My Kind of Country

Country music from a fan's point of view since 2008

Tag Archives: Charlie Dick

Classic Rewind: Jamey Ryan – ‘My Shoes Keep Walking Back To You’

Jamey was the second wife of Charlie Dick, widower of Patsy Cline, and had a short country career herself. In later life she spent some time managing Billy Dean.

Sweet Dreams – Motion Picture and Soundtrack Review

The Story of Legendary Country Singer Patsy ClineAnd I’m crazy for loving you.’ The closing line of her signature song sums up the main focus of the 1985 biopic “Sweet Dreams” based on Patsy Cline’s life from 1956 through 1963. Hollywood loves to explore the life stories behind great talents, usually offering a particular interpretation of what makes the artist tick. Screenwriter Robert Getchell, producer Bernard Schwartz and director Karel Reisz portray Patsy’s relationship with her second husband, Charlie Dick, as being a core element of what fueled her passion as an artist.

The film begins when Patsy (played by Jessica Lange who received an Oscar nomination for her performance) is married to her first husband, Gerald Cline, pictured as a guy who’s more interested in his own hobbies than in Patsy or her musical talent and career. In an early scene, the rigging on his model ship, for example, is more exciting to him than how Patsy’s performance had gone at a particular club that night.

On the other hand, a man she met at the club couldn’t take his eyes off of her. That man turns out to be Charlie Dick (Ed Harris) who gives her all the attention she’s been starved for, including attention for her music, and who has a passionate personality to match her own. It isn’t long before Patsy leaves Gerald.

As Patsy and Charlie fall head over heels, Patsy shares her dream of becoming a singer, making enough money to have the house she’d always wanted, having kids and then being able to retire to raise them. They are sweet dreams. Charlie proposes and they get married. They’re both crazy in love and off to set the world on fire.

However, where there’s fire, there’s beauty and power, and the danger of getting burned. The film depicts their marriage as both passionate and rocky, with flair ups due to their strong wills, and Charlie’s drinking, philandering and temper. In the midst of the tumultuous episodes, they share the joys of two children together and Patsy’s career successes – Charlie serving as one of her biggest fans.

Read more of this post

Spotlight Artist: Patsy Cline (September 8, 1932 – March 5, 1963) – Part 3

After a successful run in Las Vegas, Patsy Cline returned to Nashville and Owen Bradley’s recording studio for what would be her last sessions. In February 1963 she recorded twelve new tracks, including a cover of Don Gibson’s “Sweet Dreams” and the Bob Wills classic “Faded Love”. She was unusually emotional and wept throughout the session; the emotion can be heard on both of these tracks. Bradley assumed that she’d had an argument with her husband, and when Charlie stopped by to see how things were going, he was quickly ushered out of the studio before Patsy saw him, so as not to break the mood.

“Leavin’ On Your Mind” had been released about a month before Patsy’s final recording sessions, in January 1963. It was the last single released during her lifetime. It reached #8 on the country chart, but unlike most of her previous hits, it was not a crossover success, stalling at #83 on the Billboard Hot 100.

Patsy Cline died on March 5, 1963 when the Piper Comanche aircraft carrying her back to Nashville from a charity concert in Kansas City, Missouri crashed amidst deteriorating weather conditions near Camden, Tennessee. Also on board were Grand Ole Opry stars Cowboy Copas and Hawkshaw Hawkins, and Patsy’s manager Randy Hughes, who had piloted the plane. There were no survivors. Patsy was interred near her home in Virginia, at the Shenandoah Memorial Park.

Decca continued to release Patsy’s singles and albums in the years following her death. “Sweet Dreams”, her first posthumous release, was a #5 country hit, and despite having been recorded previously by both Faron Young and Don Gibson, it is Patsy’s interpretation that is considered the definitive version. The follow-up single “Faded Love” reached #7 on the charts and was her last solo Top 10 hit. After that, her singles charted lower, if they charted at all. She returned to the Top 5 one final time in 1981, when RCA Records released an electronic duet of Patsy and Jim Reeves singing “Have You Ever Been Lonely (Have You Ever Been Blue)”.

In 1967, Decca released Patsy Cline’s Greatest Hits, which eventually sold more than 10 million copies. It held the record as the best-selling country album of all-time by a female artist, until the 1990s when it was overtaken by Shania Twain’s The Woman In Me. In 1973, Patsy became the first female solo artist to be inducted into the Country Music Hall of Fame. Her name began to fade from the public consciousness, but was brought back to the forefront in 1980 when she was portrayed on the silver screen by actress Beverly D’Angelo in the Loretta Lynn bio-film Coal Miner’s Daughter. Five years later, Hollywood told its version of the Patsy Cline story in the film Sweet Dreams, starring Jessica Lange and Ed Harris.

Although her recording career lasted a mere eight years, Patsy Cline cast a long shadow over the country music landscape. Virtually every female country vocalist who has emerged since her death has named Patsy as an influence. Her songs have been covered by such artists as Loretta Lynn, Emmylou Harris, Reba McEntire, LeAnn Rimes and Sara Evans. Her Greatest Hits still holds the record for the longest run on the Billboard Country Albums chart for an album by a female artist, and she remains a best-selling artist for MCA, the successor company to Decca Records. We hope that you’ll enjoy our coverage as we look back at Patsy’s life and career throughout the month of January.

Spotlight Artist: Patsy Cline (September 8, 1932 – March 5, 1963) – Part 2

Patsy Cline finally found her breakthrough hit, “I Fall to Pieces” in the summer of 1961. She had given birth to a son that January and for once things were looking up. Unfortunately, her happiness was quickly overshadowed when she was seriously injured in a near-fatal head-on automobile accident in June of that year. While she was recuperating in the hospital, “I Fall To Pieces” continued to climb the charts. One Saturday evening on the Opry, an up-and-coming singer named Loretta Lynn sang the song and dedicated to Patsy. Patsy, who was listening to the broadcast, was so touched that she asked her husband Charlie to bring Loretta to the hospital so she could meet her and thank her. The two women became close and remained good friends for the remainder of Patsy’s life.

Patsy returned to the recording studio in August 1961 and quickly got into another battle with Owen Bradley over her next single. Faron Young had recently had a smash hit with “Hello, Walls”, a tune written by a 27-year-old songwriter named Willie Nelson. Patsy was interested in recording another Nelson song, “Funny How Time Slips Away”, but it had been put on hold for Billy Walker. Patsy tried to sweet-talk Walker into giving up the song, but he proved resistant to her charms. Instead, he gave her another Nelson composition called “Crazy” as a consolation prize. Patsy hated it, but Bradley was convinced that it would be a big hit. Willie Nelson’s demo recording had been in a honky-tonk style. Bradley re-worked it as a torch song, with a more sophisticated arrangement, and finally persuaded Patsy to record it. She was still not fully recovered from her injuries and had difficulty hitting all of the notes. After four hours of trying, Bradley persuaded her to give up. He recorded the basic tracks and had her come back a week later to overdub her vocal track, and she nailed the song in one take. Despite her initial apprehension about recording the song, Owen Bradley was once again proven right. “Crazy” reached #2 on the Billboard country chart in October of 1961, and by December it had reached #9 on the pop chart. Today, it is the song for which Patsy is best remembered. In 1997 it was named the #1 jukebox song of all time.

Patsy ended 1961 on a high note. In November, she traveled to New York with some of her fellow Opry stars to play to a sold-out house at Carnegie Hall, and then went back into the recording studio in December. Among the songs she cut at those sessions was Hank Cochran’s “She’s Got You”. Unlike her other big hits — “Walkin’ After Midnight”, “I Fall to Pieces” and “Crazy” — Patsy immediately loved “She’s Got You”. It became her second and final #1 country hit in May 1962. It also reached #14 on the Billboard Hot 100. Later in 1962 she became the first female country star to headline a show in Las Vegas, when the Mint Casino engaged her for a 35-day run. She had been nervous about playing Vegas, but her fears proved to be unfounded; she was a hit with both critics and audiences alike. Not sure that Patsy would want to return to Las Vegas, her manager Randy Hughes decided to let her return to Nashville to rest for a few months before telling her that he’d booked her for a return engagement. Unfortunately, fate would intervene and deny Patsy the opportunity to accept.

Spotlight Artist: Patsy Cline (September 8, 1932 – March 5, 1963) – Part 1

From time to time throughout 2010, we’ll be taking a look at some of country music’s legendary artists. We’re starting with the great Patsy Cline, who was one of the 20th century’s most acclaimed vocalists, and whose influence is felt to the current day.

She was born Virginia Patterson Hensley in Winchester, Virginia, on September 8, 1932. When she was 15, her father abandoned the family, and Ginny, as she was then known, dropped out of high school to help support her mother and two younger siblings. From an early age, she’d wanted to be a singer. She entered a number of local talent shows and sang live on Winchester’s WINC-AM radio. This eventually led to a stint on Connie B. Gay’s Town and Country television show, which originated from Washington, DC. Among the cast members of Town and Country was an up and rising star and future sausage magnate by the name of Jimmy Dean. She even managed to take a trip to Nashville in 1948, landing a guest appearance on Roy Acuff’s Dinner Bell program on WSM-AM.

In 1953 she married a contractor named Gerald Cline, but the marriage ended in divorce after four years, due mainly to Cline’s lack of support of his wife’s (now known as Patsy Cline) career aspirations. In 1954, she met Bill McCall, who owned a song publishing company called Four Star Music. In what would prove to be the biggest mistake of her professional career, Patsy signed a five-year contract with Four Star. She returned to Nashville with McCall, who arranged a leasing agreement with Decca Records, whereby Decca would produce and distribute Patsy’s records, but Four Star would promote and retain ownership of the recordings and would have sole discretion over what material she recorded. This was a very one-sided deal in which Decca did most of the work and saw very little in financial renumeration, but Decca executive Paul Cohen and producer Owen Bradley recognized Patsy’s potential and agreed to McCall’s terms, in order to have the opportunity to sign Patsy to Decca when her Four Star contract lapsed.

This proved to be a disastrous arrangement for all involved. McCall would only allow Patsy to record songs for which Four Star owned the publishing rights. Both Patsy and Owen Bradley felt that much of the Four Star material was substandard, and though they experimented with a variety of musical styles, commercial success eluded them. The sole exception was “Walkin’ After Midnight”, which Patsy performed on the nationally-telecast Arthur Godfrey’s Talent Scouts on January 21, 1957. Not only did Patsy win the competition, “Walkin’ After Midnight” became a smash hit, rising to #3 on Billboard’s country chart and #17 on the pop chart. Patsy became a regular on the Godfrey program, but was eventually fired after she repeatedly clashed with Godfrey over song selection. She wanted to sing country; he wanted her to sing pop.

1957 was also the year that Patsy met and married her second husband, Charlie Dick. After giving birth to a daughter in 1958, the family moved permanently to Nashville, where Patsy and Owen Bradley continued in their quest to find the elusive follow-up hit to “Walkin’ After Midnight”. Success continued to evade them, and by 1959 Bill McCall had written Patsy off as a lost cause and stopped promoting her singles.

Patsy’s fortunes began to change in 1960, which was the year that she was inducted as a member of the Grand Ole Opry. It was also the year that her Four Star contract expired, and she was formally signed to Decca Records. In her first session for Decca, she recorded “I Fall To Pieces”, which was written by Harlan Howard and Hank Cochran. It had been turned down by a number of other singers, and Patsy began to have second thoughts about it herself, after initially agreeing to record it. She feared that it was too pop. Bradley was experimenting with a hybrid style of music that Chet Atkins had pioneered at RCA with great success for artists such as Eddy Arnold and Jim Reeves. A mixture of country and pop, it would eventually become known as “the Nashville Sound”. Bradley wanted to try this style with Patsy. Meanwhile, he and Patsy argued about cutting “I Fall to Pieces”; Bradley prevailed and was eventually vindicated when it became Patsy’s first #1 country hit, and a #12 pop hit in August 1961, ending a four-year dry spell.