Alan Jackson followed up — and eventually eclipsed — the quadruple-platinum success of Don’t Rock The Jukebox with his third studio release, A Lot About Livin’ (And A Little ‘Bout Love) in the autumn of 1992. Once again he teamed up with Keith Stegall and Scott Hendricks, with Stegall taking on the lion’s share of the production duties (Hendricks’ sole contribution to the album was co-producing the track “Tonight I Climbed The Wall”).
The first single, “She’s Got The Rhythm (And I Got The Blues)” was one of the products of a series of 1991 writing sessions between Jackson and Randy Travis. Among the other songs from those sessions are “From A Distance”, from Don’t Rock The Jukebox, and “Forever Together”, “A Better Class of Losers”, and “I’d Surrender All”, which were all included on Travis’ 1991 album High Lonesome. With its R&B flavored arrangement, “She’s Got the Rhythm” was originally written with B.B. King in mind, but Jackson ended up keeping the song for himself. This decision paid off when the tune easily soared up the charts, despite its stylistic departure from Alan’s earlier work. It became his sixth #1 hit in December 1992.
The next single, “Tonight I Climb The Wall”, is one of my favorite Alan Jackson songs. Unlike “She’s Got The Rhythm”, this one is pure, straight unadulterated country, and an instant, if somewhat underrated classic. Despite peaking at #4, it was excluded from his Greatest Hits Collection, though it did resurface on his second greatest hits volume a few years later.
It was the third single — “Chattahoochie” — that became the breakout hit from this collection. Not only did it provide the line that became the title of the album, it received the CMA Awards in 1993 for Single of the Year and Song of the Year. Its release in April 1993 was timed to allow it to become a huge summertime hit, which it did. It became the first Alan Jackson single to earn gold certification, as well as his seventh #1. It’s a pleasant enough light-hearted tune, but one that hasn’t aged as well as the rest of Jackson’s catalog. It would be a stretch to say that I actively dislike the song, but I have grown weary of it over the years and wouldn’t miss it if I never heard it again.
Alan followed up this blockbuster with another summertime smash, “Mercury Blues”, a remake of a song written in 1949 and recorded by K.C. Douglas, who co-wrote it with Robert Geddins. Before Alan Jackson got to the song, it was recorded by the Steve Miller Band in 1976, David Lindley in 1991 and Finn Pave Maijanen in 1987, and it was subsequently recorded by Meat Loaf in 2003 and Dwight Yoakam in 2004. Jackson’s version, which peaked at #2, is by far my favorite. A slightly retooled version of Jackson’s rendition was featured in commercials for Ford trucks,with “Ford truck” being substituted for “Mercury”.
“(Who Says) You Can’t Have It All” was the fifth and final single from this set. Written by Alan with Jim McBride, it is another straight-country, George Jones-influenced number in the vein of “Tonight I Climb The Wall”, and just like that tune, this one peaked at #4 in Billboard. This is the type of song at which Jackson excels; I hope that there is a song or two like this on his new album.
As far as the non-single tracks go, “I Don’t Need The Booze (To Get A Buzz On)” is the weakest song, which means it would probably be the lead single if this album were released today. “Up To My Ears In Tears”, written by Jackson with Don Sampson is a Texas dancehall number that would sound right at home on a George Strait album from the 80s. “Tropical Depression”, also written by Jackson and Sampson, along with Charlie Craig, is an early example of Alan Jackson in his Jimmy Buffett mode, not lyrically or melodically deep, but a pleasant light-hearted number that hasn’t worn out its welcome like “Chattahoochie” has.
Overall, I don’t like this album quite as much as Don’t Rock The Jukebox, but it’s a much stronger collection than some of Jackson’s more recent work. It peaked at #1 on the Billboard Top Country Albums chart and was certified six-times platinum, making it Jackson’s best-selling studio album. It is available from Amazon and iTunes and is well worth adding to your collection, if you don’t own it already.