My Kind of Country

Country music from a fan's point of view since 2008

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Album Review: Kevin Moon – ‘The Kevin Moon EP’

kevin-moon-epWe were recently reminded that Kevin Moon (whose Throwback album was one of my favourites of last year) had released new music. One of my minor gripes with that album was that it consisted of rather well worn material, and here he tackles new or lesser known songs. It turns out to be halfway between an EP and a full length album, with eight tracks, and as far as I can see is only available digitally.

The best song is the opening ‘Good Whiskey’, a great song in which the protagonist first rejects alcohol as a cure for his heartbreak:

They don’t make Jack strong enough to get you off my mind
There really ain’t nothin’ they could fix me
I could drink it all but you still wouldn’t miss me
It’d be a waste of good whiskey

‘What If She Don’t’ is a nice love song with the protagonist unsure whether the object of his affections understands the depths of his love. He then explains it to her in the attractive ‘Girl That’s How’. ‘Cowgirl’s Gonna Dream’ is a sweet song about an ordinary Tennessee country boys who manages to land a Texan cowgirl as his wife.

‘Scarecrow’ is an anthroporphic description of the farmer’s friend, and has a certain charm. The relaxed ‘Blue Agave Shore’ dreams of a Mexican vacation but settles for a back porch.

There are a couple of covers, both from the 1970s. Eric Clapton’s romantic ‘Wonderful Tonight’ works surprisingly well as a country song, and has been done by country artists before – David Kersh (now largely forgotten) had a top 20 hit with it in the late 90s. Kevin’s version is tender and convincing, and really very good.

‘Daddy What If’, written by Shel Silverstein, was a hit for Bobby Bare and his 5 year old son. Kevin recruits his three year old, Weston, to sing the child’s part on this rather twee tune. The little boy has a vague approach to pitch, but the overall effect is rather sweet.

Moon has an attractive voice, and while this album has a more modern sound than Throwback, it is still solidly country. A couple of extra songs would have been welcome, but it’s still a worthwhile release.

Grade: A-

Occasional Hope’s top 10 albums of 2015

so this is lifeIt’s been a solid year rather than an outstanding one, with a number of interesting albums released but few really exciting ones. But any of my top 10 is well worth hearing.

angels and alcohol10. Alan Jackson – ‘Angels And Alcohol

The veteran star is reliable as ever with his latest release. It may break no new ground, but it’s good country music, and that’s something we always need more of.
Highlights: ‘Angels and Alcohol’, ‘The One You’re Waiting On’, ‘You Can Always Come Home

pageant material9. Kacey Musgraves – ‘Pageant Material
Unlike many, I actually preferred this to Kacey’s lauded debut because I found the production choices more sympathetic to her voice.
Highlights: ‘Pageant Material’, ‘Biscuits’, ‘Late To The Party

cold beer conversation8. George Strait – ‘Cold Beer Conversation
He may have retired from touring, and have lost his golden touch with country radio – but like Alan Jackson, George Strait is still making fine music. A solid classy album.
Highlights: ‘Something Going Down’, ‘Everything I See’, ‘Even When I Can’t Feel It’.

brennen leigh sings lefty frizzell7. Brennen Leigh – ‘Sings Lefty Frizzell
Only just released, this lovely tribute to one of the cornerstones of country music made a late charge up my best of the year list. A true delight. Brennen also teamed up this year with bluegrass singer Brandon Rickman and singer/fiddler Jenee Fleenor in a trio project called Antique Persuasion, which released a delightful acoustic tribute to the Carter Family in August which almost made this list, and a recent Christmas EP.

Highlights: ‘I Love You A Thousand Ways’, ‘Mom And Dad’s Waltz’, ‘How Far Down Can I Go’, ‘You Gotta Be Putting Me On

throwback6. Kevin Moon – ‘Throwback
A fabulous traditional country album from an unknown singer with a great voice. It’s a wonderful reminder of what country music used to be, with guest turns from artists including John Anderson, Rhonda Vincent and Ken Mellons. If there had only been a few more original tunes of the same quality, this would have been even higher in my year-end list.

Highlights: ‘The Storms Of Life’ (with Daryle Singletary), ‘Tennessee Courage’ (with Kevin Denney, Wesley Dennis and Billy Droze), ‘I’d Be Better Off (In A Pine Box)’ (with Doug Stone).

pocket full of keys5. Dale Ann Bradley – ‘Pocket Full Of Keys
Dale Ann has a pure, beautiful voice, and is one of my favorite bluegrass vocalists. This gorgeous effort shows her at her very best.

Highlights: ‘I’m So Afraid Of Losing You Again’, ‘The Stranger’, ‘Pocket Full Of Keys’.

traveller4. Chris Stapleton – ‘Traveler
Chris Stapleton’s triple triumph at the recent CMA awards, and subsequent sales spike, was one of the most unexpected in country music history. Although he was formerly lead singer of the SteelDrivers, and has been a very successful songwriter for years, he had rather flown under the radar as far as mainstream acknowledgement went. His solo debut album is a very strong piece of work, showcasing his bluesy, soulful vocals. I don’t love every track – occasionally his more esoteric leanings to blues and rock wander too far from country music for me – but when he’s at his best, he is magnificent.

Highlights: ‘Whiskey And You’, ‘Nobody To Blame’, ‘Daddy Doesn’t Pray Anymore’.

the underdog3. Aaron Watson – ‘The Underdog
Texan Watson has been steadily plugging on for a decade or so, and his latest album is as good as anything he’s done, with a powerful depiction of Johnny Cash at his turning point and a reflection on the state of country music. Solid Texas country music which deserves a mainstream hearing.
Highlights: ‘The Prayer’, ‘Fence Post’, ‘Bluebonnets (Julia’s Song)’.

the blade2. Ashley Monroe – ‘The Blade
A fine album by one of the best artists currently on a major label – even if that label isn’t bothering to push her work at radio. The title track in particular is exquisite.
Highlights: ‘The Blade’, ‘If The Devil Don’t Want Me’, ‘Dixie’, ‘I’m Good At Leaving’.

so this is life1. Courtney Patton – ‘So This Is Life
A lovely mature piece of work from a fine singer-songwriter, loaded with gorgeous country waltzes. For my money this is the most consistently great album of the year.
Highlights: ‘Little Black Dress’, ‘Need For Wanting’, ‘Killing Time

Album Review: Kevin Moon – ‘Throwback’

throwbackWhen reviewing the year’s releases for my end of year lists, I realised that I never reviewed this album properly. As the album’s title hints, Alabaman Kevin Moon is a thorough going traditionalist who could have been a big star if he had been around in the late 80s or early 90s – the era of most of the songs on this album. He has a fabulous country voice with rich tones and characterful inflections, and he stands up well against the stars who guest on this album.

He teamed up with Ken Mellons (who he sounds very like) to rework the latter’s ‘Honky Tonk Teachers’. It’s an appropriate choice with its loving tribute to the great country singers of the past, and this version is great.

Kevin pays tribute to the late Keith Whitley a number of times, starting with a nice version of ‘Til A Tear Becomes A Rose’, with Rhonda Vincent taking Lorrie Morgan’s duet part. This is one track where the original is better, but it is a beautiful song with a lovely melody. Whitley wrote ‘Hopelessly Yours’, recorded by John Conlee, George Jones, and Lee Greenwood/Suzy Bogguss. Moon’s cover is an emotional duet with young singer Mary Sarah. The heartbreaking ‘Tennessee Courage’ serves as tribute to both Whitley and to Vern Gosdin, and is performed with two artists who should have been stars, Wesley Dennis and Kevin Denney, and a younger singer I hadn’t previously come across but who bears further investigation, Billy Droze.

Another star not currently available to help out is Randy Travis, so Travis’s one-time protégé Daryle Singletary helps out on an excellent version of ‘The Storms Of Life’. Conway Twitty’s son Michael assists on the sentimental ‘That’s My Job’.

John Anderson guests on his early 90s comeback hit. ‘Straight Tequila Night’ – again, I prefer the original, but this is still good. Marty Raybon’s voice blends beautifully with Moon’s on a lovely version of Shenandoah’s ‘Moon Over Georgia’. Doug Stone still sounds good on a version of his ‘I’d Be Better Off (In A Pine Box)’. ‘You’ve Got To Stand For Something’ features Aaron Tippin, but is less forceful than the original.

A couple of new songs are included. ‘Low Key’ dreams about a much-needed beach vacation, mixing a steel guitar dominated arrangement with Spanish-influenced guitar, and is nicely done. The title track strings together quotes from a selection of great country classics and calls for some throwback country, “with some drinkin’, cheatin’ lyin’, leavin’”, and is quite clever.

This is a thoroughly enjoyable album from a young man with a lot of talent. The lack of originality in making most of the material cover songs is ameliorated by making them duets with, in most cases the original stars.

Grade: A