My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Dire Straits

Album Review: The Judds – ‘River Of Time’

river of timeRiver Of Time, released in 1989, was the fifth of six studio albums issued by the Judds. By this time the act was becoming more centered on daughter Wynonna and material more suited to her vocal stylings.

The Judds’ first four full-length albums all went to #1 on Billboard’s Country Albums chart, although River Of Time would stall out at #2 (it reached #1 in Canada). Consequently the Judds had Nashville’s A-Team of songwriters pitching material to them.

I do not regard this album as being especially country as the “Soap Sisters” (as Ralph Emery referred to the Judds on his early morning WSMV-TV show in the days before they hit it big) drifted more toward material suitable to Wynonna’s voice. This is an interesting album, with a wide array of material.

Track by Track

“One Man Woman” (Paul Kennerley) – this is a bluesy number about what the narrator is, and what she is looking for (a one woman man). This song was released as a single and reached #8.

“Young Love (Strong Love)” (Kennerley, Kent Robbins) – often simply called “Young Love” is not to be confused with the Sonny James mega-hit of thirty-two years earlier. This song is more of a story song than was Sonny’s classic. This song reached #1 as a single:

She was sitting crossed legged on a hood of a ford
Filing down her nails with a emory board
Talking to her friends about people they knew
And all of the things that young girls do
When she said you see that guy in the baseball cap
I’d like to spend some time with a boy like that

Betty said I seen him at the hardware store
I think his name is Billy, but I’m not sure
And as they talked a little while and he passed by
She smiled at him he just said “hi”
He was thinking to himself as he walked away
Man I’d like to find a girl like her someday

Chorus:
Young love, strong love, true love
It’s a new love
Their gonna make it through the hard times
Walk those lines
Yeah these ties that bind
Young love

“Not My Baby” (Brent Maher, Mike Reid, Mack David) – this is a mid-tempo number that strides the border between jazz and blues. Quitman Dennis takes a nice turn on the clarinet and Sonny Garrish’s tasteful work on the dobro accentuates the effect nicely.

“Let Me Tell You About Love” (Carl Perkins, Kennerley, Maher) – yes, that Carl Perkins. Fittingly, this up-tempo song reached #1:

Well ever since the day that time began
There’s been this thing ‘tween a woman and a manv We’ll, I don’t know but I do believe
It started in the garden with Adam and Eve
Sampson and Delilah had their fling
‘Til she cut his hair and clipped his wing
It don’t matter how the story’s told
Love stays young it can’t grow old

Chorus:
Let me tell you about love
About the moon and stars above
It’s what we’ve all been dreamin’ of
Let me tell you about love

“Sleepless Nights” (Felice Bryant, Boudleaux Bryant) – the husband and wife team of Felice and Boudleaux Bryant were legendary songwriters writing many huge hits for the Everly Brothers as well as such country stalwarts as Carl Smith, Jimmie Dickens, Buddy Holly and The Osborne Brothers (“Rocky Top”)River of Time, released in 1989, was the fifth of six studio albums issued by the Judds. By this time the act was becoming more centered on daughter Wynonna and material more suited to her vocal stylings.
The Judds first four full-length albums all went to #1 on Billboard’s Country Albums chart, although River of Time would stall out at #2 (it reached #1 in Canada). Consequently the Judds had Nashville’s A-Team of songwriter’s pitching material to them .

I do not regard this album as being especially country as the “Soap Sisters” (as Ralph Emery referred to the Judds on his early morning WSMV-TV show in the days before they hit it big) drifted more toward material suitable to Wynonna’s voice. This is an interesting album, with a wide array of material

Track by Track

“One Man Woman” (Paul Kennerley) – this is a bluesy number about what the narrator is, and what she is looking for (a one woman man). This song was released as a single and reached #8.

“Young Love (Strong Love)” (Kennerley, Kent Robbins) – often simply called “Young Love” is not to be confused with the Sonny James mega-hit of thirty-two years earlier. This song is more of a story song than was Sonny’s classic. This song reached #1 as a single:

She was sitting crossed legged on a hood of a ford
Filing down her nails with a emory board
Talking to her friends about people they knew
And all of the things that young girls do
When she said you see that guy in the baseball cap
I’d like to spend some time with a boy like that

Betty said I seen him at the hardware store
I think his name is Billy, but I’m not sure
And as they talked a little while and he passed by
She smiled at him he just said “hi”
He was thinking to himself as he walked away
Man I’d like to find a girl like her someday
Chorus:
Young love, strong love, true love
It’s a new love
Their gonna make it through the hard times
Walk those lines
Yeah these ties that bind
Young love

“Not My Baby” (Brent Maher, Mike Reid, Mack David) – this is a mid-tempo number that strides the border between jazz and blues. Quitman Dennis takes a nice turn on the clarinet and Sonny Garrish’s tasteful work on the dobro accentuates the effect nicely.

“Let Me Tell You About Love” (Carl Perkins, Kennerley, Maher) – yes, that Carl Perkins. Fittingly, this up-tempo song reached #1:

Well ever since the day that time began
There’s been this thing ‘tween a woman and a manv We’ll, I don’t know but I do believe
It started in the garden with Adam and Eve
Sampson and Delilah had their fling
‘Til she cut his hair and clipped his wing
It don’t matter how the story’s told
Love stays young it can’t grow old
Chorus:
Let me tell you about love
About the moon and stars above
It’s what we’ve all been dreamin’ of
Let me tell you about love

“Sleepless Nights” (Felice Bryant, Boudleaux Bryant) – the husband and wife team of Felice and Boudleaux Bryant were legendary songwriters writing many huge hits for the Everly Brothers as well as such country stalwarts as Carl Smith, Jimmie Dickens, Buddy Holly and The Osborne Brothers (“Rocky Top”). This song apparently was written for the Everly Brothers and I remember the Everlys’ recording well (I am a huge Everly Brothers fan). The Judds acquit themselves well, achieving very nice harmonies on this song. I guess it is true that there is nothing like family harmony – I very much like this recording:

Somehow through the days
I don’t give in
I hide the tears
That wait within
Oh, but, then through sleepless nights
I cry again

“Water of Love” (Mark Knopfler) – I know Knopfler mostly from a duet album he cut with Chet Atkins but I understand that his band Dire Straits was hugely successful. This song definitely is not country, it is rather bluesy with a calypso beat:

High and dry in the long hot day
Lost and lonely in every way
Got the flats all around me, sky up above
Yes, I need a little water of love

I’ve been too long lonely and my heart feels pain
Cryin’ out for some soothing rain
I believe I’ve taken enough
Yes, I need a little water of love

“River of Time” (John Jarvis, Naomi Judd) – the title track is a Naomi Judd co-write. The song is a slow ballad with a cocktail lounge jazz piano accompaniment to open the song and more instruments coming in thereafter. The song is nice but at four plus minutes it is too long:

Flow on, river of time
Wash away the pain and heal my mind
Flow on, river of time
Carry me away
And leave it all far behind
Flow on river of time

“Cadillac Red” (Craig Bickhardt, Jarvis, Judd) – this song could be described neo-rockabilly. This kind of song makes for enjoyable listening but is nothing especially memorable. As an album track it serves the purpose of mixing things up after a pair of slow songs:

Well she’s washed and polished
And full of high octane
Ridin’ with the top down
Cruisin’ in the fast land
Her red hairs blowin’ bright as a flame
Cadillac Red’s her name

“Do I Dare” (Don Schlitz, Bickhardt, Maher) – this song addresses the dilemma faced by many a young woman (and perhaps older women as well):

Do I dare show him lovin’?
Do I go for double or nothin’?
Do I act like I don’t care?
Or, do I dare?

Do I do what my heart’s sayin’?
Do I hide my love awaitin’?
Make believe that he’s not there?
Or, do I dare?

This girl’s got a problem
She don’t know what to do
If there’s some way of tellin’
When a man is true

“Guardian Angels” (Schlitz, Jarvis, Judd) – 3:37 – this was the first Judds’ single in six years not to reach the top ten, peaking at #16. This is a nice story song that probably wasn’t a good choice for release as a single, but it is my nominee (along with “Sleepless Nights”) for the best song on the album:

A hundred year old photograph stares out from a frame
And if you look real close you’ll see, our eyes are just the same
I never met them face to face but I still know them well
From the stories my dear grandma would tell

Elijah was a farmer he knew how to make things grow
And Fanny vowed she’d follow him wherever he would go
As things turned out they never left their small Kentucky farm
But he kept her fed, and she kept him warm

Chorus:
They’re my guardian angels and I know they can see
Every step I take, they are watching over me
I might not know where I’m going but I’m sure where I come from
They’re my guardian angels and I’m their special one

I had heard the four singles from this album, plus my local radio station had played “Cadillac Red” a few times, so I had only heard half the album until a few weeks ago. The songs not previously heard provide a rich cornucopia of musical styles and point to Wynonna’s soon to follow solo career.

I would give this album a B+, mostly because I wasn’t that fond of “Water of Love” and “River of Time”. The album is worth seeking out and is available digitally.

Album Review: Highway 101 – ‘Highway 101 2’

highway 101 2The title of Highway 101’s sophomore album is not, as you might think, the number 2. Rather, it is the symbol for squared. Pretentious title aside, the material isn’t quite as consistently strong as on their debut album, but it is still a very rewarding record, and helped to maintain them as one of the top country groups of the late 80s.

The exuberant lead single, ‘(Do You Love Me) Just Say Yes’, was the band’s third #1 hit. It was written by Bob DiPiero, John Scott Sherrill and Dennis Robbins.

It was followed by my favourite track on the album, the sweetly sung, regretful ballad ‘All The Reasons Why’, which reached #5. Written by Paulette Carlson with Beth Nielsen Chapman, its guilty protagonist has just broken up with her unfortunate spouse, who can’t understand why:

You’ve asked what you’ve done wrong,
And if there’s someone new
What has changed my heart
And what else can you do
Oh darlin’ can’t you see
It’s not so cut and dried
And who knows where love goes
And all the reasons why

She wants to stay friends, but it’s hard to see that happening.

There was a change of pace for the third single, the urgent ‘Setting Me Up. This was a cover of an album cut by the British rock band Dire Straits, written by that band’s Mark Knopfler. Apparently he was unaware that his publisher had some country demos recorded of his songs, resulting in this and other cuts, but he did have some country influences – in 1989-90 his main project was a country-rock-blues band called the Notting Hillbillies, which also featured steel guitar legend Paul Franklin, and he later made an album and toured with Emmylou Harris. This song isn’t particularly country in its rhythmic structure, but was another to 10 hit, and allowed more of a band feel than usual, with some superb playing by the guys and a share of the vocals.

The last single, another top 10 tune, was the excellent ‘Honky Tonk Heart’, written by Jim Photoglo and Russell Smith. It is a rather upbeat breakup song in which the protagonist has grown up since meeting her ex in a bar, and now wants more to life:

The night life isn’t my life anymore
What matters most to me is a home and family
But you can’t find that behind those swingin’ doors…

I won’t play second fiddle to the beat of your honky tonk heart
Go on back to the bar where I found you
Go on back to your so-called second home
You’ll feel better with your good-time friends around you
And I’ll be here but I won’t be alone

Photoglo also co-wrote (with Wendy Waldman and Josh Leo) the solid mid-tempo ‘Road To Your Heart’.

‘Somewhere Between Gone And Goodbye’ is an excellent song written by Matraca Berg and Ronnie Samoset’, given a sparse production and great harmonies. An anxious woman lies awake wondering when her man is coming home:

How many nights must I lay me down and wonder
Will I wake up tomorrow without you by my side?
I’m feeling worn and thin as the sheets that I lay under
Lying somewhere between gone and goodbye

Late night headlights out in the driveway
Drivin’ me crazy again
No need to sneak in
I wasn’t really sleepin’
No need to tell me
I know where you’ve been

It feels like the prequel to ‘Honky Tonk Heart’, and would have made another good single.

A vibrant and authentic sounding cover of Buck Owens’ ‘There Goes My Heart’ reminds us of the band’s California roots. ‘Feed This Fire’ is an earnest love song written by Hugh Prestwood about the need to work at keeping the romance going; it was subsequently a hit single for Anne Murray. Paulette fights temptation she knows has no good ending in ‘Desperate Road’.

Finally, Beth Nielsen Chapman’s ‘Long Way Down’ is a strong story song about a young woman musician who has fought her way to stardom from tough beginnings, but can’t rest on her laurels.

While the album lacks the classics of their debut, this is a very strong follow up with no weak songs.

Grade: A

Album Review: Mary Chapin Carpenter – ‘Come On Come On’

Mary Chapin Carpenter’s fourth album could also be titled Greatest Hits 1992 – 94. Selling an impressive four-million copies, the disc also contains an unprecedented 7 hit singles, all of which charted in the top 20, with 4 of them going top 5.  At the time of the album’s release, and subsequently, Carpenter was riding a wave of success that found her a critical and awards show darling, while also firmly in the good graces of country radio.  It’s not often an artist can ably straddle the fence between commercial and critical success, but with her witty brand of folk-country, infused with just enough zest to sell it to the masses, Mary Chapin Carpenter did just that for the first half of her career.  Her commercial zenith was reached with Come On Come On, and some would say her artistic peak is also seen on this album.

To lead off, Columbia Records sent the plucky novelty tune ‘I Feel Lucky’ to radio. Mary Chapin Carpenter penned the song with the legendary Don Schlitz and it went to #3 on the singles chart, partly aided by a funny, offbeat music video.  Its recurrent status on CMT is one of the first things that made me notice Mary Chapin Carpenter.  Still intent on courting the country audience, the disc’s second single is the elegant country duet with traditional crooner Joe Diffie.  Two would-be lovers contemplate what they’ll mean to each other as the pair deliver the ballad softly amid a sparse piano-driven arrangement.  Peaking at #15, it’s one of the best songs on the album, but one of the lesser successful singles.

A cover of Lucinda Williams’ ‘Passionate Kisses’ followed at radio.  The track from the singer-songwriter’s self-titled 1988 album comes to life with Carpenter and John Jenning’s production.  The guitars rock and the drums roll to give the song its signature melody while the singer asks for all the things she wants in life, along with ‘passionate kisses from you’ to go with them.  Carpenter’s recording earned Williams a Grammy Award for Best Country Song in 1994 and rose to #4 on the country singles chart.

Also co-written with Don Schlitz, ‘The Hard Way’, more than any other song in her catalog, is the best example of the Mary Chapin Carpenter sound.  The guitars are turned up a littler louder than most mixes, the lyrics are brilliant, and the vocals are crisp, confident, and clear.  The song itself is a sort of plea for affection from your significant other, but it’s more a collection of nuggets of wisdom, woven into rhyming verses.  ‘Show the world a little light when you show it your heart/We’ve got two lives, one we’re given and the other one we make’.  Another hit, this stopped just outside the top 10 at #11.

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Album Review: John Anderson – ‘Seminole Wind’

johnanderson-seminole-windAfter a couple faltered albums on the Warner Brothers label, where John Anderson scored his biggest successes in the 1980s with hits like ‘Swingin’ and ‘Black Sheep’, the singer moved to MCA.  He recorded two albums under the guise of label-head Jimmy Bowen. (Read Occasional Hope’s review of his first MCA release here.)  In 1991, he signed with BNA Records, working with producer James Stroud.  His first release for the label would turn out to be his most prolific in terms of sales, radio success, and artistry.  Seminole Wind would spawn 4 top 10 singles and go on to be certified double platinum for sales of over 2 million.  It remains John Anderson’s best-selling album to date.

The album opens with the chugging ‘Who Got Our Love’, which served as the lead single.  Though the song stalled at a disappointing #67 on the singles chart, Seminole Wind was just getting started putting John Anderson back on top of the country charts.  The second single was the now-barroom classic, ‘Straight Tequila Night’, a song about a woman whose memories all come back when she drinks tequila.  Luckily, on this night, she’s ‘only sipping white wine’ and the narrator thinks he might have a chance of winning her heart.  The tune shot to the top in March of 1992 and signalled that John Anderson was back in a big way.  Featuring twin fiddles and a chorus that you just have to sing along to, it’s still a very popular recurrent on country radio today.

Following the mega success of ‘Tequila’, BNA released ‘When It Comes To You’ as the next single.  The bluesy tune has a swampy Louisiana feel and Anderson wraps his warm vocals around the lyric like a wisteria vine in a perfect marriage of lyric and interpretation.  It would go on to the #3 perch of the chart.   The song’s writer, Mark Knopfler, had originally recorded it with his band Dire Straits for their On Every Street album.

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