My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Joe Chambers

Album Review: Ricky Van Shelton – ‘Making Plans’

making plansAfter the underperformance of Love And Honor, Ricky left Columbia, but a move to independent label Vanguard in 1997 saw him making some of his best music. He was reunited with his old producer Steve Buckingham, assisted on this occasion by Marshall Morgan. The sensitive arrangements are laden with fiddle and steel, and put Ricky’s pure voice with its delicate vibrato at the center.

It opens with the lively fiddle-led kissoff ‘Just Say Goodbye’, written by Byron Hill and Joe Chambers. It’s one of my favorite of Ricky’s up-tempo recordings. Chambers also contributed the impassioned ballad ‘I Wish You Were More Like Your Memory’, in which the protagonist can’t get over his ex.

The mid-tempo ‘When The Feeling Goes Away’ is a cover of a rather obscure (but very good) Merle Haggard tune (it was the B-side of the hit single ‘Carolyn’) about surviving a breakup:

Wine is just a shadow that clouds my memory
And a bar is just a hiding place for fools like me
And drunk is just a feeling that keeps my pain away
But I’ll be alright when the feeling goes away

A cover of Mel Street’s classic cheating song ‘Borrowed Angel’ is also great. The title track is a lovely old Johnny Russell song about a relationship about to collapse, which was also recorded by a number of other artists, most recently the Trio of Dolly Parton, Linda Ronstadt and Emmylou Harris.

‘He’s Not The Man I Used To Be’ is an excellent song in which the protagonist finds his ex has moved on, and realises the error of his ways. He gets the picture in time to avert such a fate in ‘It Wouldn’t Kill Me’, written by Larry Boone, Paul Nelson and Paul Shapiro, and previously cut by Boone and later covered by Jeff Carson. It’s a great song which deserves to have become a hit on one of its outings, in which the protagonist realises working at keeping the romance alive is worthwhile:

It wouldn’t kill me to tell her that I love her
It wouldn’t kill me to make her feel alive…
It wouldn’t kill me like it would if she ever said goodbye

‘She Needs Me’ is a romantic ballad about an independent woman. ‘Tic Toc’ is a brightly delivered medium-paced number about a relationship about to wind down, with a protagonist who doesn’t sound too upset about it.

The album loses steam as it tails off with the last three tracks. ‘Our Love’ and the optimistic ‘The Best Is Yet To Come’ (the album’s sole, non-charting, single) are pleasant but forgettable. Sandwiching the pair, the regretful ‘The Best Thing I Had Goin’’ is actually pretty good, but not as memorable as the bulk of the album.

This album has been overlooked because it was released towards the end of Ricky’s career and as an exclusive Walmart offering, but it’s well worth tracking down used copies.

Grade: A

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Album Review: Joe Diffie – ‘A Thousand Winding Roads’

Joe’s debut solo album was released on Epic in 1990, and immediately propelled him to stardom; overnight success (at the age of 32) which was thoroughly deserved, because this is an excellent album, and a fine exemplar of the neotraditional movement which all too briefly dominated the genre. It was produced by Bob Montgomery (then also working with Vern Gosdin) and Johnny Slate. They provided a sympathetic backing which showcased Joe’s vocal prowess.

The lead single ‘Home’ (written by Andy Spooner and Fred Lehner), which has the disillusioned protagonist looking wistfully back to his childhood, took Joe right to the top of the charts. It set records as the first ever debut single to hit #1 on all three of the major charts then in existence (Billboard, Radio & Records, and Gavin). The nostalgia feeds on the protagonist’s disillusionment about the dreams he has been pursuing:

The rainbows I’ve been chasing keep on fading before I find my pot of gold…

Now the miles I put behind me ain’t as hard as the miles that lay ahead
And it’s way too late to listen to the words of wisdom that my daddy said
The straight and narrow path he showed me turned into a thousand winding roads
My footsteps carry me away, but in my mind I’m always going home

The pained ballad ‘If You Want Me To’ was almost as successful, reaching #2 in 1991, and is my personal favorite of the four singles from this project. One of Joe’s own songs (written with Larry Williams), it was the first showcase of the apparently effortless slide between registers which is Joe’s most remarkable gift as a vocalist, as the narrator gently tells his beloved he is prepared to do whatever she wants from him, even if:

If it takes good-bye to make you happy
Then I’ll just walk away if you want me to

‘If The Devil Danced (In Empty Pockets)’, written by Kim Williams (Larry’s brother) and Ken Spooner, took Joe back to #1, with its witty western swing twist on being broke and too easily swayed by a persuasive car salesman. The optimistic final single was written by Joe with his friend and regular co-writer Lonnie Wilson (who also plays drums and sings backing vocals on the album), about finding a ‘New Way (To Light Up An Old Flame)’. The only really happy song on the album, it was another #2 Billboard hit, and cemented Joe’s status as one of the brightest new stars of the early 90s.

Heartbreak also comes uptempo with the drinking-to-forget-the-heartbreak song ‘I Ain’t Leavin’ Til She’s Gone’ (written by Joe with Wayne Perry and Lonnie Wilson). Joe wails,

One drink’s too many
Ten ain’t enough
Lord, but she’s still here
So I’ll have one more

More western swing is on offer with the similarly themed ‘Liquid Heartache’, another of Joe’s songs, this one written with the veteran Red Lane, with a great groove which really lets the musicians stretch out.

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