My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Jackie Wilson

Fellow Travelers: Gene Pitney (1941-2006)

gene pitneyThis is the fifth in a series of short articles about artists who, although not country artists, were of some importance to country music.

WHO WAS HE? : Gene Pitney was a successful singer-songwriter whose peak American success occurred during the 1960s. As a songwriter, Pitney supplied hits to a number of prominent artists including “He’s a Rebel” (The Crystals) “Today’s Teardrops” (Roy Orbison), “Rubber Ball” (Bobby Vee) and “Hello Mary Lou” (Ricky Nelson).

As a singer, Gene was a very dramatic balladeer, whose powerful voice bought the songwriting team of Burt Bacharach and Hal David to prominence with such hits as “The Man Who Shot Liberty Valence”, “Twenty-Four Hours From Tulsa” and “Only Love Can Break A Heart”. “Only Love Can Break A Heart” was Gene’s biggest US pop hit, reaching #2, kept from the top, ironically enough by the Crystals’ recording of “He’s A Rebel”. All told Gene charted twenty-four tunes in the US Hot 100 with four songs reaching the top ten.

Although Gene had considerable success in the USA, he was even more successful in the UK with eleven songs reaching the top ten including his 1963 recording of “That Girl Belongs To Yesterday”, the first ever hit for the songwriting duo of Mick Jagger & Keith Richards, and a #1 duet with Marc Almond in 1989 of “Something’s Got A Hold of My Heart”. Gene died of an apparent heart attack in 2006 while on a successful tour of Great Britain.

WHAT WAS HIS CONNECTION TO COUNTRY MUSIC? : Gene listed Moon Mullican among his early influences. Although he was raised in Connecticut, he recalled listening to the WWVA Big Jamboree on some Saturday nights.

Gene was the flagship artist for Art Talmadge’s Musicor label, which had only two consistently bankable artists in Gene Pitney and (after 1965) George Jones. Both artists were grossly over-recorded, often releasing five or more albums per year. Somewhere along the line, someone had the bright idea to record George and Gene together, releasing the records under the name ‘George & Gene’. This duo charted four songs on the country charts, the biggest being a #16 charting remake of the old Faron Young hit “I’ve Got Five Dollars and It’s Saturday Night” (it also reached the Billboard Hot 100). George Jones and Gene Pitney would record a total of seventeen songs together; however, all of their work together was in the recording studio as they never appeared in concert together.

Gene would also have another duet country chart hit, this time with another Musicor label mate, Melba Montgomery, on “Baby Ain’t That Fine”. Gene and Melba recorded several songs together.

Although Gene’s success on the country charts was limited, several of his pop classics were covered by country artists with success. Sonny James took “Only Love Can Break A Heart” to #1 Cashhbox/#2 Billboard in 1972 and in 1979 Kenny Dale took it to #7. Randy Barlow took “Twenty-Four Hours From Tulsa” to the top twenty in 1977 and several other artists had some lower places with covers of Gene’s hits, plus his songs show up as album tracks on country albums throughout the 1960s and 1970s.

There is an official website where you can find out more about Pitney and listen to samples of his music. If you’ve never heard Gene Pitney, you’re in for a treat. He’s not really comparable in style to anyone I can think of, maybe somewhere between Jackie Wilson and Roy Orbison, but unique and distinctive.

Country Heritage Redux: Narvel Felts

An expanded and updated version of an article previously published by The 9513.

“Give me the beat, boys, and free my soul
I want to get lost in your country song
And drift away”

Sam Phillips’ Sun Studios in Memphis had quite a roster of performers during the mid 1950s: Elvis Presley, Carl Perkins, Johnny Cash, Harold Lloyd Jenkins (aka Conway Twitty), Jerry Lee Lewis, Charlie Rich, Carl Mann, Warren Smith, Billy Lee Riley and Narvel Felts. Unfortunately only Carl Mann, Jerry Lee Lewis and Narvel Felts remain with us, and only Narvel Felts continues to perform on a regular basis and can still be considered at his vocal peak, his soaring tenor and high falsetto undiminished by the ravages of time. Among male artists who have had commercial success in Country Music, only Slim Whitman had a comparable ability to hit the high notes. Expand the discussion to include pop and rock music and you can add Jackie Wilson, Gene Pitney and Roy Orbison to the list. None, however, had quite the range that “Narvel the Marvel” possesses.

Felts was born November 11, 1938 in Keiser, Arkansas, and raised in Bernie, Missouri, where he became interested in music at an early age. During his teens Narvel worked in the cotton fields, saving his money to buy a guitar. While attending Bernie High School, Narvel entered (and won) a talent contest held at his school, singing Carl Perkins’ “Blue Suede Shoes”. A deejay from Dexter, Missouri, was in the audience, and was so impressed that the next day he announced over the air that his station, KDEX, wanted to get in touch with Narvel Felts. Soon Felts was appearing at the station for his own Saturday afternoon show. This lead to further opportunities, especially with buddy Roy Orbison and noted record producer Jack Clement assisting Felts in getting placed on Sun Records. The first harvest came in the form of a rockabilly number titled “Kiss-a Me Baby.” Felts was only 16 years old at the time.
Unfortunately, rockabilly had a short shelf life as the dominant form of American popular music and artists that stayed with the format were quickly forgotten. Even the “King,” Elvis Presley, had to expand beyond rockabilly to keep his career moving forward. Nothing happened for Felts on Sun Records and he soon signed with Mercury where five singles were released without notable success. He recorded with minor labels for the next few years, achieving a minor pop chart success in 1960 with a cover of the Drifters’ “Honey Love.” This success led him to sign with MGM where he cut a number of singles.
Felts continued to perform and record throughout the 1960s with little commercial success as far as record sales were concerned, although he made many excellent records. Despite the lack of success, Felts was able to keep his career chugging forward as a popular gate attraction due to his dynamic stage presence. Hi Records had recording sessions with Felts at scattered times during the 1959-1973 period.
On April 30, 1962, Felts married Loretta Stanfield, a union that produced two children: a daughter Stacia and a son, Narvel “Bub” Felts, Jr. (Bub was a talented drummer, and a part of Felts’s touring band until his death in an auto accident in September 1995.)

Like former label-mate Charlie Rich, it took Narvel Felts until the 1970s for his career to hit high gear. Also like Rich, Felts’ talents were so diverse that it was difficult to pigeonhole him into any particular genre. While no one would ever describe Narvel Felts as being part of the “outlaw movement,” he unquestionably benefited from it as Nashville in the 1970s became more accepting of artists not cut from the Roy Acuff/Ernest Tubb/Merle Haggard mold. Recording on the small Cinnamon label, Felts started producing hit records.

In 1973, while signed with the Cinnamon label, his second single, the Mentor Williams composition “Drift Away” (#8BB/#5CB/#4 RW), became his first top ten country hit. This was followed by “All In The Name of Love” (#13BB & CB), “When Your Good Love Was Mine” (#14BB/#10CB), “Raindrops (#33BB/#30CB) and “I Want To Stay” (#26BB/#23CB).

In 1975 Cinnamon went out of business and Felts moved to ABC Records, where his first single, “Reconsider Me,” exploded onto the charts reaching #1 on the Cash Box and Record World country charts (inexplicably, it only reached #2 on Billboard’s chart), and received many honors both in the USA and abroad, including Cashbox Country Record of the Year, Billboard DJ’s Country Record of the Year and ASCAP Country Record of the Year.

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