Travis Tritt’s second album was released in May 1991, and is along the same lines as its predecessor, with the same producer, Gregg Brown. It was, however, a step up in quality and consistency.
The lead single, ‘Here’s A Quarter (Call Someone Who Cares)’ is a fabulous kissoff song with plenty of attitude, which is one of the seven songs here written by Tritt and is one of my favorites of his. There is a more traditional feel to this structurally than with much of his material, although the full production gives it added radio-friendly impact. It peaked at #2 on Billboard.
The excellent ballad ‘Anymore’, which Travis wrote with Jill Collucci, was the second single, and made it all the way to the top. The lyrics have the opposite emotion to that of ‘Here’s A Quarter’, with the protagonist surrendering to his feelings after a period in denial of the pain he is suffering at the failure of a relationship, finally admitting,
I can’t keep pretending I don’t love you anymore
The song allowed Tritt to show a more subtle side to his vocals, and is one of the finest recordings of his career, with delicately understated production. Backing vocals come from Dana McVicker, a former Capitol artist who never made a breakthrough, and they add a sweet edge.
His first of several career duets with Marty Stuart (recorded prior to their first tour together) is the singalong honky tonker ‘The Whiskey Ain’t Workin’’, a Stuart co-write with Ronny Scaife. It’s a solid song which I like a lot, although Tritt’s full blooded vocal is the best thing about this #2 hit.
It was back to the ballads with the album’s final single, #4 hit ‘Nothing Short Of Dying’. A wistful song about the pain of lost love with some mournful fiddle and steel supporting the regretful vocal, this is another great track and the most traditional country of the singles.
Although it wasn’t a single, the blazing up-tempo ‘Bible Belt (featuring rock band Little Feat) garnered a lot of attention when an alternate version was recorded for the movie My Cousin Vinny, with new lyrics fitting the film’s plot. The original is better, and is one of Tritt’s most memorable recordings with its dramatic tale of an adulterous preacher brought down by “the flames of passion” following an affair with the choir leader, based on a true story. Travis warns the couple they will have to “answer to the Lord and the Bible Belt”, although in fact they run away to Vegas together, apparently never to be seen in Georgia again. The Southern rock/country arrangement is genuinely exciting with pounding piano and a choir bringing in gospel elements suited to teh subject.
On the up-tempo side, I also liked ‘Don’t Give Your Heart To A Rambler’, a classic bluegrass number written by Jimmie Skinner unexpectedly given a Southern rock style makeover which works surprisingly well. I was less impressed by closer ‘Homesick’, an obscure Southern rock cover which is a self-indulgent rocker more about the groove than anything else, but it is the only track I didn’t like on an otherwise outstanding album.
The title track is a fine ballad in classic country style, with a sincere, believable vocal about a man who has had enough of the woman he has loved treating him badly and is ready for a new start.
‘If Hell Had A Jukebox’ is another great hurting ballad, written by Travis with Lee Rogers. This time the protagonist’s ex responds to a pitiful plea for her return by telling him to go you-know-where. Travis replies,
Honey, if Hell had a jukebox
And the Devil kept it full of hurtin’ songs
You could find me there this evening…
I don’t see how the fires below
Where you wanted me to go
Could be worse than the hell I’m living here on earth
The gentle ballad ‘Someone For Me’ (written by Tritt with Stewart Harris) is a lonely man’s wistful longing for love, and another fine song, with a subtle string arrangement.
With triple platinum status, this remains Travis Tritt’s best selling album, and it is also my personal favorite. There is a wide variety of tempos and styles, but the quality is almost all very high indeed. Used copies can be found extremely cheaply, and are well worth tracking down.