My Kind of Country

Country music from a fan's point of view since 2008

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Album Review – Lorrie Morgan – ‘Greater Need’

LorrieMorganGreaterNeedIn light of the lukewarm response to War Paint, Lorrie Morgan took a year off to regroup. BNA Nashville released Reflections: Greatest Hits in June 1995, which spawned three singles. The upbeat “I Didn’t Know My Own Strength” returned Morgan to #1, while “Back In Your Arms Again” peaked top 5, Morgan’s best showing in over two years. Both are excellent as is “Standing Tall,” a traditional ballad that criminally struck out at #32. All three are essential Morgan cuts and her best singles since the Watch Me era.

With newfound creative juices Morgan replaced Richard Landis with James Stroud as producer for her fifth album. Stroud’s clean contemporary production didn’t quite reverse Morgan’s fortunes at radio, but it helped Greater Need keep some of the momentum she gained from the Greatest Hits project, which went double platinum.

Constant Change wrote the album’s lead single “By My Side,” a duet with Morgan’s then fourth husband Jon Randall. The fiddle heavy ballad is excellent but Randall sounds like a prepubescent Vince Gill with his falsetto-drenched vocal. The track peaked at #18, a far cry better then second single “I Just Might Be,” which hit #45. The track itself is a wonderful bluegrass flavored number that ranks among Morgan’s best tracks. Like “Standing Tall,” it deserved to be a much bigger hit.

Pop-leaning ballad “Good As I Was To You” was the album’s biggest song, peaking at #4, and has since joined “Something In Red” as one of Morgan’s most iconic singles. It’s a dynamo of a song, a sequel of sorts to “Guess You Had To Be There,” with the woman confronting her cheating spouse at a restaurant they used to frequent. Her vocal could’ve displayed more bite, but she sings the hell out of the lyric as it is.

Travis Tritt and Vince Gill join Morgan on the honky-tonk rocker “Stepping Stones,” which is good, but feels like three solo performances thrown together (i.e. as though they all recorded their parts separately), not a cohesive whole. Their vocals are stellar, but the song is pure filler. Much better is a brilliant cover of Billy Walker’s “Don’t Stop The World (If You Don’t Mean To Stay),” written by country music legend Ray Pennington. Morgan and Stroud bring the track to life with a fabulous fiddle and steel drenched arrangement and Morgan’s perfectly nuanced vocal.

Paul Nelson, Gayla Borders, and Jeff Borders’ “Reading My Heart” is a fairly ordinary lyric but Stroud gives it a wonderfully fiddle and steel drenched mid-90s arrangement that elevates the somewhat mundane number. Nothing can save “She Walked Beside The Wagon,” not even its generous helping of steel. The lyric is prodding, especially in the second verse, when reference is made to JFK’s funeral. Morgan sings it well, but that’s about it.

In concept, “Back Among The Living” is great. Morgan is singing about finding the space within a broken heart to get back out there again, but the melody fails to elevate the somewhat lackluster lyric. Morgan has the experience to bring the song to life, but she’s failed by a piano heavy production that lacks enough noticeable steel guitar flourishes to make it stand out. Similarly “I Can Buy My Own Roses” has a wonderful concept, but the idea has been done so much stronger on countless other songs throughout the years. Morgan is let down again by a less then stellar lyric that never quite reaches it’s full potential. Thankfully “Soldier of Love” has a wonderful thumping production, confident vocal, and above average lyric to help it stand out.

I so wanted to give Greater Need an A, as the strongest tracks are among Morgan’s best. But there are too many instances where either the production or lyric hinder enjoyment enough to be problematic. That being said it’s still a good album overall and well worth cherry picking from.

Grade: B+ 

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