My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Howard Bellamy

Album Review: The Bellamy Brothers – ‘Howard & David’

The Bellamy Brothers released their tenth album in partnership between MCA Nashville and Curb Records in 1985. The record was produced by Emory Gordy Jr and Jimmy Bowen.

David Bellamy solely wrote lead single “Old Hippie,” which is my absolute favorite song the duo has ever released. David’s brilliant character sketch follows an unnamed man staring down forty disenfranchised by the changing times:

He turned thirty-five last Sunday

In his hair he found some gray

But he still ain’t changed his lifestyle

He likes it better the old way

So he grows a little garden in the backyard by the fence

He’s consuming what he’s growing nowadays in self defense

He get’s out there in the twilight zone

Sometimes when it just don’t make no sense

 

Yeh he gets off on country music

‘Cause disco left him cold

He’s got young friends into new wave

But he’s just too frigging old

And he dreams at night of Woodstock

And the day John Lennon died

How the music made him happy

And the silence made him cry

Yea he thinks of John sometimes

And he has to wonder why

 

He’s an old hippie

And he don’t know what to do

Should he hang on to the old

Should he grab on to the new

He’s an old hippie

This new life is just a bust

He ain’t trying to change nobody

He’s just trying real hard to adjust

 

He was sure back in the sixties

That everyone was hip

Then they sent him off to Vietnam

On his senior trip

And they force him to become a man

While he was still a boy

And behind each wave of tragedy

He waited for the joy

Now this world may change around him

But he just can’t change no more

The song peaked at #2. The Bellamy Brothers would revisit this character again, on two subsequent occasions. “Old Hippie (The Sequel)” came ten years later (1995) and updated the story to reveal the guy still felt disenfranchised by society but had softened since marrying and having kids. He would convert to Christianity eleven years later (2007) in “Old Hippie III (Saved),” featured on a gospel-themed project they released.

Another excellent number, “The Single Man and His Wife” is the story of an adulterer who takes advantage of his woman by stepping outside his marriage for loveless companionship with other women. “Everybody’s Somebody’s Darlin’” is also very good, although the production is a bit dated to modern ears.

“I’m Gonna Hurt Her On The Radio” was released that same year by David Allan Coe in the song’s original version. Charley Pride would take it to #13 in 1987 under the title “I’m Gonna Love Her On The Radio” and Shenandoah would release their version in 1989. Keith Whitley’s take on the song surfaced on Keith Whitley: A Tribute Album in 1994. All the versions seem to be about comparable to one another, with little variation. To that end, Howard and David cope with the song extremely well.

The remaining singles, which both peaked at #2, weren’t that great, either. “I’d Lie To You For Your Love” is a very good song that suffers from a horrendous arrangement that hasn’t aged particularly well. “Feelin’ That Feelin’” is lightweight filler.

Howard and David do a subpar job on “Wheels,” the Dave Loggins’ composition Restless Heart would take to #1 in 1987. “Seasons of the Wind” and “You’re My Favorite Waste of Time” are also unremarkable. “Jeannie Rae” is at least something different, and decidedly upbeat, but I didn’t care for it at all.

Howard and David is an uneven album with some bright spots along the way. I have a feeling that a number of these tracks would’ve been better had they been treated with more tasteful production in the vein of “Old Hippie” or “The Single Man and His Wife.” This isn’t a bad album at all, but the majority of it feels forgettable after listening to it just once.

Grade: B 

Album Review: The Bellamy Brothers – ‘The Reason For The Season’

To the unwary purchaser, it would appear that the Bellamy Brothers have released two Christmas albums during their career: 1996’s self-released Tropical Christmas, and 2002’s The Reason For The Season on Curb. In fact, however, these are the same recordings with a couple of changes. The original record included a version of the carol ‘Silent Night’, dropped in favor of the topical ‘God Bless America This Year’, a remake of ‘Let Your Love Flow’, and the new record’s title track. Although on the surface a predominantly secular and rather cosy record, the religious aspects of the festival are frequently referred to. There is a good amount of original material rather than all the same old covers we’ve heard on almost every other Christmas record.

The majority of the songs were written by one or other of the brothers. The best is ‘It’s So Close To Christmas’ (And I’m So Far From Home)’. This is a lovely, wistful song about being on the road in the leadup to the Christmas season, and the closets the album gets to traditional country. ‘Tropical Christmas’ is a Jimmy Buffett style paean to a Christmas vacation in the Caribbean – not really to my states but well done ion its way. ‘We All Get Crazy At Christmas’ is pretty good with a fond description of a typical big family Christmas.

Of the songs added in 2002, ‘The Reason For The Season’ is quite a nice new song written by Howard Bellamy, expressing idealistic views about the importance of family and love, set to a soothing melody. The earnest ‘God Bless America This Christmas’, written by David, takes its inspiration from the then new war in Afghanistan.

A few old chestnuts are included. There are enjoyable versions of ‘Rudolph The Red Nosed Reindeer’, ‘Rockin’ Around The Christmas Tree’, and a smoothly orchestrated ‘White Christmas’. More inventively, ‘Jingle Bells (A Cowboy’s Holiday)’ is a rather fun rewrite of the Christmas classic. This is impossible to dislike.

The brothers also revisit a couple of their most successful songs. ‘Old Hippie Christmas’ is an amusing third chapter to the duo’s 1985 hit single ‘Old Hippie’ and the 1990s sequel, which I enjoyed. The reggae version is ‘Let Your Love Flow’ added to the 2002 release of the album is much less well judged.

Three songs were written by Ralph Siegel, a German pop songwriter best known for his entries in the Eurovision Song Contest. ‘Merry Christmas And A Happy New Year’ is a little bland lyrically, but has a likeable message and pleasant tune before it devolves into a regrettable disco number. The idealistic ‘Light Up The Candles’ has a dated 80s sound to the production, but has a very pretty melody. The very pop and awkwardly written ‘Our Love Is Like Christmas’ has a dreadful spoken introduction and is generally cringeworthy.

While this is not my favorite ever Christmas album, it is a largely enjoyable one.

Grade: B

Album Review: The Bellamy Brothers – ‘The Two and Only’

The Bellamy Brothers made their debut in 1976 with “Let Your Love Flow”, which was a major pop hit domestically and internationally, reaching #1 on the pop charts in the US, the UK, Germany, Switzerland, and Australia. It was, however, only a modest success on the country charts, leveling out at #21 in the US and #42 in Canada. It was also followed by a lengthy dry spell, which found the brothers in danger of being written off as one-hit wonders.

Although the Bellamys reached the Top 20 on the country charts twice in 1978, the drought ended officially the following year with the release of “If I Said You Had a Beautiful Body Would You Hold It Against Me”, written by David Bellamy and inspired by a double entrendre made famous by Groucho Marx. It reached #1 on the country charts in the US. It also reached #39 on the Hot 100, marking the duo’s fourth and final appearance on that chart. It also performed well overseas, reaching the Top 5 in Switzerland and the UK, and #12 in Australia. More importantly, it was the first in a long line of mostly Top 10 country hits that continued until 1990.

The Two and Only, the album from which “If I Said You Had a Beautiful Body” came, produced one other hit, also written by David Bellamy, “You Ain’t Just Whistlin’ Dixie”, a ballad that pays homage to the south and solidified the Brothers’ country credentials — the subject matter and production are more traditional than the preceding single, which comes across a bit as MOR with a bit of steel guitar. “You Ain’t Just Whistlin’ Dixie” peaked at #5. It is very good, but it is not one of the duo’s better remembered tunes today. I don’t recall ever hearing it before.

By 1979 it was no longer standard practice for country acts to pad their albums with filler that consisted mostly remakes of other artists’ recent chart hits. The Two and Only consists primarily of original material, with eight of its ten songs written by either David or Howard Bellamy. The two outside songs are “May You Never” written by John Martyn and “Loving On” by Ben Peters. The former is one of my favorites and is a rare example of both brothers singing lead together.

“Ole Faithful”, written by Howard and featuring him on lead vocals, is the album’s most traditional track and the only one to feature a fiddle. It’s not what country radio was looking for in 1979 (or now) but it is an excellent song. The closing track “Wet T-Shirt” a David composition, could be said to be a precursor of bro-country with its references to beaches, beer and “clinging and tight” clothing, but it is much more tastefully executed than more contemporary examples and only the most prudish among us would be offended. It’s by no means the album’s strongest track but since we weren’t being force-fed a steady diet of such songs, it is quite tolerable.

I’ve never delved too deeply into the Bellamy Brothers catalog up to now, but I am quite impressed with the quality of the songs on this album, and how well they have stood the test of time. The album is available for streaming and is certainly worth a listen.

Grade: A-

Spotlight Artists: The Bellamy Brothers

Our December Spotlight Artists are the Bellamy Brothers, Howard (born 1946) and David (born 1950). The Brothers have been around seemingly forever, yet remain vital and innovative artists to this day.

I first became aware of David Bellamy when his name was listed as co-writer on Jim Stafford’s 1974 hit “Spiders & Snakes”, a #3 US pop hit that achieved success in a number of countries. As a recording group the Bellamy Brothers hit pay dirt in 1976 when “Let Your Love Flow” became a massive world-wide hit. Interestingly enough, the song was not authored by the Bellamy Brothers, having been penned by Larry Williams, a roadie for Neil Diamond. Both Neil Diamond and Johnny Rivers passed on the song.

To me “Let Your Love Flow” sounded like a country song, even If the original instrumentation wasn’t especially country. The song went #1 pop and adult contemporary, and reached #21 on the country charts, suggesting that some disc jockeys felt the same way about the song as I did. WHOO-AM in Orlando played the song in heavy rotation. The song would achieve at least top ten chart status throughout most of Europe and would succeed in South Africa, New Zealand and Australia as well.

Since then, the Bellamy Brothers have achieved many US and International hits. Their music is quite melodious, their harmonies are tight and they have an interesting sense of humor which has manifested itself many of their songs. Although their US chart action has cooled off since 1990, their strong sense of melody continues to appeal to European audiences where they remain major stars, with hit albums even after 2010. They have been particularly successful in German speaking countries where a form of sentimental pop music called “Schlager” remains popular and in Scandinavia where similar pop music tastes prevail. Many of their albums intended for European consumption have never been released in the US, and they have had at least a dozen hit singles in Europe of songs never released at all in the US.

They also have had success outside of Europe – in November and December 2017 alone they have appeared (or will appear) in South Africa, Namibia and Sri Lanka before returning home in early December.

When not touring the Bellamy Brothers live on the family ranch in Derby, Florida, near San Antonio, Florida. While I have never met the Bellamy Brothers, I have met their mother when I was an insurance underwriter quoting an insurance policy for the ranch. She was quite a lady and if her sons are anything like her, they must be fine people indeed. They are known for their involvement in charitable work for Florida’s environment (and other causes), and have played many tours for US military personnel abroad.

I digress – but the Bellamy Brothers have put together a sizeable catalog over the last forty years, and while we will be touching upon a number of albums during December, don’t think for a minute that the albums we don’t get to aren’t worthwhile. Although not all of their albums are classics, they all have their moments, so kick back while we shine our December Spotlight on the Bellamy Brothers.