Country music from a fan's point of view since 2008
We were all saddened here at MKOC by the sad news of the premature death of Daryle Singletary. We’d never covered him as one of our Spotlight Artists because he had a relatively small discography, and had reviewed his more recent releases independently. However, we have decided to combine a look back at his earlier career with two other artists who also emerged the same year, 1995. This was after the neotraditional revival had begun to subside, and none of our three choices had as long a period of commercial success as they deserved.
Daryle Singletary was born in Cairo, Georgia, in 1971. Blessed with a classic country voice, a rich, deep baritone, he began singing in his youth, and moved to Nashville while still in his teens. Having the kind of voice which could make any song sound better, he soon found work singing demos for songwriters. It seems that some of those demos are currently in the hands of an opportunistic label which released a single to capitalize on the publicity following Daryle’s death, but has been forced to withdraw it.
One of those demos, ‘An Old Pair Of Shoes’, was submitted to Randy Travis, who was seeking new material. Randy was impressed not only by the song, which he duly had a minor hit with, but by the singer. He became a mentor to the newcomer, helping him get a deal with Giant Records and co-producing Daryle’s debut album in 1995.
That album resulted in one big hit, the #2 peaking ‘I Let Her Lie’, and Daryle followed it up with a few more top 5 hits as well as some less successful singles. However, he did not sell enough records, and after three albums he moved on from Giant to a series of independent labels. Although he was no longer a real commercial prospect, the music itself was better than ever as he matured as an artist. He was something of a standard bearer for traditional country music in the new millennium.
His most recent album was a superb collection of duets with Rhonda Vincent. His tragic death has robbed us all of many years of great music.
Wade Hayes is an excellent partner for this retrospective, as he too is a traditional leaning artist whose period of success was far too short, although he has a naturally plaintive voice made for country music. Wade was born in 1969 in Oklahoma, where his father had a country band, and he grew up playing guitar and mandolin. He moved to Nashville in 1991 after dropping out of college, and secured a job as Johnny Lee’s guitarist. He also began writing songs and singing demos. His break came through songwriter Chick Rains, who helped him sign with Columbia in 1994.
He was an immediate success, with his debut single ‘Old Enough To Know Better’ topping the charts in 1995. However, after an initial flurry of hits he was unable to maintain his momentum, and after three albums moved to Monument in 2000. This failed to revive his fortunes. He then teamed up with Alan Jackson’s fiddle player Mark McClurg to form a short-lived duo named McHayes, but their sole single failed to catch attention.
After a spell in Randy Owen’s band, Wade returned to making his own music at the end of the 2000s, self-releasing a new album. His career was then further stalled by serious health issues. He fought off two bouts of cancer which were thought by his doctors to be terminal, and is now active again.
Our third artist is Ty England. Gary Tyler England was born in Oklahoma in 1963. He was Garth Brooks’ college room mate, and when Garth got his Capitol record deal Ty joined his road band. In 1995 Ty got his own solo deal with RCA, and a big hit with ‘Should’ve Asked Her Faster’. He later moved to his old boss’s label and was rebilled as Tyler England. However, his post-major label career was less notable than that of our other spotlight artists this month. His one self-released album was not very good, and he is no longer involved in the music business.
We hope you enjoy this retrospective look at three artists who were all regarded as the next big thing 23 years ago.
It has been many years since Johnny Lee has released an entire album of new material. Born in 1946 in Texas City, Texas, Johnny was a good journeyman county singer playing the honky-tonks of his native Texas, with moderate recording success for GRT records between 1976- 1978 with five charting singles, with Johnny’s “Country Party” (a country cover of Rick Nelson’s “Garden Party”) reaching #15. Along the way Johnny became friend with Mickey Gilley and worked Mickey Gilley, on tour and at Gilley’s Club in Pasadena, Texas. The soundtrack from the 1980 hit movie Urban Cowboy, which was largely shot at Gilley’s, catapulted Lee to fame. The record spawned several hit singles, including Lee’s “Lookin’ for Love.”
In addition to “Lookin’ for Love”, Lee had five songs reach the top of the Billboard country singles chart: “One In A Million” (1980), “Bet Your Heart On Me” (1981), “The Yellow Rose” (1984), and “You Could Have Heard A Heartbreak” (1984). His other major hits include “Pickin’ Up Strangers” (1981), “Prisoner of Hope” (1981), “Cherokee Fiddle”, “Sounds Like Love”, “Hey Bartender” (1983), “Rollin’ Lonely”, and “Save The Last Chance” (1985).
The top twenty hits ceased at the end of 1985 but Johnny had some additional smaller hits through 1989, at which point he disappeared from the charts. Johnny continued to tour and as his hit recordings fell out of print, we occasionally released new recordings of his older hits with some newer material mixed in.
Johnny’s new album has a decidedly country album with a few songs having a distinct western swing feel to it, with Mike Johnson & Scotty Sanders on steel guitar and Brent Mason on lead guitar and an unacknowledged fiddle player.
“Lonesome Love List” is an up-tempo western swing number written by Wil Nance, Ted Hewitt and Jerry Kilgore, that I think would make a good single.
Next up is the Rafe Van Hoy composition” What’s Forever For”, a song that Michael Martin Murphey took to #1 in 1982. Johnny Lee’s version compares favorably to Murphey’s version.
“Who’s Left, Who’s Right” is country ballad written by Bill White and Allen Ross. It’s a bit moralistic but still a nice country ballad.
“Deep Water” is a classic western swing number, written by Bob Wills and successfully covered many times by such classic singers as Carl Smith and Gene Watson. Buddy Hyatt plays some classic swing piano.
“Never Been To Texas” was written by Roger Springer Tony Raymee & Jerry Lane. The song extols the virtues of Texas. The song has a solid seventies-eighties production.
“Best Thing That Ever Happened to Me” was a 1973 hit for the great Ray Price, Ray’s last #1 record. Johnny is not Ray Price but his version holds up well. The song was written by Jim Weatherly and later poached by Gladys Knight & The Pips who took it to #1 on the R&B charts.
“Good Lovin’ Woman Bad” was written by Bill White, Mark Morton and Gary Lloyd – it sounds like a song that could have been a hit in the mid-1980s.
“Wish That I Could Love That Way Again” was co-written by Johnny Lee and Tony Raymee, Johnny’s only writing credit on the album. If Brooks & Dunn ever reunite to record another album they should cover this song.
“2 Steps From The Blues”, written by Don D. Robey & John Riley Brown, finds Johnny invading T. Graham Brown territory, complete with horns.
Mel Besher and Bobby Taylor teamed up to write the nice ballad “Who Did You Love”.
“Bullets First” by Kelly Kerning and Tony Raymee is an anti-gun control song (“if you’re coming for my guns, I’ll give them to you bullets first”).
“Worth Watching” by Tony Raymee and Trey Matthew, recounts the moments in a life worth watching.
I would like this album more if Johnny had spent more time exploring western swing, but all of the cuts are country, all of the songs are good, and Johnny Lee is in good voice throughout.
A-
1954 (Sales): More and More — Webb Pierce (Decca)
1954 (Jukebox): I Don’t Hurt Anymore — Hank Snow (RCA)
1954 (Disc Jockeys): More and More — Webb Pierce (Decca)
1964: Once A Day — Connie Smith (RCA)
1974: Trouble In Paradise — Loretta Lynn (MCA)
1984: You Could’ve Heard A Heart Break — Johnny Lee (Warner Bros.)
1994: If I Could Make A Living — Clay Walker (Giant)
2004: Mr. Mom — Lonestar (BNA)
2014: Something In The Water — Carrie Underwood (Arista Nashville)
2014 (Airplay): Sunshine & Whiskey — Frankie Ballard (Warner Bros.)
1954 (Sales): Slowly — Webb Pierce (Decca)
1954 (Jukebox): Slowly — Webb Pierce (Decca)
1954 (Disc Jockeys): Slowly — Webb Pierce (Decca)
1964: Understand Your Man — Johnny Cash (Columbia)
1974: A Very Special Love Song — Charlie Rich (Epic)
1984: The Yellow Rose — Johnny Lee with Lane Brody (Warner Bros.)
1994: If The Good Die Young — Tracy Lawrence (Atlantic)
2004: When The Sun Goes Down — Kenny Chesney with Uncle Kracker (BNA)
2014: Play It Again — Luke Bryan (Capitol)
2014 (Airplay): Drink To that All Night — Jerrod Niemann (Sea Gayle/Arista)
The 1980s got off to a poor start with the early 1980s producing some of the lamest country music ever recorded, as the Urban Cowboy movie wreaked havoc on the genre. Fortunately, there was still good country music being released. The first flowering of the late 1980s “New Traditionalist” movement arrived in 1981 with the first hits of Ricky Skaggs and George Strait, but they remained outliers until 1986 as far as good new artists were concerned. The latter part of the decade, however, produced some truly excellent country music with the 1986 arrival of Randy Travis and company.
Here are some more songs that I liked and remember. See if you recall any of these records.
Blue Blooded Woman – Alan Jackson
This 1989 ballad was the opening salvo for the career of Alan Jackson. While the song only reached #45, the next year it was released as the flip side of Alan’s first top five record “Here In The Real World”.
She’s Gone, Gone, Gone – Carl Jackson
This 1984 cover of a Lefty Frizzell classic reached #44, the top chart performance for an incredibly talented musician better known for his work in bluegrass/ Americana.
Innocent Lies – Sonny James
After a two year chart absence, the Southern Gentleman resurfaced on the Dimension label for one last top twenty tune in early 1982. According to Billboard, Sonny had and forty-three top tens recordings of which twenty-three went all the way to the top.
Just Give Me What You Think Is Fair– Tommy Jennings with Vern Gosdin
Tommy was Waylon’s younger brother. This was the biggest of his three chart hits, reaching #51 in mid-1980.
Theme From The Dukes of Hazzard – Waylon Jennings
Fess up – we all watched the show, mindless as it was at times . This song would reach the top slot in the fall of 1980, also reaching #21 on Billboard’s Pop Charts.
North Wind – Jim & Jesse with Charlie Louvin
This song reached #56, a very good showing for a bluegrass act in 1982.
Give Me Wings – Michael Johnson
The late 1970s-early 1980s were Johnson’s peak as a pop artist with “Bluer Than Blue”, reaching #12 Pop/#1 Easy Listening in 1978. A very talented guitarist and songwriter, Johnson found himself classified as country during the mid-1980s although his basic style remained unchanged. “Give Me Wings” and its follow up “The Moon Is Still On Her Shoulders” would both reach #1 in 1987.
Wine Colored Roses – George Jones
The 1980s were a huge decade for King George with three number one records and another fifteen songs that reached the top ten. George is at his best with sad songs and this wistful ballad from 1986 is one of my favorites.
Two Story House – George Jones & Tammy Wynette
No longer a married couple, George and Tammy still had enough vocal chemistry to take this 1980 entry to #1 on Cashbox. There would be one more single released on Epic but this marked the end for a remarkable duo.
Why Not Me – Naomi & Wynonna Judd
I was not a big fan of the Judds, but I liked this #1 record from 1984.
It’s Who You Love – Kieran Kane
Basically an Americana artist, this 1982 hit was one of only two top twenty records Kane would have as a solo artist. A few years later he would be part of a more successful duo.
Thank God For The Radio – The Kendalls
I have no idea why the Kendalls faded away during the 1980s as I would have expected the “New Traditionalist” movement to have resurrected their career. The Kendalls had already started to fade away when this 1984 #1 hit returned them to the top ten for one last visit. Jeannie Kendall is about as good a female vocalist as the genre has seen in the last thirty years.
Oklahoma Borderline – Vince Gill
It took Vince a while for his solo career to take off after leaving Pure Prairie League. This song reached #9 in early 1986 and was his second top ten recording. The really big hits would start in 1990 with “When I Call Your Name”.
Walk Softly On This Heart of Mine – Kentucky Headhunters
This rocked up cover of a Bill Monroe song landed the group their first top thirty hit in 1989. While they would only have one top ten record, the Kentucky Headhunters brought something different and distinctive to county radio.
Cajun Baby – Doug Kershaw with Hank Williams Jr.
This song was set to music by Hank Jr., from some lyrics he found among his father’s papers. Hank got to #3 with the song in 1969, but this time it topped out at #52.
Mister Garfield – Merle Kilgore with Hank Williams Jr. & Johnny Cash
Diehard Johnny Cash fans may remember the song from a 1960s album about the Old West. This 1982 record reached #52. Kilgore didn’t have a lot of chart success as a performer, but he wrote or co-wrote a number of huge hits for others such as “More and More”, “Wolverton Mountain” and “Ring of Fire”.
I Still Miss Someone – Don King
A nice take on a Johnny Cash classic, this 1981 recording topped out at #38 in 1981. Don King was a successful songwriter and publisher who was not wild about touring. When he quit working the road, his road band kept going, changing their name to “Sawyer Brown” and had considerable success.
Killin’ Time – Fred Knoblock & Susan Anton
Fred Knoblock is a talented singer; Susan Anton was (is) really pretty. This record made it to #10 in 1981. Go figure.
They Killed Him – Kris Kristofferson
Most of Kris’s best songs date back to when he was a starving songwriter. This 1987 tribute to Jesus Christ, Mohandas Gandhi and Martin Luther King was one of his few later songs that reached his earlier standards. This song deserved a better fate than to be marooned at #67 in 1987, but back then, religious (or even quasi-religious) themes were normally the kiss of death for radio.
Sweet Sexy Eyes – Cristy Lane
The follow up to “One Day At A Time “ (Cristy’s lone #1) this 1980 single saw Cristy returning to the shimmering pop country she had been recording. This record reached #8 in late 1980. This would be Cristy’s last top ten record. She would continue to record pop country for a few more years before turning into a largely religious performer.
Lock Stock and Teardrops – Kathy Dawn Lang (k.d. lang)
Lang was always a little too left field to have much success at country radio. This single reached #53 in 1988, her third of five charting singles. This song was penned by Roger Miller and this recording is the quintessential recording of the song.
Lady, Lady – Kelly Lang
Her father was Conway Twitty’s road manager, she is married to T.G. Sheppard and she is a very fine singer. Despite all that, this was Kelly’s sole chart entry reaching #88 in 1982.
That’s How You Know When Love’s Right – Nicolette Larson with Steve Wariner
Basically a pop artist, her “Lotta Love went to #1 on the AC charts in 1978. This song reached #9 in 1986, her only top ten country record. Nicolette sang background on may pop and country recordings. She died in 1997 at the age of 45.
I Wish I Had A Job To Shove – Rodney Lay
His biggest hit, this song reached #45 in 1982. Rodney was better known as a musician and was on Hee Haw for a number of years as a member of the house band.
Ten Seconds In The Saddle – Chris LeDoux
This song reached #96 in 1980, no small feat considering it was pressed on LeDoux’s own label and sold at rodeos. The Garth Brooks tune mentioning him was still five years in the future
Broken Trust – Brenda Lee with The Oak Ridge Boys
Brenda’s last top ten record, reaching #9 in 1980. Brenda would continue to chart for another five years, but even if she had ceased charting a decade earlier, she still had a remarkable career.
Cherokee Fiddle – Johnny Lee
Johnny Lee was the ultimate beneficiary of the Urban Cowboy movie. Johnny’s career had gone nowhere in he five years prior to the movie (six chart singles, only one reaching the top twenty). “Looking For Love” kicked off a strong five year run with five #1 records and a bunch more top twenty hits. This record reached #10 in 1982 and remains my favorite of all of his records. Charlie Daniels and Michael Martin Murphey provide backing vocals on this record.
Chris Young has one of the very best voices in current country music, a burnished baritone which echoes the great vocalists of the past, which has made it frustrating that his choice of material has not always lived up to that voice and his potential. Radio seems happy to play mediocre songs like the pedestrian ‘You’, which despite being the most boring moment on the artist’s otherwise otherwise promising third album, was his most recent #1 hit.
Happily, he has followed it up with the title track and one of the better songs from that album. Written by Shane McAnally, Josh Osborne and Trevor Rosen, the lyric compares the beauties of nature in the American southwest unfavorably to the joys of the honky-tonk, with Chris declaring neon to be his favorite color.
Using Urban Cowboy era Johnny Lee as the jukebox artist is the most interesting choice by the writers, compared to the usual nods in a song like this to Haggard, Jones or Hank. Perhaps the reason is that the song itself is not about dealing with (or failing to deal with) the agonised heartbreak of the best bar room laments, but a positive depiction of honky tonk life, with the bar room is made to sound exceptionally inviting as a home from home. While it is a place to set aside one’s troubles for a while, it isn’t a way to escape life altogether. After all, our protagonist is clearly familiar with the great outdoors and appreciates in its way, at least before dark when the lure of the neon lights is too much to resist.
The graceful melody, traditional arrangement, and wistful-sounding vocal all elevate the song into something which is superior to the vast majority of contemporary radio fare. It is already in the top 40, and will hopefully follow its predecessors to the top.
Grade: A-
I recently retired a group of CDs that have lived primarily in my car for the past year or so, and thus have been greatly overplayed. While flipping through my collection for albums to replace them with, I had one of those rude awakening moments when I came across one album in particular and realized that it has been almost twenty-five years since its release. I’ve had it since it first came out, but it certainly doesn’t feel like it’s been that long. It’s an album that I can’t imagine ever being without, and it inspired me to put together a list of other albums that I’ve had for longer than I care to admit, that I’ve always enjoyed and still play all the way through on a regular basis.
In putting together the list, I decided to limit it to studio albums that I’ve had for at least twenty years. I’ve been listening to country music for much longer than that, but in the beginning when I was still too young to earn my own money, I was somewhat limited in what I could buy so my purchases in those days tended to be hits compilations. For that reason, some of the usual suspects — Haggard, Jones, Wynette and Parton don’t appear on the list. So, without further adieu, here are my selections, in no particular order, for the ten most essential albums in my collection:
1. Keith Whitley — Don’t Close Your Eyes (1988). I had heard a few of Keith Whitley’s songs on the radio prior to the release of this album, but I wasn’t really aware of who he was until the title track became his breakthrough hit. Up to that point, his material wasn’t always worthy of his considerable vocal talent, but everything about this album was just perfect. The follow-up, I greatly prefer it to his follow-up album, the posthumously released I Wonder Do You Think of Me.
2. Randy Travis — Storms of Life (1986). All that needs to be said about this album is that it changed the course of country music. It’s arguably the greatest country album released during my lifetime, and indisputably the most important. What more needs to be said?
3. Anne Murray — Let’s Keep It That Way (1978). I didn’t actually get this one in 1978, but I did buy it on cassette sometime in the early 80s and later bought it again when it was released on CD many years later. While never primarily a country artist, Anne was one of my gateways to country music back in the days when country radio stations were virtually non-existent in the north. The album included “You Needed Me”, one of the biggest hits of Anne’s career, and her only record to reach #1 on the Billboard Hot 100 in the US. Aside from that, however, it is one of her more overtly country efforts. It was the first of ten Murray albums to be produced by Jim Ed Norman, who later went on to run Warner Bros’ Nashville division.
4. Barbara Mandrell — I’ll Be Your Jukebox Tonight (1988). By the late 80s, the New Traditionalist movement was in full force and many veteran acts had been swept off the charts. Many of the artists who had enjoyed great success with crossover material tried to adapt by releasing more traditional material. After a lengthy dry spell, Mandrell looked as though she were poised to defy the odds and reclaim her throne at the top of the charts. Her excellent cover of Ray Price’s “I Wish That I Could Fall In Love Today” reached #5, but unfortunately it was her last appearance in the Top 10. Though it doesn’t contain any of her signature hits, I’ll Be Your Jukebox Tonight is the finest album of her career.
5. Willie Nelson — Always On My Mind (1982). Prior to the release of this album, I wasn’t much of a Willie fan, but he won me over with the title track, which had previously been recorded by both Elvis Presley and Brenda Lee. Willie’s version was one of the biggest hits of 1982 (has it really been 30 years?!?) and became his signature tune. The album also includes excellent cover versions of “Let It Be Me”, “A Whiter Shade of Pale” and a remake of his own “The Party’s Over”.
6. Reba McEntire — Whoever’s In New England (1986). It’s hard to pick a favorite Reba album from this era, because all of her work during this period was excellent. Whoever’s In New England marked a move back to a slightly more contemporary sound, following two ultra-traditional albums, 1984’s My Kind of Country and 1985’s Have I Got a Deal For You. Whoever’s In New England became her first gold album and the beautiful title track earned her a Grammy award.
7. Tanya Tucker — What Do I Do With Me (1991). I’ve been a Tanya Tucker fan for longer than I can remember. I can remember singing along to “Delta Dawn” when I was about four years old, though it was probably the Helen Reddy version that was getting played on local radio stations at the time. I bought and wore out quite a few of her hits compilations on cassette, and I also won an autographed copy of 1982 LP Changes, her only release for Arista Records. She had been a guest on a late-night syndicated radio show called Hot Country Nights. I remember trying to stay awake for it but I fell asleep before her segment of the program aired. She left some copies of her album, however, which were offered as prizes in a contest the next night. I got mine for correctly identifying Charlene Tilton as the spouse of Johnny Lee. However, it is her platinum-selling 1991 album that is her finest and the one that I play all the way through most often. It seems like it was released only yesterday, but on the other hand, it does seem like a very long time since music this good was heard regularly on country radio.
8. George Strait — Livin’ It Up (1990). As with many of the other artists on this list, most of my early George Strait albums were hits packages. The first studio album of his I ever had was a homemade copy of 1987’s Ocean Front Property, which a friend had given me. I got a CD player for Christmas in 1988 and got his If You Ain’t Lovin’, You Ain’t Livin’ album through Columbia House shortly thereafter. But it is Livin’ It Up that I come back to most often.
9. Patty Loveless — Honky Tonk Angel (1988). This was the first Patty Loveless album I ever owned. At the time it seemed like her commercial breakthrough — it contains her first two #1 hits “Timber, I’m Falling In Love” and “Chains” — but it was really only scratching the surface of what was to come in the following decade following her switch from MCA to Epic. My favorite track on this album and the reason I bought it was “Don’t Toss Us Away”, which features harmony vocals by Rodney Crowell. MCA had thought this would be her first #1, but it only got to #5. Despite its more than respectable chart performance, it’s not one of her better remembered records today.
10. Conway Twitty and Loretta Lynn — Making Believe (1988). Conway and Loretta stopped recording together in the early 80s when Conway moved to Elektra Records, which was later absorbed by Warner Bros. At that time, it was still relatively uncommon for artists on different labels to record together. When Conway rejoined MCA in 1987, it was announced that he and Loretta would once again record together. This album was their one and only reunion in the studio. It consisted of five previously released tracks and five newly recorded cover versions of country standards such as “Release Me”, “Half as Much”, “Please Help Me, I’m Falling”, “I Can’t Help It (If I’m Still In Love With You)” and the title track. But despite being only half a new album, the magic was still there. This is another album I wore out on cassette before buying it on CD.
What are some of the albums in your collection that you consider to essential listening, and that you can’t imagine being without?
For part four of this series, I’ll be using the same criteria as before – just some songs I liked, one song per artist (although I will feel free to comment on other songs by the artist). This part stops in the middle of the letter M.
“Joy To The World” – Murray Kellum (1971)
A nice country cover of a #1 pop hit for Three Dog Night, this reached #26 and was Murray’s biggest hit. He died in a plane crash in 1990 at the too-young age of 47. Hoyt Axton wrote this song.
“Honky Tonk Wine” – Wayne Kemp (1973)
Wayne Kemp was better known as a songwriter who penned major hits for the likes of George Jones (“Love Bug”), Conway Twitty (“The Image of Me”) and countless others. This song reached #17, and was Wayne’s biggest hit.
“Sweet Desire” – The Kendalls (1978)
A father and daughter duo, Jeannie took on most of the lead vocals while father Royce sang harmony. The Kendalls kept the radio airwaves safe for real country music during the middle and late 1970s. I liked everything the Kendalls ever sang, and have no idea why the new traditionalist movement of 1986 failed to re-ignite their career.
“Mama’s Got The Know-How” – Doug Kershaw (1974)
For someone as famous as he is, Doug Kershaw had only seven chart hits as a solo act, to go with his five hits as part of Rusty & Doug. This one got to #77, a fairly normal placing for his solo efforts. Although I liked this song, his Warner Brothers albums of the 1970s were mostly laconic efforts. Read more of this post
1951: Slow Poke — Pee Wee King & His Golden West Cowboys (feat. Redd Stewart) (RCA)
1961: Walk On By — Leroy Van Dyke (Mercury)
1971: Kiss An Angel Good Morning — Charley Pride (RCA)
1981: Bet Your Heart On Me — Johnny Lee (Warner Bros.)
1991: For My Broken Heart — Reba McEntire (MCA)
2001: I Wanna Talk About Me — Toby Keith (DreamWorks Nashville)
2011: We Owned The Night — Lady Antebellum (Capitol)
1951: I Love You A Thousand Ways — Lefty Frizzell (Columbia)
1961: Wings Of A Dove — Ferlin Husky (Capitol)
1971: Rose Garden — Lynn Anderson (Columbia)
1981: One In A Million — Johnny Lee (Asylum)
1991: I’ve Come To Expect It From You — George Strait (MCA)
2001: My Next Thirty Years — Tim McGraw (Curb)
2011: Felt Good On My Lips — Tim McGraw (Curb)
1951: Moanin’ The Blues — Hank Williams (MGM)
1961: Wings Of A Dove — Ferlin Husky (Capitol)
1971: Rose Garden — Lynn Anderson (Columbia)
1981: One In A Million — Johnny Lee (Asylum)
1991: I’ve Come To Expect It From You — George Strait (MCA)
2001: My Next Thirty Years — Tim McGraw (Curb)
2011: Turn On The Radio — Reba McEntire (Starstruck/Valory)
1950: I’m Movin’ On — Hank Snow (RCA)
1960: Alabam — Cowboy Copas (Starday)
1970: For The Good Times — Ray Price (Columbia)
1980: Lookin’ For Love –Johnny Lee (Full Moon/Asylum)
1990: Jukebox In My Mind — Alabama (RCA)
2000: That’s The Way — Jo Dee Messina (Curb)
2010: Our Kind Of Love — Lady Antebellum (Capitol)
1950: I’m Movin’ On — Hank Snow (RCA)
1960: Alabam — Cowboy Copas (Starday)
1970: For All The Love Of Sunshine — Hank Williams Jr. with the Mike Curb Congregation (MGM)
1980: Lookin’ For Love –Johnny Lee (Full Moon/Asylum)
1990: Jukebox In My Mind — Alabama (RCA)
2000: That’s The Way — Jo Dee Messina (Curb)
2010: Pretty Good At Drinkin’ Beer — Billy Currington (Mercury)
1950: I’m Movin’ On — Hank Snow (RCA)
1960: Alabam — Cowboy Copas (Starday)
1970: For All The Love Of Sunshine — Hank Williams Jr. with the Mike Curb Congregation (MGM)
1980: Lookin’ For Love –Johnny Lee (Full Moon/Asylum)
1990: Jukebox In My Mind — Alabama (RCA)
2000: It Must Be Love — Alan Jackson (Arista)
2010: All About Tonight — Blake Shelton (Reprise)
My Kind of Country 