My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Larry Hooper

Album Review: Courtney Patton – ‘What It’s Like To Fly Alone’

Courtney Patton is one of the best female versions of the Texas troubadour type of singer-songwriter, producing heartfelt poetic songs with gentle country backings. She produced this latest record herself as well as writing or co-writing every song bar one.

Opener ‘Shove’ is a mid-paced song about a woman at a turning point and in need of a little help regaining herself:

The stars are always shining
It’s just sometimes you can’t see em till you pull yourself away from all the lights

It is one of several she wrote solo. The introspective ‘What It’s Like To Fly Alone (The Hawk Song)’ takes its inspiration from a road encounter with a wild hawk and reflects on loneliness and depression. ‘Sometimes She Flies’, about a woman struggling with life, has a deceptively pretty melody.

The most frequent co-writer is fellow-Texan Larry Hooper, and the songs he wrote with Courtney include my favorite tracks. ‘Round Mountain’ is an engrossing confessional story song:

I was lonely when I let another’s husband share my bed
While mine was plowing fields I was breaking vows instead
And I looked down into the darkness
And I looked up and felt it burn
It was hotter than the fires of hell my crimes would surely earn

I knew what I was doing as I climbed up and jumped in
Let the murky water cool me
Let it wash away my sin

The wearied ‘Devil’s Hand’ also muses on sin and guilt. The waltztime ‘Words To My Favorite Memory’ draws on the Haggard record, using it to counterpoint the sudden death of a loved one. Lloyd Maines provides some gorgeous steel. ‘Devil’s Hand’ is an elusively poetic song about sin. The pair’s ‘Open Flame’ is about resisting the temptation to infidelity, set to a very pretty melody:

It may burn but it won’t leave a scar

‘I’ve Got One Waiting’, written by Courtney with Matt Hillyer, is a well-written pure country song about a woman drinking after her undeserving man has left her, not out of sorrow, but perhaps with a little bravado:

You used to tell me quite often
That I was uninviting and cold to the touch of your hand
So I’ve been thinking and you were right
It just hit me tonight
And I should thank you for helping me understand
I might be cold but I’m not empty
And a handle is plenty
To keep me warm when I used to have you
You chose the women
I picked the wine
One’s aged and one’s fine
But both make the bed easy to fall into
I’ll be the life of the party
So don’t even start me
To talking about how fine I am
There’s no need for debating
Gonna start celebrating
Cause I’ve got one waiting

‘This Road To You’, a wintry co-write with Micky Braun about separation on the road from Courtney’s husband Jason Eady, is another strong and thoughtful song.

There is one song which Courtney had no share in writing: ‘Gold Standard’, written by Owen Temple and Kelley Mickwee. This is a graceful waltz about enduring love.

The set concludes on valedictory note with two mournful self-penned songs about the dead. ‘Red Bandana Blue (Kent’s Song)’ is a tender waltz-time tribute to the late Texan bar owner and music promoter Kent Finlay and his influence on Courtney’s career. Even more personal is the album’s closing track. The deeply moving ‘Fourteen Years’ is a delicate reflection on Courtney’s sister who was tragically killed in an accident 14 years ago.

Grade: A

Album Review: Jason Eady – ‘Jason Eady’

Jason Eady has been one of my favorite singer songwriters for a while, so I was looking forward to this album. I was delighted to find it is a truly excellent record from start to finish.

‘Barabbas’ is an excellent, thought provoking portrait of the criminal pardoned in place of Jesus, which Jason wrote with the help of Larry Hooper, Adam Hood, and Josh Grider. Jason’s imagined Barabbas is grateful for the opportunity of a second chance in life:

The guilt hangs twice as heavy when its followed by surprise
I’d surrendered, I was ready to give up and do my time
I did not know his name
Did not know why he was there
But on this side of forgiveness we both have our cross to bear

I know that I am free cause they did not like his kind
The man who preaches peace is always looking for a fight

Wife Courtney Patton adds a haunting harmony vocal.

Jason wrote or co-wrote all but one of the songs. That exception, ‘Black Jesus’, is a fascinating story song from Channing Wilson and Patrick Davis, which recalls a friendship which develops one summer between a teenage country boy and his workmate, an African American veteran. A lovely arrangement with super fiddle and very nice harmonies adds the final touches.

‘Drive’, written by Jaspn with Jamie Lin Wilson and Kelley Mickwee, is about a man gradually getting over an ex. Fidlder/mandolinist Tammy Rogers joins Courtney in providing harmonies on a track which might be described as muscular bluegrass with his loneseome wail and rhythmic banjo-led groove.

Vince Gill guests (though not very audibly) on the gorgeous steel-laced ballad ‘No Genie In This Bottle’, a deeply sad song about regret for past choices and the protagonist’s fruitless recourse to drinking as a solution for his pain:

If I had three wishes my first would be for a second chance
To do all those little things I didn’t do
Take the poison off my tongue
Stand strong when I cut and run
And be a better man than the one you knew

There ain’t no genie in this bottle
And I’ve been looking with every pour
As I get closer to the bottom
I find it just as empty as the one before

Jason wrote this one with Josh Grider.

Even better, and perhaps my favorite track, is ‘Where I’ve Been’, an incisive look at a troubled relationship on the verge of ending, set to a gentle melody.

She said “I haven’t been thinking ‘bout leaving
As much as I used to
In fact I haven’t been thinking too much at all
And I sure ain’t been thinking about you”

This is not what I wanted
I’d rather be home but a home takes more than me
So if you ever get tired of lonely
I’m only as gone as you want to be

She said “You ain’t been giving me the kind of love I’m needing
And you just ain’t been living like the man that I once knew”

So I’m giving up and giving in
Taking what I need every now and then
And if you ever decide you ever want to try again
Well, I’ll be here in the morning
Just don’t ask me where I’ve been

‘Why I Left Atlanta’ is a breezy story song about running away from the end of a relationship. ‘Waiting To Shine’ is an upbeat tune about finding inspiration as a songwriter. ‘Rain’ sounds like a mixture of Celtic, bluegrass and blues influences and has a hypnotic feel.

‘Not Too Loud’ is a touching and very personal song about fatherhood as Eady’s teenage daughter heads off to college. It has a beautiful steel dominated arrangement.

The album closes with ’40 Years’, another excellent song about experience, life, and the lessons learned so far, supported by a lovely fiddle line.

The past will leave you burning
If you don’t let it go
Tomorrow’s what you make it
You really do reap what you sow

This is an extremely good album, which I highly recommend to anyone who appreciates thoughtful country singer-songwriters.

Grade: A+