My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Eddie Montgomery

Classic Rewind: Oak Ridge Boys – ‘Life’s Railway To Heaven’

A performance dedicated to the memories of country legend Don Williams and John Michael Montgomery’s brother Eddie Montgomery.

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Spotlight Artist: John Michael Montgomery

Thank you for sticking with us these past few months, as we’ve done our best to bring you fresh content each week. The content will be more regular this month since our Spotlight Artist series is back.

Although it seems we’ve covered just about every major country singer on the planet, at least as it relates to country music from 1980-present, there’s always someone who has escaped our clutches, flying just under the radar. This month it’s John Michael Montgomery, the Kentuckian who made his mark during the boom years with romantic ballads that remain wedding staples more than 25 years since they first climbed the charts.

Montgomery was born, January 20, 1965, in Danville, Kentucky to musician parents. His father was a regional country singer and his mother played drums in his band. He learned to play guitar from his dad, who had him performing on stage by age 5. By the time he was in his teens, Montgomery was performing regularly in the local area, forming a band with his dad and brother while still in high school.

After graduation, he was a regular on the local honky-tonk circuit, where he was discovered. Montgomery signed his record deal with Atlantic Records in 1991 and released his debut album Life’s A Dance in October 1992. His songs were a commercial success out of the gate, with the title track peaking at #4 and “I Love The Way You Love Me” hitting #1.

The success of the ac-leaning romantic ballad, which was co-written by Victoria Shaw and Chuck Cannon, became the blueprint for his career. When it was time to pick a lead single for his sophomore album in late 1993, Atlantic went with “I Swear,” which became a wedding staple upon release. The song would go on to top the country charts for four consecutive weeks in early 1994. Montgomery took home Single of the Year honors from both the Academy of Country Music and the Country Music Association, while the ACM awarded the song’s writers, Gary Baker and Frank J. Meyers, their Song of the Year trophy.

The success of “I Swear” cannot be overstated. In 1995, Pop/R&B group All-4-One covered the song, where it topped the Billboard Hot 100 and hit #1 in nine other countries worldwide. As for Montgomery, the song’s parent album, Kickin’ It Up, hit #1 and sold 4 million copies.

Although he stalled at #4 with the excellent follow-up single “Rope The Moon,” Montgomery didn’t lose any momentum in the wake of “I Swear.” Four consecutive #1s followed “Rope The Moon” including another romantic ballad, “I Can Love You Like That,” which also went mainstream with a cover version by All-4-One. His other big hit during this period was the charming “Sold (The Grundy County Auction Incident),” a decidedly uptempo love song that still endears today. His eponymous third album, which featured those hits, also went multi-platinum.

Montgomery’s career had shifted by 1996 when he went decidedly more country on his fourth album, What I Do The Best. Lead single “Ain’t Got Nothin’ On Us” stalled at #15, breaking his winning streak. The album is anchored by the #2 hits “Friends” and “How Was I To Know” and the #6 “I Miss You A Little.”

By the late 1990s, Montgomery’s albums were no longer essential blockbusters, but he remained a presence on radio, despite the pop invasion by Faith Hill, Shania Twain, LeAnn Rimes and Dixie Chicks. A Greatest Hits album would bring the top 5 ballad “Angel In My Eyes” and he would enjoy more radio success with “Cover You in Kisses,” “Hold On To Me” and “Home To You.”

By 2000 his brother Eddie was enjoying success with Montgomery Gentry, scoring big radio hits with “Hillbilly Shoes,” “Lonely and Gone,” and “She Couldn’t Change Me.” Brooks & Dunn were coming off of the commercial failure Tight Rope, which allowed the duo to send shockwaves through the industry when the CMA crowned them Duo of the Year, breaking Brooks & Dunn’s eight-year winning streak.

Montgomery was still on the charts himself in 2000, enjoying his seventh and final #1 to date, “The Little Girl,” Harley Allen’s controversial and polarizing tale of a child who witnesses the murder-suicide of her parents. He would have one final #2, the military-themed “Letters From Home” in 2004. Montgomery released his most recent album, Time Flies, in 2008.

Please enjoy our coverage throughout the month.

Album Review: Dillon Carmichael – ‘Hell On An Angel’

20-something newcomer Dillon Carmichael from Kentucky (a nephew of John Michael Montgomery and Montgomery Gentry’s Eddie Montgomery) has just released his much-anticipated debut album, produced by Dave Cobb for Riser House, an Sony-backed independent label. His family pedigree suggests a mixture of traditional, 90s country and a bit of southern rock, and that is exactly what you get. Dillon co-wrote 8 of the 10 tracks, but the real star here is his rich deep baritone voice.
Initially I was a bit disappointed that it omits last year’s fabulous ‘Old Songs Like That’, a wonderful steel-laced tribute to great country songs of the past which I strongly recommend downloading in its own right. Also jettisoned but available separately is ‘Made To Be A Country Boy’ from early this year, a nice relaxed reflection on the influence of his childhood on him.

The album opens rather unexpectedly with the sound of a tornado warning siren as Dillon then launches into ‘Natural Disaster’, a brooding lonesome ballad about life’s failures. Written by Anthony Smith and Chris Wallin, it is one of only two tracks not co-written by Dillon, but makes for a magisterial introduction. The other outside song, Jon Pardi co-write Country Women’ is a lyrically cliche’d country rock number.

The title track ventures further into southern rock territory on the theme of ‘Mama Tried’, and is really not my cup of tea. ‘Old Flame’, which Dillon did write and is in fact his only solo composition here, is a slow, bluesy number which builds into southern rock.

Much more to my taste, the lead single ‘It’s Simple’ is a pretty ballad about the simple pleasures of life. ‘Dancing Away With My Heart’ is a lovely love song which I liked a lot.

Dillon’s mother helped him write ‘Hard On A Hangover’. This is a very good song about a man’s sneaking round which is punished when his wife leaves him:

I woke to the sound of a door slam
She left her wedding ring on the nightstand
With a note that told me it was over
That girl sure is hard on a hangover

I then realized my new-found freedom
And I pawned the wedding rings ’cause I don’t need ’em
And I blew the cash down at the Whiskey Barrel
And then I headed to the house, my honky tonk special

And then I woke to the sound of a tow truck
She said, “That car’s in my name, so you’re out ofluck”
I thought when she left, it was over
That girl sure is hard on a hangover

Even better and more traditional is ‘That’s What Hank Would Do’, a presumably autobiographical song about the life of an aspiring country songwriter which becomes a tribute to Hank Williams, set to a deeply authentic arrangement. This is really wonderful:

I pulled into Nashville writin’ songs for the radio
But chasin’ a sound didn’t work
I had to stick to what I know
And then I asked myself
What would Hank do?
He’d say “In with the old and out with the new”

He’d shoot you straight like his whiskey
Put pedal steel on everything
Write a song with three chords and the truth
Make you believe it when he sings like he’s talkin’ straight to you
That’s what Hank would do

’Might Be A Cowboy’ is the reflective and convincingly sweet love song of a rodeo rider:

I might be a cowboy, but I’ll never ride away

The record closes with ‘Dixie Again’, a slow bluesy piano ballad about losing and finding oneself:

I lost my direction but I kept pushin’ on
Took a left at the right and a right at the wrong
I’ve shot for redemption and I missed every time
Got to get back to someplace south of the line

This is an impressive debut from an artist with a great voice and some strong country instincts.

Grade: A-