My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Leon Rausch

Album Review: Asleep at the Wheel & Leon Rausch – ‘It’s a Good Day’

91xsgyplbl-_sx522_Leon Rausch was the lead singer for Bob Wills and His Texas Playboys during the late 1950s and early 1960 and rejoined the band for its final recordings in 1973.  In 2010, he joined forces with Ray Benson and Asleep at the Wheel for It’s a Good Day, a diverse collection of western swing, big band, jazz and mainstream swing (if there is such a thing) tunes.  He is front and center for the album, handling most of the lead vocals, with AATW acting as his backing band. Floyd Domino, AATW’s original pianist, rejoins the group for this project, as he did for the previous year’s Willie and the Wheel.  The album was produced by Ray Benson.

At age 83, Rausch’s voice is gravelly but still quite strong and he sings surprisingly well for his age.  He holds his own with AATW’s Elizabeth McQueen who duets with him on “Alright, OK, You Win”, a Count Basie tune written by Maymie Watts and Sid Wyche.  It had also been a hit for Peggy Lee in the 1950s, and he outsings Willie Nelson, who acts as his duet partner on “Truck Driver’s Blues”.

I’m sure it won’t surprise anyone to hear that my favorite songs on the album are the more country ones, although I really do like all kinds of swing music and enjoyed the entire album.  The best ones are those that were penned by the great Bob Wills himself:  “I Didn’t Realize”, “Cotton Patch Blues”, “Sugar Moon” (a co-write with Cindy Walker) and “Osage Stomp”, the instrumental jam-session album closer.  I also quite enjoyed “Mean Woman with the Green Eyes”, which was not written by Bob Wills but was recorded by The Texas Playboys.

Benson and his band take a back seat to Rausch on this project, but Asleep at the Wheel , which is one of the best bands in any genre of music, is the glue that holds everything together. As always, the musicianship is excellent.  It’s not a strictly country album, but there isn’t a bad song to be found here.

Grade:  A

Advertisements

Album Review: Asleep At The Wheel – ‘Live From Austin, TX’

live-from-austin-txTheir albums are consistently enjoyable, but Asleep At The Wheel are undoubtedly at their best live. Unsurprisingly, they have recorded a number of live albums. This one, released on New West Records in 2006, consists of a 1992 performance from the Austin City Limits TV show, which saw the band teaming up with surviving members of the Texas Playboys, Bob Wills’ band (including fiddle legend Johnny Gimble who had worked with AATW before). It is also available in DVD format.

They open with the old ragtime instrumental ‘Black And White Rag’ (incorrectly credited on iTunes as a Ray Benson composition). It had been the B side to a recent single release of ‘Route 66’, also performed here.

‘Boot Scoootin’ Boogie’, a then-current Brooks & Dunn hit, had been cut first by AATW in their 1990 Arista album ‘Keeping me Up Nights; their Western swing take is slower and more relaxed than the more familiar version.

They include some of their hit singles – a nice relaxed version of the always likeable ‘Miles And Miles Of Texas’, and a racing ‘Boogie Back To Texas’ which really sets a party mood which is continued with ‘House of Blue Lights’. A lively ‘Hot Rod Lincoln’ with slightly busy accompaniment affects to reproduce the sounds of the race, with mixed results – some of it is very realistic but it sometimes feels a bit too busy. This is the kind of thing which has more impact when you are actually there.

‘Corine Corina’ is performed with great energy, with the Playboys’ Leon Rausch on lead vocals, and I also enjoyed his pacy ‘Sugar Moon’. ‘Blues For Dixie’, a duet between Rausch and Ray Benson, is less memorable, while ‘Roly Poly’ feels a bit rushed. The lesser-known Wills ballad ‘Misery’ is very good, but Ray and the guys stray a bit too far in the tasteful jazz direction for me on ‘You Don’t Know Me’.

This is an enjoyable recording, but the DVD (which I haven’t seen) would probably be a better indicator of their great live show.

Grade: A-