My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: John Fogerty

Album Review: Adam Harvey – ‘Both Sides Now’

Released in 2009, Both Sides Now was Adam’s eighth studio album and second release for Sony Music Australia. Unlike Adam’s previous albums, which were more oriented toward traditional country music, this album featured a wide array of pop music with very little traditional country among the songs selected. Each of the songs also featured with guests mostly from the world of Australian pop music.

Frankly,I expected not to like this album, but I was pleasantly surprised how Adam brought a country feel to the non-country material. Moreover, the strategy of aiming toward the pop market must be adjudged a success as the album was Adams’s first to crack the top twenty albums chart, a place each of Adam’s subsequent albums reached. Plus, this is a pretty good album.

The album opens up with “Stuck In The Middle (With You)” a song composed by Gerry Rafferty and a major pop hit for Gerry’s group Stealer’s Wheel in 1973, becoming a major hit throughout the English- speaking world. Guy Sebastian, an Australian pop star appears with Adam on the song. The arrangement is rather more country sounding than the original hit although it features slide guitar and harmonoica rather than steel guitar.

“Easy” was a top ten pop hit for the R&B group the Commodores and was written by lead singer Lionel Richie. Adam is joined by Wendy Matthews, a pop singer from the 1980s. The rather bland arrangement is true to the original, but Adam’s deep baritone salvages the song.

“Move It On Over” is a humorous Hank Williams classic about an errant husband literally banished to the doghouse for his wayward behavior. Adam is joined by 1990s pop star David Campbell. This song is given a solid county arrangement.

Judy Collins had the big hit in 1968 with Joni Mitchell’s “Both Sides Now”. Adam is joined by the McClymont’s, a stunningly attractive trio of Australian pop-country singers. The arrangement is fairly true to the original, although a steel guitar can be heard gently playing in the background. This is a really nice track

“Down On The Corner” was a major pop hit penned by John Fogerty of Creedence Clearwater Revival. Although not specifically a country song, CCR’s swamp pop sound was embraced by country radio in 1969. I’m not sure why Leo Sayer was chosen for this recording, but it works. Sayer was a major British star during the period encompassing the disco era. He moved to Australia and became an Australian citizen in 2009.

“King of The Road” was Roger Miller’s signature song, performed her in somewhat doo-wop arrangement with really minimal instrumentation. Adam is accompanied by John Williamson, an Australian bush balladeer.

“It’s All Over Now” was written by R&B artists Bobby & Shirley Womack. Bobby’s version barely cracked the top hundred for his group the Valentinos, but when the Rolling Stones recorded the song, it soared to #1 in the UK with significant chart placements elsewhere. Adam is joined by Australian pop singer Shannon Noll. This would be a hard song to mess up and Adam & Shannon do a fine job with the song.

Adam is joined by Troy Cassar-Daley, a major Australian country star on the Willie Nelson-RayCharles duet of “Seven Spanish Angels”. The arrangement is true to the original and Adam & Troy handle the vocals with aplomb.

Webb Pierce had a major US county hit with “In The Jailhouse Now” holding down the #1 slot for twenty-one weeks in 1955. The song is far older than that with authorship claimed by the ‘Father of Country Music’ Jimmie Rodgers (1897-1933). It is a fun song with many variations in the lyrics. The arrangement reminds me of the one used by Red Knuckles & The Trailblazers (the alter-ego of the bluegrass band Hot Rize). Cool song with Kasey Chambers and Shane Nicholson joining in on the fun.

“Have I Told You Lately” is a Van Morrison blues -rocker with Adam joined by Renee Geyer, an Australian R&B/Jazz singer. Ms Geyer takes harmony on this recording, which has some steel guitar on it but is not otherwise very country.

Billy Edd Wheeler has written many fine songs with ”Jackson” being among the most famous. Adam is joined by Beccy Cole, a major Australian county star on this cover of the Nancy Sinatra & Lee Hazlewood (or Johnny Cash & June Carter if you prefer) duet.

If you don’t know of Tommy Emmanuel, here is your chance to hear him as he is the man playing guitar on this exquisite recording of Jerry Jeff Walker’s “Mr. Bojangles”. This may be the nicest track on the album – Adam sings it well, and if there is a better guitar player in the world than Tommy Emmanuel, I have yet to hear him (or her).

Grade: B+ / A-

Album Review: Brad Paisley – ‘Love And War’

I basically like Brad Paisley. He writes good song lyrics, has a very individualistic sense of humor and is one heck of an instrumentalist. Even though he competes in the area of today’s mindless country music, he always makes sure to include a few tracks with lyrics to appeal to stone cold traditionalists like myself. He is fearless in his choice of material and never plays it safe, which means that each of his albums contains something unexpected, and occasionally he’ll try something that just doesn’t work, such as 2013’s “Accidental Racist”.

That said, there is one criticism I always have of his album, and that criticism is that the instrumental backing track is always too loud. It’s an easy fix – just keep the vocals at their current level and lower the instrumental accompaniment by about 40% or better yet, delete the electric lead guitar and replace it with acoustic guitar and/or mandolin. Fat chance of that ever happening, I know, but I’d thought I’d get it off my chest

Brad has at least co-writing credit on all of songs on this album; actually they are all co-writes (but see below).

The album opens with “Heaven South” a typical hometown ballad that has plenty of steel guitar and with a little tweaking, could have been played on country radio in the 1970s. Brent Anderson and Chris DuBois share the writing credits on this one.

Next up is “Last Time For Everything”, a passages of life song, describing the things that occur as one passes through life.

“One Beer Can” is a mid-tempo story about a party that almost, but not quite, got covered up.

Bobby threw a party
His parents left town
He told a few people who told a few people, word got around
It was a legendary evenin’
The whole place got trashed
It took all day Sunday, four his buddies and twelve Glad bags
They got it all cleaned up, hauled it off in the truck
Made ‘fore his parents got back
When they got home he gave them a hug
And almost a heart attack

‘Cause there was one beer can
Lying there on the floor
Right behind the sofa
You could see it from the door
His daddy threw a fit
And Bobby, he discovered it
There ain’t nothing in this world to ruin your summer
Like one beer can
One beer can

“Go To Bed Early” is a slow ballad that concerns a party that our protagonist chooses to skip a party or a concert he won’t attend in favor of a (perhaps) quiet evening with his girl. I would hope this is released as a single as it is a very strong song.

There’s a party going on tonight
And we can go if you want to
There’s a good band playing downtown
But looking at you right now
Tell you what I’d rather to do

Is go to bed early
Turn out the lights
It’s only eight thirty
But that’s alright
Know you ain’t tired
Neither am I
Let’s go to bed early
And stay up all night

Dinosaur rocker Mick Jagger gets co-writing credit with Brad on the duet “Drive of Shame”. The song’s instrumentation sounds like something that Jagger’s usual band might have recorded. Jagger plays electric guitar and tambourine on this track.

“Contact High” has an R&B groove to it but no, it’s not about drugs or alcohol.

“Love and War” features co-writer John Fogerty and is a melancholy rocker that reiterates the relative neglect of veterans, particularly those of the Vietnam era. It is less true now than it was during the 1960s and 1970s but still makes a point worth remembering.

He was nineteen
And landed at Bagram
Scared and all alone
He lost a leg and a girlfriend
Before he got home
And they say all is fair in Love and War
But that ain’t true, it’s wrong
They send you off to die for us
Forget about you when you’re done

“Today” is a love song about remembering his girl as she is today. This has a really traditional feel to it. I very much like the song and think it made a good single.

“Selfie #theinternetisforever” is very topical – whether it will be remembered ten years from now is questionable, but it is good for a smile in 2017. The tone is both funny and scolding at the same time.

I have no idea who is Timbaland, and after listening to his vocal contributions to “Grey Goose Chase”, I’m not sure I care. This is a prototypical song about drinking a woman off your mind – what used to be described as “the endless ballads of booze and broads” except this isn’t a ballad.

Brad generously gives Johnny Cash co-writing credit on “Gold All Over The Ground” although some stage comments are the extent of JC’s involvement. This is a nice country ballad with some excellent steel guitar.

“Whispering Bill” Anderson co-wrote “Dying To See Her”, a nostalgic slow ballad and provides a narration. In this song an older man looks forward to reuniting with his departed love.

Imagine her
Standing there
Young again
Long brown hair
As he crosses over
To the other side
She smiles at him
He runs at her
With arms open wide
She was his reason for living
She was his rock and his best friend

Timbaland is back on “Solar Powered Girl”; this track features some banjo. The song is essentially about breaking loose and starting over.

Paisley traverses into the muck of modern politics on “The Devil is Alive and Well”, where he comments that some of the worst things are done in the name of God, which occasionally has been true.

Surf the web
Turn on the news
Same old story
Everyday
Hateful words
That we all use
So much anger
So much pain
I don’t know
If you believe in Heaven
I don’t know
If you believe in Hell
But I bet we can agree that the Devil
Is alive and well
Alive and well

“Meaning Again” is a mid-tempo ballad about moments of defeat redeemed by love on a daily basis.

Sittin’ on the interstate
The end of another day
Feeling tired, feeling beat up, feeling small
Sick of running this rat race
And Coming last place

Feeling like I don’t matter at all
Then I walk through the door
She says “I missed you, where ya been?”
And just like that
My life has meaning again

The album closes out with a reprise of “Heaven South”

Lyrically, there is not a song on this album that I dislike. There are songs on which I would change the production and/or instrumentation. I give this a B+ and can imagine that many others will like it more than I do.

Album Review: Allison Moorer – ‘Down To Believing’

down to believingAllison Moorer’s first release since the end of her marriage to Steve Earle is filled with personal songs inspired by her life. She has long since left country music behind, and this is effectively genreless singer-songwriter fare.

There are a few tracks I really liked. The title track is a pretty, delicate ballad with a dreamlike feel about the final stages of the relationship:

Comin’ down wasn’t easy but we tried our best
Said we used it up and didn’t put any back
Now you look so surprised ‘cause there ain’t none left
And we’re just empty hearted and sad

I guess it comes down to believing and whether we do or we don’t
Guess it comes down to stayin’ or leavin’ and whether we will or we won’t

A haunting steel guitar adds to the melancholic mood, although the song’s structure is not conventionally country.

‘If I Was Stronger’ is a lovely sounding thoughtful piano-led ballad about the wearying effect of a bad relationship with no communication:

Wish there was something in my heart to give you
But I’ve felt around and nothing’s left
I’ve tried to dig deeper but I’ve hit the bottom
I got to let go and save myself…

I’m tired of talking cause you just ain’t giving
You turn away each time I speak
Now my soul is weary, threadbare and broken
And arms that were open feel so weak

If I was stronger I’d hold on longer
I’d be your saviour and I’d stay

‘Gonna Get It Wrong’ is another excellent song, stripped down both musically and emotionally, about surviving failure.

‘Blood’, inspired by Allison’s relationship with sister Shelby, offers a more positive view of love, and is pretty good. ‘Wish I’ isn’t bad, although the instrumental backing is a little overwhelming. Allison’s cover of John Fogerty’s ‘Have You Ever Seen The Rain?’ is nicely sung but doesn’t really add anything to the song.

Of the tracks I really didn’t care for, ‘Like It Used To Be’ is angry, flat and lacking in melody. ‘I Lost My Crystal Ball’ has more life but is not for me. ‘Thunderstorm/Hurricane’ is more subdued in parts, but Allison’s voice sounds strained in others and I really disliked the rock backings. However, it was not the worst track for me – that was the very repetitive and pop sounding ‘Back Of My Mind’, which sounds like something Taylor Swift would do.

‘Mama Let the Wolf In’ was inspired by her autistic five year old son and is too loud and repetitive for my taste, but it has a certain power. ‘Tear Me Apart’ has a hypnotic rhythm which grabs the attention, although again it’s not the kind of thing I would choose to listen to. ‘I’m Doing Fine’ is just rather dull.

It’s hard to judge an album like this fairly, because while it is a strong artistic statement it doesn’t pretend to be a country record (notwithstanding the occasional use of steel guitar). Just because I don’t like a lot of it doesn’t make it bad per se – but I can’t honestly recommend something I don’t much like beyond a few tracks.

Grade: B-

Classic Rewind: John Fogerty and Wynonna Judd – ‘Proud Mary’

Fellow Travelers: Creedence Clearwater Revival / John Fogerty

john fogertyFor a Californian who had never resided in the southeastern United States, John Fogerty sure sounded like someone from that region of the country and his band reeked of a swamp-rock vibe. For a few years, Creedence was an overwhelming force on both Billboard’s singles and albums pop charts. After an acrimonious break up, Fogarty soldiered on alone, continuing his successful ways

Who Were They?

Creedence Clearwater Revival was basically a garage band with a very talented singer-songwriter in John Fogerty. The real breakthrough for CCR came with the 1968 single “Proud Mary” which hit #2 in the US and Canada (and reached #1 in Austria). The next single “Bad Moon Rising” also reached #2 (#1 in Great Britain). This was followed by “Lodi” (#52), “Green River” (#2), “Down On The Corner” (#3), “Who’ll Stop The Rain” (#2) and “Lookin’ Out My Back Door” (#2). Curiously , CCR never had a #1 single in the US although various singles went to #1 outside of the US.

CCR’s first six albums were all certified by the RIAA as platinum or multiple platinum. Their final album, released in 1972 was certified gold.

By 1973 the group was no more, racked by internal disagreements and squabbles with their record label. Their label, Fantasy, continued thereafter reissuing various hit collections and anthologies.

John Fogerty had considerable success as a solo artist issuing a number of successful singles and albums

What Was The Connection to County Music?

While CCR only landed one single on the country charts (a reissued album track “Cotton Fields” in 1982), country acts recorded many of their songs as singles and album tracks. Anthony Armstrong Jones had a country hit with “Proud Mary”, Buddy Alan Owens hit the country charts with “Lodi”, and such stalwarts as Dave Dudley recorded “Bad Moon Rising” and Proud Mary”. “Lookin’ Out My Back Door” established CCR’s country credibility with the lyric:

There’s a giant doing cartwheels, a statue wearing high heels
Look at all the happy creatures dancing on the lawn
Dinosaur Victrola, listenin’ to Buck Owens
Doot doot doot lookin’ out my back door

John Fogerty was never afraid of anything as he battled record labels and bandmates over the years. He also, at a time country wasn’t cool, wasn’t afraid to show his country roots. In fact his first solo album (a one-man band effort) titled THE BLUE RIDGE RANGERS featured John singing a bunch of classic country songs, including the 1973 single “Jambalaya” which charted in 1973.

Fogarty would wait awhile before doing another country album but 2009’s BLUE RIDGE RANGERS RIDE AGAIN proved worth the wait. In some ways this album was better than the original as he eschewed the one-man band gimmick and used some of the genre’s finest sidemen in addition to having some vocal partners like Don Henley and Bruce Springsteen.

Album Review: James Dupre – ‘It’s All Happening’

Louisiana paramedic James Dupre has become something of a youtube phenomenon with his covers of country classics.  He has now managed to use that exposure to record an album in Nashville, produced by Kyle Lehning and Jerry Douglas (who also contributes dobro and lap steel), with a fine set of musicians and some well-chosen songs, mostly from Nashville songwriters.  Most are set to a broadly similar slowish-mid-tempo, with a laid back feel.  James has a warm voice with a pleasing tone and relaxed style with phrasing which is often reminiscent of Alan Jackson or Don Williams.

The outstanding song is the melancholy ‘Ring On The Bar’, written by Byron Hill and Brent Baxter, a beautifully constructed lyric set to a beautiful, gentle melody, about the aftermath of a failed marriage which opens the set.  The title hook refers in the opening verse to the watermark left by the protagonist’s beer as he thinks over his situation, and later to the wedding ring he abandons there:

There’s a ring on the bar
One that’s shiny and gold
The symbol of a promise
And the heart that he broke

It’s the one thing she left
When she packed up the car
It was light on her finger
Now it’s heavy on his heart

And the ring shines bright in the colored light
Of a lonesome neon star
When its closing time he’ll leave the hurt behind
With a tip in the jar and the ring on the bar

That bartender’s gonna think someone forgot it
And he’ll wonder who could be that big a fool

Another fine song on the theme of a man struggling with the aftermath of a failed relationship is ‘Alright Tonight’, written by Tom Douglas and Casey Beathard:

I can’t stand to think of you with anybody else
There ain’t a bottle or a bar so far that seems to help
Today was not a good day to convince myself that I’m alright
Hey but I’m alright tonight

I guess I really should have called before
I showed up drunk at your front door
I had to see with my own eyes
That you’re alright tonight

Perfectly understated in its conflicting emotions, we really don’t believe him when he says that he’s “alright”, tonight or at any other time.

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