My Kind of Country

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Christmas Album Review: Kacey Musgraves – ‘A Very Kacey Christmas’

a-very-kacey-christmasKacey Musgraves is not the first artist I would have expected to come out with a Christmas album, but here it is. She leans to the jazzy side of Christmas music, with a strong Hawaiian influence and her own quirky take on things – to the point of eccentricity at times. It is also entirely secular.

She opens with ‘Have Yourself A Merry Little Christmas’, which is quite pleasant but not essential.

The Quebe Sisters provide backing vocals on a playful ‘Let it Snow’ and the Hawaiian ‘Mele Kalimaka’. The bilingual ‘Feliz Navidad’ is prettily sung by Kacey and a male chorus. Much of the album comprises pleasant but easy-to-overlook background music like this, but Kacey pushes the boundaries on other tracks.

She draws on her inner child with the playful, bouncy ‘I Want A Hippopotamus For Christmas’ and the standard ‘Rudolph The Reindeer’, which is one of the few recordings where a child chorus is endearing rather than irritating (maybe because the kids don’t seem to have much enthusiasm). Both are great fun. The strangest choice, ‘Christmas Don’t Be Late’ , is better known as ‘The Chipmunk Song’, as recorded by Alvin and the Chipmunks. Kacey sings it apparently quite straight with a childlike quality, and I’m really not sure how far her tongue is in her cheek here.

It leads into the rather less family-friendly ‘A Willie Nice Christmas’, which as you may guess from the title is a holiday-themed tribute to Willie Nelson and his favorite product, featuring guest vocals from the man himself. It is rather charming in its way. Kacey wrote the song with Shane McAnally and Josh Osborne.

She, McAnally and Brandy Clark wrote the melancholy ‘Christmas Makes Me Cry’. ‘Present Without A Bow’, a duet with neo-soul singer Leon Bridges about being alone at Christmas, is quite effective vocally, although the song itself isn’t that interesting. The hand-clapping, brassy ‘Ribbons And Bows’ is quite good though not country.

She closes with a languid jazz version of ‘What Are You Doing New Year’s Eve’, which I found rather boring.

I applaud Kacey’s willingness to try something a bit different, but the result isn’t entirely to my taste.

Grade: B-