My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Karla Bonoff

Album Review: Wynonna – ‘Tell Me Why’

tell me whyWynonna’s second solo album was released in May 1993,produced as before by Tony Brown. It did not sell as well as its predecessor, but was still certified platinum, and produced five top 10 hits.

The first single, the title track, was a mid-tempo Karla Bonoff song with a glossy contemporary country-rock feel, and reached #3 on Billboard. This performance was matched by its successor, the more delicate and sophisticated ‘Only Love. Written by Roger Murrah and Marcus Hummon, it doesn’t sound particularly country now, but it featured a strong vocal performance.

My favorite track by far, ‘Is It Over Yet’, is a solemn piano-led ballad with a sensitive string arrangement which allows Wynonna’s emotion-filled voice to shine on a song about the pain of a breakup. It peaked at #7.

The most successful single, ‘Rock Bottom’, only just missed the top of the charts. It was written by the songwriters behind Southern Rockers the Atlanta Rhythm Section, and has a bluesy rock groove which suits Wynonna’s confident growl, although it’s not really my favorite style. The final single, Mary Chapin Carpenter’s ‘Girls With Guitars’, is a strong country rock number celebrating female musicians by telling the story of one young woman’s progress from high school to adult success, defeating the expectations of sexist listeners along the way. Naomi Judd and Lyle Lovett contribute backing vocals on the song.

Jesse Winchester’s ‘Let’s Make A Baby King’ is a Christmas song which New Grass Revival had recorded a few years earlier in more bluegrassy style, and which Wynonna gave a black gospel makeover. While Wynonna’s version was not formally released as a single, it gained some airplay at Christmas. ‘Just Like New’ is another memorable Winchester song, a bluesy story about a car once owned by Elvis. Naomi Judd’s ‘That Was Yesterday’ is performed as a slowed down blues number.

‘Father Sun’ was written by Sheryl Crow, about to make her own breakthrough as a rock singer-songwriter, and has a rather elusive lyric. The production funnels Wynonna’s vocal through an echoey effect which wastes her greatest asset, her powerful voice, and more gospel style backing vocals swamp her at the end.

She does show her more subtle interpretative side with a cover of ‘I Just Drove By’, written and originally recorded by Kimmie Rhodes. This charming song is about sweet memories of childhood innocence, and Wynonna sings it beautifully.

While it is a long way from traditional, and a purist might challenge its country credentials on any level, Wynonna was able to take her place in the diverse sounds of 1990s country music. It’s an accomplished record in its own right, genre considerations aside, but that does make it tough to assign a grade to on a country blog.

Grade: B

Album Review: Holly Dunn – ‘Heart Full Of Love’

Holly’s 1990 follow up to The Blue Rose of Texas, which she produced with brother Chris Waters, was not quite as good as the latter, but is a fine effort nonetheless, with a lot of variety in tempo, style and subject matter, while Holly is in great voice.

Holly’s solo composition, ‘My Anniversary For Being A Fool’ is a lovely sad waltz as the protagonist remembers just how she threw away a true love.  Beautifully and delicately sung, with a prominent steel guitar behind her, it was the first single, but performed surprisingly,and undeservingly, poorly.  She regained traction with ‘You Really Had Me Going’, an up-tempo Dunn/Waters/Tom Shapiro song which became Holly’s first chart topper.  The rock n roll electric guitar solo from Brent Mason is unexpected, but doesn’t overwhelm the song.

The title track was the final single, but only just crept into the top 20.  A mid-tempo love song written by hitmaker Kostas, it is quite pleasant without being at all memorable.

‘The Light In The Window Went Out’ is an excellent song, in which the once-faithful protagonist gives up at last on her complacent ex who thinks he can pick up where he left off:

You thought I’d just keep hanging on

Love like a candle burns down to nothing

When it’s left untended too long

It was written by Holly and Chris with Ron Hellard.  The ironic ‘Temporary Loss Of Memory’ (penned by Holly and Chris with Lonnie Wilson) about a brief pause in a heartbreak is in a more contemporary vein, and isn’t bad.

The usual Waters/Dunn/Shapiro team exercised their social conscience with an emotional look at a homeless family for whom ‘No Place Is Home’.  Some may feel it tries a little too hard to make the hearer feel guilty, but it is clearly heartfelt and beautifully sung.

Waters and Shapiro teamed up with Charlie Black to write ‘My Old Love In New Mexico’, a wistful ballad about missing someone, with pretty Spanish guitar backing Holly.

There are many songs called ‘Home’ out there’; Karla Bonoff’s song of that name, which Holly recorded here, is one of the prettiest with a lovely melody and sweetly yearning vocal.  Just beautiful.

There is a sultry cover of the Marty Robbins classic ‘Don’t Worry’ with backing vocals from the Jordanaires recalling the original era.

The closing ‘Broken Heartland’ has a more contemporary vibe and lacks the emotion implied by the lyrics, but it is the only real misstep.

This was followed by a Greatest Hits album (Milestones), which brought a slowdown as her career suffered from the controversy over that album’s single ‘Maybe I Mean Yes’, which some thought inadvertently made light of the very serious date rape issue.

Cheap copies of Heart Full Of Love are easy to find and well worth acquiring.

Grade: A