After her debut failed to gain traction, Jessi Colter went a full five years between albums. She switched labels, from RCA Victor to Capitol Records, and released I’m Jessi Colter in January 1975. The record was co-produced by her husband Waylon Jennings and record executive Ken Mansfield.
Colter composed the entire project herself, which included lead single “I’m Not Lisa,” her most remembered song and biggest hit. The stunning ballad details the anguish of a woman in love with a man who still harbors feelings for his ex:
I’m not Lisa, my name is Julie
Lisa left you years ago
My eyes are not blue
But mine won’t leave you
‘Til the sunlight has touched your face
Not only did “I’m Not Lisa” top the country singles chart, but it hit #4 of the Billboard Hot 100, two major accomplishments that wouldn’t come her way again. Colter would crack the top five just once more with “What’s Happened To Blue Eyes,” the steel-laced second and final single from this album.
The remainder of the album is hit-or-miss, with a diversion into Memphis Soul that detracts from a majority of the tracks. These songs are well-executed, especially “Is There Any Way (You’d Stay Forever),” but the rest (“You Ain’t Never Been Loved (Like I’m Gonna Love You), “Come On In,” and “Love’s The Only Chain”) just aren’t to my taste. I summarily disliked the arrangement on “I Hear A Song,” but the ballad itself is quite lovely. “Storms Never Last” had much the same effect on me.
Colter’s strongest moments on the album are, not surprising, the country ones. “For The First Time” is a glorious slice of honky-tonk, a very welcomed change of pace. She’s even better on the stunning “Who Walks Thru Your Memory (Billy Jo),” the best track by a mile. The steel guitar perfectly frames her gorgeous vocal.
I’m not trying to suggest that I’m Jessi Colter is a bad album, it’s just extremely dated to modern ears, a victim of its era and a project designed to appeal to the popular trends of the time. While she never enjoyed solo success like this again, she struck gold a year later with an appearance along side her husband, Willie Nelson and Tompall Glaser on Wanted! The Outlaws. The album not only solidified the outlaw movement in modern country, but it was the first country album to be certified platinum.