Texas-based Aaron Watson is one of the best kept secrets of Texas country music, less Red Dirt and more what used to be mainstream country. His voice has a cracked warmth and character, and he is a talented songwriter to boot, writing most of the songs without outside assistance. Although I don’t feel the material here quite matches up to the best of his songs from previous efforts, it is generally very good. This album, Aaron’s tenth overall, was recorded mainly in Austin. I can’t see any producer credits, so assume Aaron filled that role himself.
The title track (written by Aaron with Mark Sissel) is just a minute-long introduction setting the scene and bringing in the themes of a life making music with a cowboy twist, all for love of music – “I don’t do it for the money, I can’t blame the fame”. This is the motif of the record. It segues straight into ‘The Road’, written by Elliot Park, a midtempo fiddle led warning not to mistake the route for the destination, voiced by a personification of the metaphorical road itself:
I’m a million miles before you
I’m a million miles behind
I’ll take you straight and narrow
I’ll ramble and I’ll wind
So curse my broken brimstone or kiss my bricks of gold
I’m not the reason
I’m just the road
The awkward phrase “knees and hands” (inserted thus to allow for a rhyme) jars a little, but this is a memorable song based on an arresting image.
The excellent closing track ‘After The Rodeo’ (the highlight of the album), written by Don Rollins and new Capitol/EMI artist Troy Olsen, tells the story of an over-the-hill cowboy contemplating retirement:
Does a shooting star miss the sky when it hits the ground?
And how long can a woman go on lovin’ you if you’re not around?
The years are flying faster now
So tell me how eight seconds feels so slow
And I wonder where old cowboys go after the rodeo
It is the road, though, that forms the principal focus. ‘The Things You’ll Do’ opens as an ebullient up-tempo look at life as at touring musician on the road, rough bars and bar fights, sleeping in vans and not getting paid are quenching his love for making music. The second verse translates the message to sacrifices made for love of a woman.
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