My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: John McFee

Album Review: Various Artists – ‘A Tribute To John D Loudermilk’

John D Loudermilk, a cousin of the legendary Louvin Brothers was a remarkable songwriter and artist in his own right, whose music crossed musical boundaries with eleements of country, rock and pop.
In March 2016 he was honoured by a star-studded tribute concert in Nashville, and selected performances from that occasion have now been released on CD/digital download and DVD. The concert is also set to be broadcast on PBS.

Opener ‘Everybody Knows’, performed by musician/singer/songwriter Harry Stinson, has a hypnotic 1950s pop-meets-Louvin Brothers feel. Singer-songwriter Beth Nielsen Chapman delivers the teenage romance ‘Language Of Love’ in a sprightly 50s doowop pop style, also adopted by Lee Roy Parnell in a slightly bluesier fashion on ‘Mr Jones’. Another songwriter paying tribute is Bobby Braddock, who takes on ‘Break My Mind’ quite effectively, accompanied by his own piano. Norro Wilson is also pretty good on the novelty ‘The Great Snowman’.

Bluegrass legend Doyle Lawson and his band Quicksilver race through ‘Blue Train’, which works perfectly with a bluegrass arrangement. Southern rocker Jimmy Hall takes on ‘Bad News’ which again works well in this setting. Buddy Greene, mainly a Christian artist, sings the tongue in cheek story song ‘Big Daddy’s Alabama Bound’; his vocals are limited, but the arrangement is great. John McFee of the Doobie Brothers is passionate on the politically fuelled anthem to the Cherokee nation now restricted to the ‘Indian Reservation’.

Rodney Crowell also rocks it up on ‘Tobacco Road, possibly Loudermilk’s best known song; this is highly enjoyable and one of my favorite tracks. I was less impressed by his wife Claudia Church on the syncopated pop of ‘Sunglasses’.

John Jorgenson of the Desert Rose Band. Jorgenson (who helmed the whole affair) is known for his guitar playing rather than his singing, but his vocals are perfectly adequate on the rocker ‘Midnight Bus’. I very much enjoyed his Desert Rose Bandmate Herb Pederson on ‘It’s My Time’, very much in classic Desert Rose Band style. John Cowan soars on the life-affirming ‘I Wanna Live’.

Rosanne Cash is tender on the lovely ‘Then You Can Tell Me Goodbye’, another highlight. Ricky Skaggs and the Whites team up on two songs. ‘Heaven Fell last Night’ is a lovely romantic ballad sung together by Ricky and wife Sharon, while Ricky takes the lead on the fun Stonewall Jackson hit ‘Waterloo’. I also enjoyed Becky Hobbs on the country hit ‘Talk Back Trembling Lips’.

Emmylou Harris’s voice is sadly showing the signs of age, but she is well supported by the harmony vocals of Pam Rose and Mary Ann Kennedy on ‘Where Are They Gone’. 80s star Deborah Allen also sounds a little worse for wear on her song, the wistful ballad ‘Sad Movies’. Loudermilk’s son Mike doesn’t have much of a voice, but he does his best on a pleasant version of the catchy ‘Abilene’, and is backed by (his own?) delightful guitar work.

I wasn’t previously familiar with Cory Chisel and Adriel Denae, an Americana/folk duo and rela-life married couple. Their version of the part spoken airline tragedy story song ‘Ebony Eyes’ is prettily harmonised although the individual voices are not that strong. Also new to me was Beth Hooker, who delivers a sultry blues version of Turn Me On’. Guests from further afield include Australian fingerpicking guitar virtuoso Tommy Emmanuel on an instrumental track.

This is a worthy tribute which reminds the listener of both the musical breadth and quality of Loudermilk’s oeuvre.

Grade: B+

Album Review: John Cowan – ‘Sixty’

sixtyJohn Cowan is best known to country fans as the lead singer of New Grass Revival in the late 1980s, but he is a musician with broad tastes, and this latest solo album covers a number of bases.

‘The Things I Haven’t Done’ (featuring bluegrass banjoist Alison Brown) mixes bluegrass the country-rock of the 1960s/70s. The plaintive song looks back at a life’s choices. ‘Why Are You Crying’ is in similar vein, with an airy Cowan vocal, and is played by Chris Hillman, Bernie Leadon, and John Mcfee of the Doobie Brothers (who also produces). ‘Rising From The Ashes’ is a bit less memorable, but quite pleasant.

My favourite track is an inspired cover of the Marty Robbins’ hit ‘Devil Woman’. Cowan’s vocal is spectacular and I love this. His voice also soars on the beautiful ‘Feel Like Going Home’, backed by a melodic, churchy piano. A sultry Dixieland jazz version of ‘Miss The Mississippi (And You)’ works well and is something of a grower.

‘Helplessness Blues’ is a curious 60s style folk-rock number, with some weird sound effects and hippyish lyrics, but that soulful voice saves it.

The churchy gospel ‘Happiness’, featuring Sam Bush from New Grass Revival, and Bonnie Bramlett on vocals, rambles a bit but its questioning but soulful vocal is compelling:
Now that I’ve found peace at last
Tell me, Jesus, will it last?

‘Who’s Gonna Cry For You’ features Alison Krauss, but wasn’t what I expected from that collaboration, rather it’s a slow bluesy soul song with brass backings, with Alison barely audible. It was well done of its kind, but I was disappointed because I would have loved to have heard the pair of them on a high lonesome bluegrass song.

‘Sugar Babe’ is basically an instrumental with a few vocal spots inserted, allowing Cowan to showcase the playing of friends including Sam Bush, Ray Benson, John Jorgenson (from the Desert Rose Band) and rock harmonica player Huey Lewis.

This eclectic album is not quite what I expected, but it is beautifully sung and played, and I enjoyed it a great deal.

Grade: A-