Blake Shelton’s latest single (the second from his second Sixpak EP, All About Tonight), is a revival of a song which might so easily have become a hit for one of his rivals. Joe Nichols recorded it a few years a go on his under-rated Real Things set (whose promotion was affected by his treatment for addiction issues), but never released it as a single. Written by Earl Bud Lee with John Wayne Wiggins (briefly a recording artist himself with sister Audrey), this is a sweet love song to a lover the protagonist is not yet completely familiar with, he speculates sweetly how she behaves unobserved. Does she let herself go in relaxation or anger?
There is a sweet fascination with the other which epitomises the early stages of a relationship, where infatuation is just beginning to develop into wanting to know the whole person. In this case she seems to be rather a restrained person in public, and even reserved with her new boyfriend. In the song’s most memorable image, he notes she is someone who will
Hold yourself together like a pair of bookends
She clearly keeps something back from him, and his tenderly expressed desire to know more about her is a promising sign for the longevity of their possible future together.
I think this version is better than Joe Nichols’ original, which was pleasant enough but lacked impact vocally. Here, Blake’s soothingly sultry, seductive vocals on this track bring out the message of the song, with a grainy quality coming out in his voice just once or twice. The lovely scaled-back production gives the languid ballad a very laid back feel which makes it stand out amongst the overwhelmingly up-tempo repertoire of country radio, and a far cry from the power ballads which take the few ballad slots apparently available. I suspect it is only Blake’s current hot hitmaking status that has enabled such a lovely low-key number to be promoted to radio with a genuine chance of becoming a hit.
The newest member of the Opry, Blake is coming off two straight #1 hits, both radio-friendly up-tempo numbers with fairly limited long term appeal. I hope this much quieter, more subtle song can do as well, as it shows a deeper side to him, just as his fiancée Miranda Lambert, famed for her assertive rockers, reached new heights with her summer smash ‘The House That Built Me’. I suspect that his song may possibly hold more appeal for female listeners than his last couple of hits, aimed at a rowdier audience.
Blake is also currently enjoying his first CMA nomination as Male Vocalist of the Year; it was something of a surprise inclusion, and he may be an outside bet for the win next month, but if he continues to produce material in this vein and of this quality, he would be an even more convincing contender for the next round of awards shows, when this song would be considered as part of Blake’s output in the nomination period. I don’t think it is a truly great song, but it is a good one, and the vocal performance is one of Blake’s finest to date.