April 5, 2017
Posted by on
Sawyer Brown’s eponymous debut album, released in 1984 was their highest charting entry on the Billboard Country Albums chart, peaking at #2 and he most successful of their 1980s albums, in no doubt aided by their winning appearance on Star Search. It was produced by Randy Scruggs and spawned three hit singles: “Leona” (#16), “Step That Step” (#1) and “Used To Blue” (#3). The first two were catchy uptempo numbers that set the template for most of their subsequent singles for the next several years. “Used To Blue” proved that they could also handle ballads, though they were not generally associated with ballads in those days.
In addition to writing the band’s first #1 hit, the fluffy but catchy “Step That Step”, lead singer Mark Miller also wrote “Broken Candy”, a very nice ballad about heartbreak, loneliness and trying again. He also co-wrote the uptempo “Feel Like Me” and “It’s Hard to Keep a Good Love Down” with Randy Scruggs.
Some impressive names appear among the songwriting credits: the bluesy “Used To Blue” was written by Fred Knobloch and Bill LaBounty, “Smoking In The Rockies” — which they had performed on Star Search — was written by Buddy Cannon, Gary Stewart and Frank Dycus and “Staying Afloat” was a Don King co-write with J.D. Martin. Sawyer Brown’s origins can be traced to its members’ stint as Don King’s road band. “The Sun Don’t Shine on the Same Folks Every Time” — one of the more country sounding numbers was co-written by Mark Gray with Danny Morrison and Johnny Slate. Gray had secured a record deal with Epic around the same time and is best remembered for “Sometimes When We Touch”, his duet with Tammy Wynette.
Although the album is not particularly country sounding for the most part, it is well within the realm of what was considered country at the time. Although there are no fiddle and steel and just an occasional touch of harmonica, the album is not overproduced like a lot of other music from that era. Only occasionally do the synthesizers betray the album’s age. Sawyer Brown was not particularly taken seriously by the industry at the time and was somewhat unfairly labeled as a “bubble gum” band. It’s true that there’s nothing here as deep as “The Walk” — a big hit that they would enjoy almost a decade later — but the rest of the album is neither more nor less lightweight than anything else that was on the charts at the time. It is a highly enjoyable and solid first effort that for the most part has aged well.