Released in 1994, this was the album where Joe really cemented his reputation for silly novelty songs, with a good half of the tracks falling into that category. The title track is actually a decently written song (if lacking in melody), and recounts an entertaining if implausible series of events all dependent on one another which Joe rattles off. It was Joe’s third #1 hit (and his first since his debut album). You can watch the video here.
The same writing team of John Greenebaum, Sterling Whipple and Tony Martin wrote the equally cheery uptempo ‘I’d Like To Have A Problem Like That’, which (while filler material) also manages to be amusing enough as Joe expresses Everyman’s envy of the problems of wealth and celebrity.
More obviously a novelty number, ‘Pickup Man’ was a four-week #1 for Joe, making this ode to pickup trucks (unaccountably) technically the biggest hit of his career. I admit the line about
I met all my wives in traffic jams
has a certain quirky appeal, but this throwaway ditty is not the song Joe deserves to be remembered for. Sadly, it is not the worst thing on offer here.
The raucously sung ‘I’m In Love In A Capital U’ is deliberately stupid and actually kind of fun, as Joe plays an uneducated “product of the public school”. It didn’t quite catch on at radio, missing the top 20:
You got me feelin’ so G-U-D
It’s more better than I thought it would be
Girl you taught me things that I never learned in school
I’m in love with a capital U
The album closes with the two silliest songs on it (possibly two of the silliest songs ever written), which really have to be heard at least once to be believed. ‘Good Brown Gravy’ is a shouted and nonsensical song about, well, marketing the protagonist’s family recipe for gravy, including yells about attempts to recruit him into the Army and Navy purely to secure it. Oddly enough this was co-written by Billy Dean (noted as an artist for his sentimental numbers). The final track, Joe’s only co-write this time around, is the even sillier ‘The Cows Came Home’, complete with mooing noises:
She told me that she’d love me ’til the cows came home
The cows came home
The cows came home
I heard somethin’ mooin’
Turned around and she was gone
Lord have mercy, the cows came home
The whole herd showed up when they heard she’d gone
But I guess it’s better than bein’ alone
Well the slammin’ of the door is like a pie in the face
But I got enough milk for the human race
These songs are so hilariously bad they are, occasionally, a guilty pleasure for me. ‘Junior’s In Love’ (written by Dennis Linde) does not even succeed on those terms and ends up just sounding pointless and slightly condescending with its tale of the hapless hillbilly of the title and his frustrated love for Wanda.
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