A Dream Come True was Rhonda Vincent’s second solo album, and also her second album for Rebel Records, a Roanoke Virginia label that already had a long and distinguished history of preserving and presenting bluegrass music.
Rebel certainly put their best foot forward with this album, assembling a fine cast of musicians to augment Rhonda’s usual supporting cast, with such great musicians as Jerry Douglas (dobro) and Roy Huskey (bass) plus some other guests appearing on selected tracks. Carl Jackson, Kathy Chiavola , Wayland Patton and Tensel Davidson provide vocal harmonies throughout the album.
The album opens up with “Kentucky Sweetheart”, an uptempo romp by bluegrass stalwarts Carl Jackson and Tony King. Blaine Sprouse plays fiddle on this track. The vocal harmonies on this track are somewhat reminiscent of those of the Osborne Brothers during the 1960s. “We Were Almost Like A Dream Come True” is slow ballad co-written by Larry Cordle, a very pretty and wistful song.
One doesn’t think of Pat Alger as a bluegrass songwriter and he isn’t. That said, “Lone Star State of Mind” definitely works as a bluegrass song. This song is performed at a medium fast tempo.
What would a bluegrass album be without a religious song ? The song chosen for this album is a pretty tune titled “Mama’s Angels” from the recently departed Charlie Louvin. Rhonda does a really nice job with this song. David Parmley provides the harmony vocal.
“Wishing Well Blues” is a wistful medium slow ballad which gives Rhonda some opportunity to show off her mandolin playing. “Just For Old Time’s Sake” is a vocal duet with one of Nashville’s finest voices in Jim Ed Brown. I really love this song – Jim Ed and Rhonda harmonize beautifully – and having the great John Hartford playing banjo doesn’t hurt either.
“Break My Heart” is a somewhat generic uptempo number, in that the song itself is nothing special. Rhonda and her cast sound just fine on this number.
Steve Earle and Jimbeau Hinson penned “A Far Cry From You”, a song which was a minor hit for Connie Smith. Today, Rhonda is one of the few vocalists I would compare to Connie Smith, but when this album was recorded in 1989, she was still developing her style. This is not a criticism as Rhonda does an excellent job with this song, but I think if she recorded it today it would be better still.
Jennifer McCarter and Carl Jackson penned “Love Without A Trace”. Jennifer McCarter was the lead singer of the McCarters, a sister act whose music harkened back to a much earlier style of music. This track is a bit more modern sounding than the music of the McCarters, but it has a lovely and intricate harmony arrangement reminiscent of some older musical styles. Blaine Sprouse plays fiddle on this track.
“Goin’ Gone” is another Pat Alger tune that Kathy Mattea took to #1 in early 1988. I love the arrangement on this tune with Blaine Sprouse and John Hartford doing their thing in a very tasteful manner. It’s a tossup as to whether I like this version better than Mattea’s version.
Allen Reynolds is better known as a producer for such artists as Crystal Gayle, Emmylou Harris and Garth Brooks, but he is also a talented songwriter and “Till I’m Fool Enough To Give It One More Try” is a nice medium fast tempo ballad that Rhonda handles to perfection.
Closing out the set is “Sundown”, an instrumental written by Ms Vincent herself. In recent years Rhonda has developed into quite an accomplished songwriter but at this stage of her career she was relying on others for material. This song provides a nice closing to the album and gives Rhonda a chance to let her pickers shine a little.
A Dream Come True is not Rhonda’s best album, but it is a very entertaining album and shows Rhonda as a recording artist of considerable promise. The powerful rafter-rattling vocals would come later as would her development as a songwriter and development of a sense of humor in her music, only hinted at here and there on this album. This was the first Rhonda Vincent album I purchased, the one that served to get me hooked on Ms. Vincent’s remarkable talents.
This album is somewhere in the range of B+/A-.