternative Rock band Three Doors Down (think ‘Here Without You’) joins Lawrence on the title track, which is being billed as his “country music debut.” The song, which also features Big & Rich, is a faux-rock disaster. The military-themed fiddle drenched ballad “Finally Home,” which features Craig Morgan, is better but not really for my tastes.

Good Ole Days is a great concept with lousy execution. These tracks are collaborations between the singer and Tracy Lawrence which doesn’t work on any level. Get rid of Lawrence entirely and turn this into the proper tribute album it’s screaming to be. His nasally twang is insufferable and pointlessly distracting. The lack of female artists in the mix is also troubling, as you don’t need just men to sing these songs.

Grade: B-

Week ending 12/2/17: #1 singles this week in country music history

1957 (Sales): Jailhouse Rock/Treat Me Nice — Elvis Presley (RCA)

1957 (Disc Jockeys): Wake Up Little Susie — The Everly Brothers (Cadence)

1967: It’s the Little Things — Sonny James (Capitol)

1977The Wurlitzer Prize (I Don’t Want to Get Over You) — Waylon Jennings (RCA)

1987: Lynda — Steve Wariner (MCA)

1997: Love Gets Me Every Time — Shania Twain (Mercury)

2007: So Small — Carrie Underwood (Arista)

2017: When It Rains It Pours — Luke Combs (River House/Columbia)

2017 (Airplay): Greatest Love Story — LANco (Arista)

Week ending 11/25/17: #1 singles this week in country music history

1957 (Disc Jockeys): Wake Up Little Susie — The Everly Brothers (Cadence)

1967: It’s the Little Things — Sonny James (Capitol)

1977The Wurlitzer Prize (I Don’t Want to Get Over You) — Waylon Jennings (RCA)

1987: I Won’t Need You Anymore (Always and Forever) — Randy Travis (Warner Bros.)

1997: Love Gets Me Every Time — Shania Twain (Mercury)

2007: Free and Easy (Down the Road I Go) – Dierks Bentley (Capitol)

2017: When It Rains It Pours — Luke Combs (River House/Columbia)

2017 (Airplay): Every Little Thing — Carly Pearce (Big Machine)

Week ending 11/11/17: #1 singles this week in country music history

1957 (Sales): Wake Up Little Susie — The Everly Brothers (Cadence)

1957 (Disc Jockeys): Wake Up Little Susie — The Everly Brothers (Cadence)

1967: You Mean the World to Me — David Houston (Epic)

1977I’m Just a Country Boy — Don Williams (ABC/Dot)

1987: Am I Blue — George Strait (MCA)

1997: Love Gets Me Every Time — Shania Twain (Mercury)

2007: Don’t Blink — Kenny Chesney (BNA)

2017: What Ifs — Kane Brown ft Lauren Alaina (RCA)

2017 (Airplay): When It Rains It Pours — Luke Combs (River House/Columbia)

Week ending 11/4/17: #1 singles this week in country music history

1957 (Sales): Wake Up Little Susie — The Everly Brothers (Cadence)

1957 (Disc Jockeys): Wake Up Little Susie — The Everly Brothers (Cadence)

1967: You Mean the World to Me — David Houston (Epic)

1977Heaven’s Just a Sin Away — The Kendalls (Ovation)

1987: Right From the Start — Earl Thomas Conley (RCA)

1997: Everywhere — Tim McGraw (Curb)

2007: Don’t Blink — Kenny Chesney (BNA)

2017: What Ifs — Kane Brown ft Lauren Alaina (RCA)

2017 (Airplay): When It Rains It Pours — Luke Combs (River House/Columbia)