My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Chuck Glaser

RIP Chuck Glaser: Classic Rewind Tompall and the Glaser Brothers – ‘Loving Her Was Easier Than Anything I’ll Ever Do Again’

Thanks to Ken Nelson for letting us know that Chuck Glaser, the last surviving member of Tompall and the Glaser Brothers, has died. More here: https://musicrow.com/2019/06/the-glaser-brothers-chuck-glaser-dies-at-83/

Paul Dennis’s Country Heritage feature on Tompall:
https://mykindofcountry.wordpress.com/2013/08/16/country-heritage-tompall-glaser/

This was the brothers’ last ever performance together, in 1990:

Classic Review: Marty Robbins – ‘Gunfighter Ballads and Trail Songs’

71yKlXRWvsL._SL1072_Marty Robbins was that rare bird, a jack of all trades and the master of all of them. It didn’t matter whether the source of the music was rock and roll, rockabilly, R&B, cowboy, western swing, country, pop or Spanish-tinged, Marty could sing it and sing it well. Since Marty was born in Arizona, his first love was western songs and his western albums were indeed labors of love and represent the apogee of his career.

Released in 1959, Gunfighter Ballads and Trail Songs was a massive seller that has remained in print almost continuously since it was released 56 years ago. The album sold platinum, reached #6 on the pop album charts and #20 in the United Kingdom, and spawned two hugely successful singles in “El Paso” (#1 Country/#1 Pop/ #19 UK) and “Big Iron” (#5 Country / #26 Pop/ #48 UK).  Most critics regard the album as the most influential album of western and cowboy songs in American music history, and I couldn’t disagree with them since I wore out two vinyl copies and a cassette copy before the album was finally released on CD. Story songs sometimes get old from re-telling but every time I play this album, it seems new and fresh to me. The vocals are clear and melodious, the subdued and tasteful vocal harmonies (Jim, Tompall & Chuck Glaser) never intrude on the lead and the instrumental accompaniment, mostly the guitars of Grady Martin, and Jack Pruett, with Bob Moore on upright bass, are crisp and clear.

The album opens with “Big Iron”, the second single from the album, a Marty Robbins that is still often performed by western singing groups. The song concernes the fate of a bad outlaw who meets his fate

It was over in a moment and the crowd all gathered ’round
There before them lay the body of the outlaw on the ground
Oh, he might have went on livin’ but he made one fatal slip
When he tried to match the ranger with the big iron on his hip,
Big iron on his hip

Big iron, big iron,
Oh he tried to match the ranger with the big iron on his hip,
Big iron on his hip

Next up is the Bob Nolan classic “Cool Water”, forever associated with Bob’s group the Sons of the Pioneers. I liked the Sons version but Marty and the Glaser Brothers own the song

“Billy The Kid” is a traditional western ballad abut a western villain who is often lionized in ballad.

Dave Kapp’s “A Hundred and Sixty Acres is next up.

“They’re Hanging Me Tonight” by Jimmy Lowe and Art Wolfe, is the tale of a man being hung for gunning down his woman and the man who stole her:

As I walked by a dim cafe
And I looked through the door
I saw my Flo with her new love
And I couldn’t stand no more
I couldn’t stand no more
I took my pistol from my hip
And with a tremblin’ hand
I took the life of pretty Flo
And that good for nothin’ man
That good for nothin’ man

I think about the thing I’ve done
I know it wasn’t right
They’ll bury Flo tomorrow
But they’re hangin’ me tonight
They’re hangin’ me tonight

The final track on Side One of the original vinyl album is “Strawberry Roan” a traditional western ballad that has been sung by hundreds of artists; however, rarely with the aplomb of Marty Robbins.

Side Two opens with “El Paso”. For many years polls taken of the top country songs of all time usually listed this song in the top three, mostly at the very top. In my humble opinion, it is still the greatest country record of all time (with “I’m So Lonesome I Could Cry by Hank Williams at #2). Because of its length (4:23) Columbia hedged its bets by releasing a shorter version of the song on the flip side of the record so DJs could decide which version to play. In my area, the DJs ignored the short version of the song and played the full song. The song spent six weeks at #1 and has been performed by all manner of performers over the years, including The Grateful Dead who performed the song 389 times before disbanding. The song recounts the tale of a young cowboy who, in a jealous rage, kills another man who had eyes for his girl Felina, then flees Texas until he is driven by loneliness to return. Upon returning he is gunned down, probably for the act of stealing a horse when he escaped before.

Out in the West Texas town of El Paso
I fell in love with a Mexican  girl
Nighttime would find me in Rosa’s Cantina
Music would play and Felina would  whirl

Blacker than night were the eyes of Felina
Wicked and evil while casting a spell.
My love was strong for this  Mexican maiden
I was in love, but in vain I could  tell.

Next up is another Marty Robbins original “In the Valley” about a guy pining for his gal’s return. The next song is “The Master’s Call”, another Marty Robbins original, this one about a young hellion caught up in  cattle stampede, saved for unknown reasons:

My wicked past unfolded, I thought of wasted years
When another bolt of lightning killed a hundred head of steers
And the others rushed on by me, and I was left to live
The Master had a reason, life is His to take and give.
A miracle performed that night, I wasn’t meant to die
The dead ones formed a barricade least 6 or 7 high
Right behind it, there was I, afraid but safe and sound
I cried and begged for mercy kneeling there upon the ground
A pardon I was granted, my sinful soul set free,
No more to fear the angry waves upon life’s stormy sea
Forgiven by the love of God, a love that will remain,
I gave my life and soul the night the Saviour called my name

One generally doesn’t associate Jim and Tompall Glaser with western gunfighter ballads but they produced an excellent one in “Running Gun”, a song which would have made an excellent single. In this song the protagonist meets his end at the hands of a bounty hunter


I knew someday I’d meet him for his hand like lightning flashed
My own gun stayed in leather as his bullet tore it’s path
As my strength was slowly fading, I could see him walk away
And I knew that where I lie today, he too must lie some day

Now the crowd is slowly gathering and my eyes are growing dim
And my thoughts return to Jeannie and the home that we had planned
Oh please tell her won’t you mister that she’s still the only one
But a woman’s love is wasted when she loves a running gun

The “Little Green Valley” comes from the pen of the legendary Carson Robison, a contemporary of Vernon Dalhart and a singing star in his own right. The song is a gentle ballad about the singer’s idyllic home

The original album closes out with “Utah Carol” a traditional song about a cowboy friend of the narrator who dies in a cattle stampede  saving the life of the boss’s daughter.

This album has been reissued numerous times, sometimes with the songs in a different sequence than on the original album. No  matter – the songs are all great and most listeners simply listen to the album, all the way through. In 1999 Sony issued an extended version of the album with the longest version of “El Paso” as a bonus cut, along with “The Hanging Tree” which was issued as a single the following year and “Saddle Tramp” which was the B-side of “Big Iron”.

Marty would revisit western themes on subsequent albums and release several sequels to “El Paso”.  Although all are very worthwhile, this is Marty’s masterpiece, an album any true country music fan will want in his collection.

Country Heritage: Tompall Glaser

tompall glaser

RIP Tompall Glaser (1933-2013)
This Country Heritage feature is reposted today as a tribute to the late Tompall Glaser, who died earlier this week.

It really is too bad the Glaser Brothers couldn’t get along with each other on a more sustained basis, as they truly were an amazing act to see live. The three Glaser brothers had voices that overlapped, and with their near identical phrasing they could take a lyric that started at the lowest notes and work their way up and down the scales, taking over from each other in mid-word. It was wondrous to see and required an audience’s full attention to know who was singing at any given moment. Moreover, the Glasers were capable of vocal harmony equal to that of any other great brother group. I only saw Tompall and the Glaser Brothers live one time, and yet that one occasion (at the 1st International Festival of Country Music in Wembley, England, in 1969) remains as indelibly etched in my memory as if it occurred yesterday.

Tompall Glaser (b. 9/3/33) was the fourth oldest of six children born to Louis and Marie Glaser in the farming community of Spalding, Nebraska. As a child, he taught his younger brothers Chuck (b. 2/27/36 – baritone) and Jim (b. 12/16/37 – high tenor) to sing harmony to his lead vocals and developed the trio into an accomplished vocal act during the mid 1950s. As often occurred in those days, the act was just getting rolling when Tompall received his “invitation” to enter the army, where he served during 1956-57. During this interlude, brothers Jim and Chuck performed on radio in Hastings, Nebraska, and, assisted by their father Louis, performed on various local shows. Their big break occurred in late 1957 when the boys, with brother Tompall again available, earned an appearance on Arthur Godfrey’s Talent Scouts, a national radio show on CBS. Their performance caught the ear of Marty Robbins, who signed the boys to his Robbins Records label and released the single “Five Penny Nickel.” This record failed to make any waves, and with Robbins unable to devote much attention to promoting their career, he sold their contract to Decca Records (later MCA) in 1959.

By this time Tompall and the Glaser Brothers had made the move to Nashville, but again were sidelined by Uncle Sam who extended an invitation to Chuck to join the U S Army (1959-61). During this period, the Glaser Brothers found frequent studio work as background singers, the most notable example of this being Jim Glaser’s trio work on “El Paso” and other songs on Marty Robbins’ mega-hit album Gunfighter Ballads and Trail Songs. Tompall and Jim Glaser wrote one of the tracks on the album, “Running Gun”.

After Chuck was released from the US Army, the Glaser Brothers landed a spot on Johnny Cash’s road show, which brought as a side benefit an association with Cash’s longtime friend and business associate Jack Clement. In 1966, Clement got them a contract with MGM Records, which wasn’t a major player in Country Music but a label with a good pedigree (Hank Williams Sr. & Jr., Marvin Rainwater, Sheb Wooley/Ben Colder). One of the songs the group recorded was “Streets of Baltimore” which was co-written by Tompall Glaser and Harlan Howard. Unfortunately, the hit version of the song went to Bobby Bare. During this time Clement produced the group’s records and provided them with material.

While with MGM the brothers (always billed as Tompall and the Glaser Brothers) had a number of moderately successful singles and recorded a number of terrific album tracks. Their biggest success on the label were “California Girl (And the Tennessee Square)” which made it to #11 (#93 pop) and, in 1971, “Rings,” a cover of a pop hit by Cymarron. “Rings” went to #7 on Billboard, #5 on Cashbox and #1 on Record World. The accompanying LP, Rings and Things, was first rate, with a heavy western swing feel to many of the songs, including “Back In Each Other’s Arms Again.” Unfortunately, “Rings” failed to generate further commercial success and the group disbanded in 1973, but not before establishing a publishing company, spurred on by Chuck Glaser’s discovery of John Hartford, and later, Dick Feller. Also, in 1968, Jim Glaser saw one of his compositions, “Woman, Woman,” become a major hit for the pop group Gary Puckett and the Union Gap.

After the group’s breakup, Tompall Glaser opened his recording studio, Hillbilly Central, which became one of the incubation chambers for the “outlaw” movement of the 1970s. It was at Hillbilly Central that Waylon Jennings recorded his landmark album Honky Tonk Heroes. Other free spirits such as Billy Joe Shaver and Richard “Kinky” Friedman also recorded albums there. In 1975, in a shrewd marketing ploy, RCA issued the landmark album Wanted! The Outlaws which coupled current tracks from Jessi Colter & Waylon, some old Willie Nelson tracks and a couple of leased tracks of Tompall Glaser. The resulting mishmash was the first Gold Album in country music history. Unfortunately, Tompall was unable to capitalize on the success of the album, and his often prickly personality (coupled with Waylon’s drug use) ultimately led to his split with Waylon. As a solo artist, Tompall had only one real hit single, the politically incorrect ditty “Put Another Log on the Fire (Male Chauvinist National Anthem)”. This song peaked at #21, making it Tompall’s biggest solo hit. Albums for MGM and ABC failed to generate much attention.

During this same period, Jim Glaser plugged on, but failed to achieve any hits, while brother Chuck ran the publishing company, his singing career derailed by a stroke in 1975 that affected his vocal cords and left him temporarily unable to sing. Chuck had success as a producer, producing artists such as Hank Snow.

In 1978, the brothers achieved an uneasy reconciliation and reformed Tompall and the Glaser Brothers. One big hit followed, a cover of the Kristofferson song “Loving Her Was Easier (Than Anything I’ll Ever Do Again)” which went to #2 on the country charts for both Billboard and Cashbox. Unfortunately, this rapprochement was only temporary, as in 1983 Jim Glaser split to pursue a solo career. Jim was replaced by Shaun Neilson, an arrangement that continued only briefly.

After the group split, Tompall continued to produce records for a while but by the end of the 1980s he sold Hillbilly Central and has been largely retired since then. He died on August 13, 2013, aged 79. Chuck Glaser continued to work behind the scenes but has since largely retired, as well.

Jim Glaser saw some momentary success as a solo artist. In the early 1980s, Jim began recording as a solo artist for the newly-formed independent label Noble Vision Records. The first release, “When You’re Not A Lady,” stayed on the national charts for 34 weeks and in 1984 “You’re Gettin’ To Me Again” reached the top of the charts, the only Billboard #1 single achieved by any of the Glasers. That same year Jim Glaser was voted “Top New Male Vocalist of the Year” by the Academy of Country Music. Jim’s first solo album, The Man In The Mirror, ultimately had six top-twenty singles that were pulled from it. Shortly thereafter, Noble Vision Records was no more and with it vanished Jim Glaser’s solo career.

Discography

Vinyl

Most of the albums issued by Tompall and the Glaser Brothers were on MGM. The following are recommended but there are also some other albums on Decca and MGM that might be found:

Tompall and the Glaser Brothers (1967) contains the hit single “Gone On The Other Hand” (#24 Billboard/#20 Cashbox), a song that featured Big Joe Talbot on steel guitar, plus the group’s recordings of “The Last Thing On My Mind” and “Streets of Baltimore.”

Through The Eyes of Love (1967) features the title track (#27) plus “Moods of Mary” (#42) and the group’s take on “Woman, Woman.”

Wonderful World (1968) features minor hit singles in “One of These Days” (#36) and a nice recording of Jack Clement’s “Got Leavin’ On Her Mind,” a minor national/major southeast regional hit in 1968 for Mac Wiseman.

Now Country (1969) showcases “Wicked California” (#24) and “California Girl” (#11).

Award Winners (1971) is mostly covers with an excellent take of “Faded Love” released as the single (#22).

Rings and Things (1972) is the group’s masterpiece, with “Rings” (#5 Cashbox/#7 Billboard/#1 Record World) and “Sweet Love Me Good Woman” (#19 Cashbox/#23 Billboard) plus an eclectic mix of swing and vocal harmony efforts. My favorite of all the group’s tracks, “Back In Each Other’s Arms Again”, is on this album.

Charlie (1973) is ostensibly a group effort but in actuality a solo album by Tompall Glaser.

After the MGM years Tompall reunited with his brothers in 1981 for Loving Her Was Easier, followed by one last album in 1982, After All These Years, both on Elektra.

I don’t know of any solo albums by Chuck Glaser.

Jim Glaser issued three albums on Noble Vision: 1983’s Man In The Mirror, which has all four of Jim’s top twenty hits (“The Man in The Mirror” “If I Could Only Dance With You”, “You’re Getting To Me Again”, and “Let Me Down Easy”), Past The Point of No Return (1985), and Everybody Knows I’m Yours (1986). This last album is on Noble Vision/MCA, the masters purchased after Noble Vision went under.

Virtually all of Tompall Glaser’s solo efforts are available on CD from Bear Family (see below).

CD

There are two readily available CDs of Tompall and the Glaser Brothers. The Best of Tompall and the Glaser Brothers, issued on Collector’s Choice Music,  has 18 hits from the group plus six solo recordings by Tompall Glaser. This CD is now out of print, but can be found with a little effort.

The other CD was released in April 2012 and is a two-fer released on the Hux label,  Award Winners/Rings And Things.

You may be able to find the out of print twofer of the Electra years titled Lovin’ Her Was Easier/After All These Years.

Jim Glaser has one CD currently available titled Me And My Dream.  This appears to be  recordings from around 2002.  With luck you might find the CD of The Man in the Mirror, but that is all that is available.

On the other hand, Tompall Glaser’s solo efforts are well covered by Bear Family in the form of four CDs: The Rogue, The Outlaw, My Notorious Youth (aka Hillbilly Central V1), and Another Log On The Fire (aka Hillbilly Central V2). These can be obtained from the Bear Family website

A group called The Brothers Glaser issued Five Penny Nickle, a tribute album to Tompall and the Glaser Brothers. This foursome consists of sons of an older Glaser brother who was not part of the Tompall and the Glaser Brothers. They have a website at www.thebrothersglaser.com –in looking at their photographs, there is no denying the family resemblance – no one could doubt that they are nephews of the Glaser Brothers.