Merle Haggard was extremely fortunate that he landed with Capitol Records where he was granted considerable musical independence by his producer Ken Nelson. Nelson believed in letting his artists have freedom of expression. Nelson was there to ensure a quality production job and to give direction if needed, but to otherwise stay out of the way. In the case of artists such as Sonny James, Merle Haggard and Buck Owens, this approach paid enormous dividends. It is difficult to imagine a different producer allowing one of his artists to issue as many non-commercial albums as Nelson allowed Haggard.
I was living in England when this album was issued in 1969 and purchased the single album British condensation of the US two-record set. When I got back Stateside I purchased the two record set, which I have to this day. I was delighted to find it on CD but when I’m home I still listen to the LP, reserving the CD for use in the car.
Same Train, A Different Time is something of a travelogue through Jimmie’s career with twenty of Jimmie’s songs interspersed with five narrations penned by Hugh Cherry and read by Haggard. This album features Haggard’s Strangers, with Roy Nichols often playing blues harmonica, instead of his customary lead guitar. The band, augmented by legendary guitarist James Burton on dobro, does a reasonable good job of replicating the feel (if not necessarily the sound) of the JR originals, and Haggard’s vocals are clearly a labor of love, complete with yodels. I should note that Jimmie Rodgers recorded in a number of settings, ranging from a simple guitar accompaniment to a full orchestra, with at least one recording featuring jazz legends Louis Armstong (trumpet) and Lil Hardin (piano). Haggard does not attempt to replicate the more complex settings sometimes found on Rodgers’ recordings but focuses on a basic blues or country setting. He also tends to focus more on songs that are based on the blues than Jimmie’s other inspirations.
Looking from the vantage point of 2011, it is difficult to comprehend just how important Jimmie Rodgers was to the development of country music as we know it. Such diverse performers as Jimmie Davis, Ernest Tubb, Hank Snow, Bill Monroe, Grandpa Jones, Elton Britt, Wilf “Montana Slim” Carter and Lefty Frizzell all had Jimmie Rodgers as a primary influence in the development of their own musical styles – Snow and Tubb even worked overtime in helping establish the Jimmie Rodgers Festival Museum in Meridian, Mississippi.
Jimmie Rodgers (1897-1933) was a railroad man who worked for many of America’s railroads until tuberculosis left him too weak to work. Jimmie had the heart and soul of a wanderer, and found his inspiration wherever music was played, incorporating blues, Appalachian ballads, jazz, vaudeville tunes, Tin Pan Alley and English parlor songs into his repertoire and creating a synthesis that inspired generations to come. Although Haggard grew up hearing Jimmie’s songs performed by others (such as Ernest Tubb and Hank Snow) it wasn’t until 1951 when Lefty Frizzell issued a series of 78 rpm recordings in tribute to Jimmie Rodgers (later issued as an LP), that Haggard went to the trouble of looking up the actual recordings of Jimmie Rodgers.
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